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“All My Loving” by The Beatles is written in the key of D Major. It’s pop and rock style includes elements of British Invasion and Merseybeat. It shows a common chord progression modified with additional chords and modulation.

“Across The Universe” by The Beatles, written mostly by John Lennon, is known for its rich and complex harmonic structures that added new dimensions to pop music. The song is predominately in the key of D major, with occasional borrowings from the parallel minor (D minor) and the closely-related key of B minor. The verse 1 progression – D, Bm, F#m, Em7, A, A7, D, Bm, F#m, Em7, Gm – creates an affectingly melancholic mood through its mix of major, minor and borrowed chords, producing a unique ambience that evokes a sense of cosmic contemplation, matching with the philosophical lyrics of the song.

The given chord progression of Weezer’s “California Kids” features a verse in the key of C major. The progression primarily uses diatonic chords, with a more unconventional movement that features the use of a C/B chord, or I chord with the bass note played in the seventh degree (leads to tonicization of the vi chord). The progression also features a common IV-V movement that is a characteristic of pop and rock music.

“Fake Plastic Trees” by Radiohead is a melancholic song with an emotional chord progression. The song is in the key of A Major and features a mixture of diatonic chords, suspended chords, and extended chords that create a sense of yearning and tension. The verse is characterized by a cyclical progression that begins and ends on the tonic (A), providing a sense of unresolved tension. This helps to support the song’s themes of artificiality and dissatisfaction.

David Bowie’s song, “Space Oddity,” is typically interpreted as being in the key of C Major. It’s an interesting song harmonically, featuring not just Primary Triads and Secondary Dominants but also uses Borrowed Chords, non-functional harmony, and chromatic chord changes. The kind of harmonic movement might be called Bowie’s deviation from the traditional harmonic patterns, which is part of what gives his music its characteristic ‘alien’ vibe. This progression has a more modal feeling due to the use of borrowed chords and the shifted tonal center.

The Beatles – All My Loving – Verse 1

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Chord Progression

[‘Em’, ‘A7’, ‘D’, ‘Bm’, ‘G’, ‘Em’, ‘C’, ‘A7’, ‘Em’, ‘A7’, ‘D’, ‘Bm’, ‘G’, ‘A’, ‘D’]

Chord Progression Analysis

Below is the chord progression analysis with full chord names and their associated roman numerals. Note that the chord names may appear differently based on the musical context but conform to the key of D Major:

“`
Em (ii), A7 (V7/ii), D (I), Bm (vi), G (IV), Em (ii), C (VII/bIII), A7 (V7/ii),
Em (ii), A7 (V7/ii), D (I), Bm (vi), G (IV), A (V), D (I).
“`

Note the ‘C’ appearing as a borrowed chord from the parallel minor (D minor), as D Major does not traditionally include a C Major chord. Such use of borrowed chords adds extra flavor to the song’s harmonic texture.

Similar Chord Progressions

One song that comes to mind with a similar progression is “Stolen Moments” by Oliver Nelson. The ii-V-I sequence, the borrowed chord, and the jazzy elements align closely with the progressions used in “All My Loving”.

Here is the chord progression of “Stolen Moments” in D Major:

“`
Dm7 (ii), G7 (V7/ii), Cmaj7 (I), A7b9 (vi7b9), Dm7(ii), G7 (V7/ii), Cmaj7(I), A7b9 (vi7b9).
“`

This progression also uses the ii-V-I sequence, a common borrowed chord (A7b9), and includes jazz influence through the 7th and extended chords.

Musical Analysis

This song immediately shows its depth with its chord sequences. The ii-V-I sequence beginning with Em-A7-D is a classic jazz progression and gives a strong sense of resolution. The inclusion of Bm introduces a sensitive tonality, while the G chord grounds the progression back in the predominant D Major key.

The use of the C chord as a borrowed chord adds a surprise element to the progression. Borrowed chords, typically from the parallel minor, add depth and unexpected color to the harmonic landscape. These techniques show the Beatles’ mastery in integrating sophisticated harmony in their accessible pop tunes.

Overall Analysis

“All My Loving” by the Beatles is a great example of their early ’60s pop style. This song’s verse chord progression is in the key of D Major with a mix of minor chords and 7th chords that add to the emotional intensity of the song. The composition blends pop simplicity with complex harmony, encapsulating the Beatles’ innovative songwriting.

Style Analysis

“All My Loving” captures the early Beatles’ style, with its catchy melody and harmony. The chord progression with its jazzy ii-V-I sequence and unexpected borrowed chord expresses a sense of longing and wistfulness that matches the lyrics beautifully.

The Beatles’ style often included such surprises, combining popular music structures with more sophisticated harmonic ideas from jazz and classical music, such as borrowed chords and modal interchange. This fusion created a unique sound that was easy to digest yet rich in content.

Chords in the Verse 1 section of All My Loving by The Beatles are:

[‘Em’, ‘A7’, ‘D’, ‘Bm’, ‘G’, ‘Em’, ‘C’, ‘A7’, ‘Em’, ‘A7’, ‘D’, ‘Bm’, ‘G’, ‘A’, ‘D’]