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Related Music Theory Alchemy

“I Am The Walrus” is a composition by The Beatles in which the song varies in key and progressive elements, with fascinating uses of borrowed chords from parallel modes and chromatic bass motion. The melody resides predominantly within a pentatonic framework, frequently rotating around subversions. The Bridge section beautifully showcases Beatles’ experimentation with descending chord progression built around chromatic movement.

The Beatles’ “Rocky Raccoon” incorporates a repeating sequence of predominantly seventh chords, displaying a mix of minor, dominant, and sustained chords within the and C Major/A minor keys. This diversity contributes to the song’s unique harmony, and given its context in a folk rock style, the progression exudes a rustic, storytelling personality.

The song “It’s A Fire” by Portishead features complex harmonic structures, distinguished by a fusion of pop, rock, and elements of jazz harmonies. The band, known for their trip-hop style, employ chromatically richer harmony and non-diatonic chord progressions in this piece. The chord progression of ‘It’s A Fire’ is consistent with this approach as we see the frequent use of suspended and minor chords alongside major ones, which creates a sense of unresolved tension. Borrowed chords, usually taken from the parallel minor or major key, are also used frequently to add stylistic color to the harmony.

“Castles Made Of Sand” is a song by Jimi Hendrix, featured on the 1967 album “Axis: Bold as Love.” The chord progression in the verse is notable for its use of both diatonic and chromatic chords, creating a complex harmonic structure that reflects the intricate guitar work and emotive lyrics of the song.

The chord progression in the verse of “When You Die” by MGMT can be analyzed as a blend of traditional diatonic harmony and chromaticism. The song is in the key of G major with elements of modal interchange and a brief modulation to the relative minor key, E minor. The progression features a mix of both major and minor chords and gives the piece a sense of melancholy and uncertainty.

The Beatles – I Am The Walrus – Verse 1

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Chord Progression

[‘A’, ‘A/G’, ‘C’, ‘D’, ‘A’, ‘A/G’, ‘C’, ‘D7’, ‘A’]

Chord Progression Analysis

The chord progression for the verse is as follows:

A Major (I), A/G (I bass inversion), C Major (♭III – Borrowed from the parallel minor), D Major (IV), A Major (I), A/G (I bass inversion), C Major (♭III – Borrowed from the parallel minor), D7 (IV7), A Major (I).

“`Borrowed Chords: C Major“`

Similar Chord Progressions

The use of borrowed chords can be seen in other songs from the 1960s psychedelic era. The Beach Boys’ “Good Vibrations” uses a similar technique, occasionally borrowing chords from the parallel minor in what would otherwise be a simple major key progression. A parallel can also be drawn to the work of Pink Floyd, in their song “See Emily Play”, which also creatively borrows chords to achieve a psychedelic sound.

Here is the progression which similar techniques were used (not the whole songs, just representative snippets):

Beach Boys – Good Vibrations: E Major (I), F# minor (ii), G Major (♭III – Borrowed from the parallel minor), A Major (IV), E Major (I)

Pink Floyd – See Emily Play: A Major (I), B Major (II), C Major (♭III – Borrowed from the parallel minor), D Major (IV), E Major (V)

Musical Analysis

The use of the borrowed chord C Major (♭III) from the parallel minor scale offers a chromatic and unexpected shift that contributes to the psychedelic and unpredictable nature of the song. The D7 chord in the progression introduces a dominant seventh, providing tension that resolves back to the tonic chord, A Major.

Overall Analysis

“I Am The Walrus” is a distinctive composition by the Beatles from their 1967 album “Magical Mystery Tour”. Known for its surreal lyrics and creative chord progression, the song displays the Beatles’ mastery of composition and their innovative use of harmony. The song features elements from psychedelic rock, a genre that the Beatles helped popularize during the mid-1960s.

Style Analysis

“I Am The Walrus” reflects the Beatles’ progression from their initial pop-rock sound into more experimental and avant-garde styles. The song’s unusual chord progression, abstract lyrics, and complex structure are hallmarks of psychedelic rock. The borrowed chords and modulation display a sophisticated understanding of music theory and suggest the influence of classical music and jazz on the Beatles’ songwriting.

Chords in the Verse 1 section of I Am The Walrus by The Beatles are:

[‘A’, ‘A/G’, ‘C’, ‘D’, ‘A’, ‘A/G’, ‘C’, ‘D7’, ‘A’]