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“Cant Buy Me Love” by The Beatles, is a song in the key of C Major, but it has an interesting harmonic structure, especially in the chorus. The song features a number of borrowed and secondary dominant chords to create tension that resolves into the tonic chord. The chorus’s progression can be seen as a series of descending minor thirds, with an unexpected shift to a ii-V-I progression which is quite popular in jazz music.

“Can’t Buy Me Love” is a song in C Major. The Beatles were renowned for their use of a variety of chord progressions, and this song certainly lives up to that reputation. Although the progression in the verse primarily consists of the chords ‘C7’, ‘F7’, and ‘C’, it’s the way they are harmonically linked that makes it really interesting.

The chord progression in Daniel Caesar’s “Get You” from Verse 4 features a mixture of diatonic chords and borrowed chords from parallel modes. The progression showcases a smooth, soulful, and somewhat melancholic atmosphere that blends elements of R&B, jazz, and neo-soul.

The song “Eight Days a Week” by The Beatles is an interesting example of pop music songwriting from the mid 1960’s. It showcases Paul McCartney and John Lennon’s ability to use common chord progressions and tweak them in a unique and recognizable way. It utilizes a simple progression in the verse but what makes it different is their use of 7th and borrowed chords. The key of the song is D major.

The provided chord progression is quite simple, with a single chord (F) repeated four times. This type of progression creates a static or stable feel, with no harmonic tension to resolve. This chord progression alone isn’t enough to give a complete musical analysis, as it’s quite minimalistic, and it’s necessary to evaluate the progression in the context of the entire song. However, I can still offer some thoughts on the progression’s possible function, style notes, and similar chord progressions.

The Beatles – Cant Buy Me Love – Verse 4

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Chord Progression

[‘C7’, ‘F7’, ‘C’]

Chord Progression Analysis

Given the progression is ‘C7’, ‘F7’, ‘C’, and the key being C Major:

C7 – C Dominant Seventh (‘V7/IV’)
F7 – F Dominant Seventh (‘IV7’)
C – C Major (‘I’)

Note that C7 in the Key of C (Imaj7) would usually be a Major 7th, so the Dominant 7th (V7/IV) is borrowed from the key of F.

“`Chord progression: ‘C Dominant Seventh (V7/IV)’, ‘F Dominant Seventh (IV7)’, ‘C Major (I)’. Borrowed chord: ‘C Dominant Seventh (V7/IV)’“`

Similar Chord Progressions

1. “Twist and Shout” by The Beatles also uses the V7/IV in the transition from D7 to G. Chord progression: ‘D Dominant Seventh (V7/IV)’, ‘G Major (I)’.
2. “Sweet Home Alabama” by Lynyrd Skynyrd uses a similar dominant 7th sequence. Chord progression: ‘D Major (I)’, ‘C Dominant Seventh (V7/IV)’, ‘G Major (IV)’.
3. “Learn to Fly” by Foo Fighters uses a similar technique, though transposed to a different key. Chord progression: ‘B Major (I)’, ‘A Dominant Seventh (V7/IV)’, ‘E Major (IV)’.

Note: The borrowed dominant-seventh is often utilized to ‘prepare’ the listener for the IV chord, which then typically resolves back to I, creating a cycle of tension and resolution that is pleasing to our ears.

Musical Analysis

This progression, generally known as a plagal cadence, characterized by a IV to I progression, but with 7th chords, is common in many types of music, especially pop, due to its natural tension and resolution. The inclusion of the dominant 7ths adds a smooth, bluesy quality that is typical of The Beatles’ early style. C7 ‘prepares’ the listener for an incoming F in baroque terms, whereas F7 “prepares” for the home key C. As a result, the C7 is borrowed from the F Major scale.

Overall Analysis

“Can’t Buy Me Love,” a song by The Beatles, exhibits a style that’s emblematic of their earlier work, with a clear, upbeat tonality and an elegant yet straightforward chord progression. The tune is predominantly centred in the key of C major, but it utilizes both major and dominant 7th chords to create tension and resolution, modulating away from the home key. The particular progression you’ve given, ‘C7’, ‘F7’, ‘C’, isn’t rare and demonstrates the Beatles’ precision and understanding of pop and rock music’s creative possibilities.

Style Analysis

The Beatles, particularly in their early career, were well-known for their combination of multiple genres, including rock, pop, and blues. The progression seen here is no exception. C7 to F7 in particular adds slightly bluesy flavor. Their introduction of borrowed chords and 7th harmonies were also a unique innovation that contributes to their characteristic sound.

Chords in the Verse 4 section of Cant Buy Me Love by The Beatles are:

[‘C7’, ‘F7’, ‘C’]