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Related Music Theory Alchemy

“All My Loving” by The Beatles is written in the key of D Major. It’s pop and rock style includes elements of British Invasion and Merseybeat. It shows a common chord progression modified with additional chords and modulation.

“Yesterday” by The Beatles showcases the innovative use of chord progressions that the group is known for. This song, unlike their other songs, includes borrowed chords and numerous secondary dominant chords. It also uses their favored approach of mixing chords from parallel major and minor scales, hence creating a ‘blended’ modal effect.

Moreover, it uses a mixolydian ♭7 in the main chord sequence, which is quite a popular trick among songwriters for shifting the tonic of a song.

The verse of “All I Need” by Radiohead features a simple chord progression consisting of three main chords: C, Em, and G. It alternates between these three chords for most of the progression, with some occasional repetition of the C chord. This progression provides a consistent harmonic foundation for the vocal melody and sets a mostly stable and melancholic mood.

“Let It Be” by The Beatles utilizes a very accessible and effective chord progression throughout the song. This progression is designed to create tension and release as it progresses, as well as establish the root key of the song, which is C Major.

The chords used throughout the song show a strong use of borrowed chords, inversions, and extensions, adding to the depth and complexity of the song despite the relatively uncomplicated chord progression.

The balance between the root key, dissonance, resolution, and overall harmony creates an emotive and engaging song that maintains listener interest and displays the songwriting abilities of The Beatles.

The Wind Cries Mary by Jimi Hendrix is a classic rock ballad written in the key of F major, based around a somewhat simple, yet effective, chord progression. There are a few borrowed chords and modulations that add to the harmonic complexity and characteristic guitar work by Hendrix. The song’s structure consists of a verse, followed by a brief pre-chorus, and a chorus before repeating.

The Beatles – All My Loving – Verse 1

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Chord Progression

[‘Em’, ‘A7’, ‘D’, ‘Bm’, ‘G’, ‘Em’, ‘C’, ‘A7’, ‘Em’, ‘A7’, ‘D’, ‘Bm’, ‘G’, ‘A’, ‘D’]

Chord Progression Analysis

Below is the chord progression analysis with full chord names and their associated roman numerals. Note that the chord names may appear differently based on the musical context but conform to the key of D Major:

“`
Em (ii), A7 (V7/ii), D (I), Bm (vi), G (IV), Em (ii), C (VII/bIII), A7 (V7/ii),
Em (ii), A7 (V7/ii), D (I), Bm (vi), G (IV), A (V), D (I).
“`

Note the ‘C’ appearing as a borrowed chord from the parallel minor (D minor), as D Major does not traditionally include a C Major chord. Such use of borrowed chords adds extra flavor to the song’s harmonic texture.

Similar Chord Progressions

One song that comes to mind with a similar progression is “Stolen Moments” by Oliver Nelson. The ii-V-I sequence, the borrowed chord, and the jazzy elements align closely with the progressions used in “All My Loving”.

Here is the chord progression of “Stolen Moments” in D Major:

“`
Dm7 (ii), G7 (V7/ii), Cmaj7 (I), A7b9 (vi7b9), Dm7(ii), G7 (V7/ii), Cmaj7(I), A7b9 (vi7b9).
“`

This progression also uses the ii-V-I sequence, a common borrowed chord (A7b9), and includes jazz influence through the 7th and extended chords.

Musical Analysis

This song immediately shows its depth with its chord sequences. The ii-V-I sequence beginning with Em-A7-D is a classic jazz progression and gives a strong sense of resolution. The inclusion of Bm introduces a sensitive tonality, while the G chord grounds the progression back in the predominant D Major key.

The use of the C chord as a borrowed chord adds a surprise element to the progression. Borrowed chords, typically from the parallel minor, add depth and unexpected color to the harmonic landscape. These techniques show the Beatles’ mastery in integrating sophisticated harmony in their accessible pop tunes.

Overall Analysis

“All My Loving” by the Beatles is a great example of their early ’60s pop style. This song’s verse chord progression is in the key of D Major with a mix of minor chords and 7th chords that add to the emotional intensity of the song. The composition blends pop simplicity with complex harmony, encapsulating the Beatles’ innovative songwriting.

Style Analysis

“All My Loving” captures the early Beatles’ style, with its catchy melody and harmony. The chord progression with its jazzy ii-V-I sequence and unexpected borrowed chord expresses a sense of longing and wistfulness that matches the lyrics beautifully.

The Beatles’ style often included such surprises, combining popular music structures with more sophisticated harmonic ideas from jazz and classical music, such as borrowed chords and modal interchange. This fusion created a unique sound that was easy to digest yet rich in content.

Chords in the Verse 1 section of All My Loving by The Beatles are:

[‘Em’, ‘A7’, ‘D’, ‘Bm’, ‘G’, ‘Em’, ‘C’, ‘A7’, ‘Em’, ‘A7’, ‘D’, ‘Bm’, ‘G’, ‘A’, ‘D’]