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Related Music Theory Alchemy

“Cant Buy Me Love” by The Beatles, is a song in the key of C Major, but it has an interesting harmonic structure, especially in the chorus. The song features a number of borrowed and secondary dominant chords to create tension that resolves into the tonic chord. The chorus’s progression can be seen as a series of descending minor thirds, with an unexpected shift to a ii-V-I progression which is quite popular in jazz music.

“Let It Be” by The Beatles utilizes a very accessible and effective chord progression throughout the song. This progression is designed to create tension and release as it progresses, as well as establish the root key of the song, which is C Major.

The chords used throughout the song show a strong use of borrowed chords, inversions, and extensions, adding to the depth and complexity of the song despite the relatively uncomplicated chord progression.

The balance between the root key, dissonance, resolution, and overall harmony creates an emotive and engaging song that maintains listener interest and displays the songwriting abilities of The Beatles.

The song “Hallelujah” written by Leonard Cohen and popularly covered by Jeff Buckley is a solemn ballad consisting of poetic lyrics set to a haunting melody. This particular chord progression in Verse 4 highlights the song’s delicate balance between tension and resolution. The tonality revolves around C major, with deviations into other tonal areas, which adds complexity and emotional impact.

The song “Penny Lane” written by the Beatles is in the key of A major. The structure of Verse 4, specifically, has a very effective use of both diatonic (belonging naturally to the key) and borrowed chords (taken from a different key or mode). They have incorporated secondary dominants, pivot modulation, and modal interchange which reflect their knowledge of musical theory and compositional skills.

“Start Me Up” by The Rolling Stones is a classic rock song that utilizes a common I-IV chord progression primarily in the key of D major. Like many rock songs from their era, the arrangement is simple yet effective, designed to showcase the strong rhythm and melody rather than complex harmonies.

The Beatles – Cant Buy Me Love – Verse 4

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Chord Progression

[‘C7’, ‘F7’, ‘C’]

Chord Progression Analysis

Given the progression is ‘C7’, ‘F7’, ‘C’, and the key being C Major:

C7 – C Dominant Seventh (‘V7/IV’)
F7 – F Dominant Seventh (‘IV7’)
C – C Major (‘I’)

Note that C7 in the Key of C (Imaj7) would usually be a Major 7th, so the Dominant 7th (V7/IV) is borrowed from the key of F.

“`Chord progression: ‘C Dominant Seventh (V7/IV)’, ‘F Dominant Seventh (IV7)’, ‘C Major (I)’. Borrowed chord: ‘C Dominant Seventh (V7/IV)’“`

Similar Chord Progressions

1. “Twist and Shout” by The Beatles also uses the V7/IV in the transition from D7 to G. Chord progression: ‘D Dominant Seventh (V7/IV)’, ‘G Major (I)’.
2. “Sweet Home Alabama” by Lynyrd Skynyrd uses a similar dominant 7th sequence. Chord progression: ‘D Major (I)’, ‘C Dominant Seventh (V7/IV)’, ‘G Major (IV)’.
3. “Learn to Fly” by Foo Fighters uses a similar technique, though transposed to a different key. Chord progression: ‘B Major (I)’, ‘A Dominant Seventh (V7/IV)’, ‘E Major (IV)’.

Note: The borrowed dominant-seventh is often utilized to ‘prepare’ the listener for the IV chord, which then typically resolves back to I, creating a cycle of tension and resolution that is pleasing to our ears.

Musical Analysis

This progression, generally known as a plagal cadence, characterized by a IV to I progression, but with 7th chords, is common in many types of music, especially pop, due to its natural tension and resolution. The inclusion of the dominant 7ths adds a smooth, bluesy quality that is typical of The Beatles’ early style. C7 ‘prepares’ the listener for an incoming F in baroque terms, whereas F7 “prepares” for the home key C. As a result, the C7 is borrowed from the F Major scale.

Overall Analysis

“Can’t Buy Me Love,” a song by The Beatles, exhibits a style that’s emblematic of their earlier work, with a clear, upbeat tonality and an elegant yet straightforward chord progression. The tune is predominantly centred in the key of C major, but it utilizes both major and dominant 7th chords to create tension and resolution, modulating away from the home key. The particular progression you’ve given, ‘C7’, ‘F7’, ‘C’, isn’t rare and demonstrates the Beatles’ precision and understanding of pop and rock music’s creative possibilities.

Style Analysis

The Beatles, particularly in their early career, were well-known for their combination of multiple genres, including rock, pop, and blues. The progression seen here is no exception. C7 to F7 in particular adds slightly bluesy flavor. Their introduction of borrowed chords and 7th harmonies were also a unique innovation that contributes to their characteristic sound.

Chords in the Verse 4 section of Cant Buy Me Love by The Beatles are:

[‘C7’, ‘F7’, ‘C’]