Music Theory Alchemy

Search

Related Music Theory Alchemy

“Cant Buy Me Love” by The Beatles, is a song in the key of C Major, but it has an interesting harmonic structure, especially in the chorus. The song features a number of borrowed and secondary dominant chords to create tension that resolves into the tonic chord. The chorus’s progression can be seen as a series of descending minor thirds, with an unexpected shift to a ii-V-I progression which is quite popular in jazz music.

**

The song, ‘Across the Universe’ by The Beatles is uniquely complex in its melody and chord progression. The song modulates or shifts key but is rooted mainly in D major. The song utilizes the standard rock/pop song structure of Verse, Chorus, and Outro. The unusual facet of this song’s composition is the use of borrowed chords (non-diatonic chords) that add unexpected twists to an otherwise typical chord progression.

**

“Love of My Life” by Queen exhibits a very romantic and classical style, resonant of popular ballads primarily from the classical and romantic periods. The song beautifully plays with complex harmonies, frequent key changes and borrowings from parallel keys (modal mixture), which together yield a dramatic and emotional expression. Many of the chords used, including diminished chords, fully diminished seventh, major-minor seventh chords, and usage of secondary dominants are reminiscent of 19th-century Romantic music.

The chord progression in verse 4 of “Since I’ve Been Loving You” has a striking mix of diatonic chords and chromatic chords that borrow from different modes, creating a unique and expressive progression found in the blues rock style. The progression features a predominantly minor tonality, with some tension points provided by the dominant seventh and major seventh chords.

“Paint It Black” by The Rolling Stones is a famous Rock song heavily influenced by the Indian classical form of music called Raga rock. The song is written in E minor and it has a very distinctively descending minor key tonality. The chords progression in the verse sequence doesn’t follow the conventional rules of western tonal harmony as it navigates through various key centers, showcasing the bands exploration of exotic and unconventional songwriting.

The Beatles – Cant Buy Me Love – Verse 4

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘C7’, ‘F7’, ‘C’]

Chord Progression Analysis

Given the progression is ‘C7’, ‘F7’, ‘C’, and the key being C Major:

C7 – C Dominant Seventh (‘V7/IV’)
F7 – F Dominant Seventh (‘IV7’)
C – C Major (‘I’)

Note that C7 in the Key of C (Imaj7) would usually be a Major 7th, so the Dominant 7th (V7/IV) is borrowed from the key of F.

“`Chord progression: ‘C Dominant Seventh (V7/IV)’, ‘F Dominant Seventh (IV7)’, ‘C Major (I)’. Borrowed chord: ‘C Dominant Seventh (V7/IV)’“`

Similar Chord Progressions

1. “Twist and Shout” by The Beatles also uses the V7/IV in the transition from D7 to G. Chord progression: ‘D Dominant Seventh (V7/IV)’, ‘G Major (I)’.
2. “Sweet Home Alabama” by Lynyrd Skynyrd uses a similar dominant 7th sequence. Chord progression: ‘D Major (I)’, ‘C Dominant Seventh (V7/IV)’, ‘G Major (IV)’.
3. “Learn to Fly” by Foo Fighters uses a similar technique, though transposed to a different key. Chord progression: ‘B Major (I)’, ‘A Dominant Seventh (V7/IV)’, ‘E Major (IV)’.

Note: The borrowed dominant-seventh is often utilized to ‘prepare’ the listener for the IV chord, which then typically resolves back to I, creating a cycle of tension and resolution that is pleasing to our ears.

Musical Analysis

This progression, generally known as a plagal cadence, characterized by a IV to I progression, but with 7th chords, is common in many types of music, especially pop, due to its natural tension and resolution. The inclusion of the dominant 7ths adds a smooth, bluesy quality that is typical of The Beatles’ early style. C7 ‘prepares’ the listener for an incoming F in baroque terms, whereas F7 “prepares” for the home key C. As a result, the C7 is borrowed from the F Major scale.

Overall Analysis

“Can’t Buy Me Love,” a song by The Beatles, exhibits a style that’s emblematic of their earlier work, with a clear, upbeat tonality and an elegant yet straightforward chord progression. The tune is predominantly centred in the key of C major, but it utilizes both major and dominant 7th chords to create tension and resolution, modulating away from the home key. The particular progression you’ve given, ‘C7’, ‘F7’, ‘C’, isn’t rare and demonstrates the Beatles’ precision and understanding of pop and rock music’s creative possibilities.

Style Analysis

The Beatles, particularly in their early career, were well-known for their combination of multiple genres, including rock, pop, and blues. The progression seen here is no exception. C7 to F7 in particular adds slightly bluesy flavor. Their introduction of borrowed chords and 7th harmonies were also a unique innovation that contributes to their characteristic sound.

Chords in the Verse 4 section of Cant Buy Me Love by The Beatles are:

[‘C7’, ‘F7’, ‘C’]