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Related Music Theory Alchemy

“I Am The Walrus” by The Beatles is a song that stands out because of its unique chord progressions and thematic material. The chord progression of the pre-chorus is particularly captivating and somehow unusual compared to common pop/rock tunes.

“All You Need Is Love” is in the key of G major. The song primarily uses the chords within the key signature and has a relatively simple harmonic structure. However, the song does utilize a few distinct chord choices that contribute to its unique sonic character. The song applies modal interchange with an inclusion of A minor from the G Mixolydian mode and the D7 and D6 which evoke a hint of the D Mixolydian mode.

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Generally, the chord progression follows the conventional guidelines of western music, utilizing strong resolution from B (V) to E (I). However, it also employs some harmony techniques very typical in pop/rock music, such as the use of slash chords and chord inversions (A/E, F#m7/E) to add harmonic interest. In addition, it incorporates chromatic mediant relationships (E to C#m) to create a sense of progression.

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The song “Purple Rain” by Prince is a classic and showcases some interesting use of chord progressions. The key of the song is G major. The classic, popular music formula is present in the use of common chords like I, ii, IV, V which are all diatonic within the key. Noticeably, this song opts for a more simplistic, cyclical chord progression structure that emphasizes repetition of strong melodic lines.

“Can’t Buy Me Love” is a song in C Major. The Beatles were renowned for their use of a variety of chord progressions, and this song certainly lives up to that reputation. Although the progression in the verse primarily consists of the chords ‘C7’, ‘F7’, and ‘C’, it’s the way they are harmonically linked that makes it really interesting.

The Beatles – I Am The Walrus – Verse 1

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Chord Progression

[‘A’, ‘A/G’, ‘C’, ‘D’, ‘A’, ‘A/G’, ‘C’, ‘D7’, ‘A’]

Chord Progression Analysis

The chord progression for the verse is as follows:

A Major (I), A/G (I bass inversion), C Major (♭III – Borrowed from the parallel minor), D Major (IV), A Major (I), A/G (I bass inversion), C Major (♭III – Borrowed from the parallel minor), D7 (IV7), A Major (I).

“`Borrowed Chords: C Major“`

Similar Chord Progressions

The use of borrowed chords can be seen in other songs from the 1960s psychedelic era. The Beach Boys’ “Good Vibrations” uses a similar technique, occasionally borrowing chords from the parallel minor in what would otherwise be a simple major key progression. A parallel can also be drawn to the work of Pink Floyd, in their song “See Emily Play”, which also creatively borrows chords to achieve a psychedelic sound.

Here is the progression which similar techniques were used (not the whole songs, just representative snippets):

Beach Boys – Good Vibrations: E Major (I), F# minor (ii), G Major (♭III – Borrowed from the parallel minor), A Major (IV), E Major (I)

Pink Floyd – See Emily Play: A Major (I), B Major (II), C Major (♭III – Borrowed from the parallel minor), D Major (IV), E Major (V)

Musical Analysis

The use of the borrowed chord C Major (♭III) from the parallel minor scale offers a chromatic and unexpected shift that contributes to the psychedelic and unpredictable nature of the song. The D7 chord in the progression introduces a dominant seventh, providing tension that resolves back to the tonic chord, A Major.

Overall Analysis

“I Am The Walrus” is a distinctive composition by the Beatles from their 1967 album “Magical Mystery Tour”. Known for its surreal lyrics and creative chord progression, the song displays the Beatles’ mastery of composition and their innovative use of harmony. The song features elements from psychedelic rock, a genre that the Beatles helped popularize during the mid-1960s.

Style Analysis

“I Am The Walrus” reflects the Beatles’ progression from their initial pop-rock sound into more experimental and avant-garde styles. The song’s unusual chord progression, abstract lyrics, and complex structure are hallmarks of psychedelic rock. The borrowed chords and modulation display a sophisticated understanding of music theory and suggest the influence of classical music and jazz on the Beatles’ songwriting.

Chords in the Verse 1 section of I Am The Walrus by The Beatles are:

[‘A’, ‘A/G’, ‘C’, ‘D’, ‘A’, ‘A/G’, ‘C’, ‘D7’, ‘A’]