Search

Related Music Theory Alchemy

“A Hard Day’s Night” by the Beatles is in the key of G Major. According to the provided list, the song has an array of major, minor, and some of the seventh and suspended chords, which is quite typical for the pop and rock genres. The coda appears to be a cyclic repetition of a phrase involving a transition from a C Major to a G Major chord, before leading to the repeated sequence of D7sus4, Dm7 chords. The D7sus4 and Dm7 chords give an interesting tension and release effect, as the suspension wants to resolve to the minor chord, while the minor chord creates an expectation for a return to the root chord.

“Hey Jude,” written by The Beatles, charts a classic journey from tonic to dominant, with a detour through the subdominant and the minor dominant. It starts with a D chord (I), moves onto A (V), then A7 (V7) and back to D (I). The interlude features the progression D (I) – D7 (I7) – A7 (V7). This clever progression creates a momentary modulation to the key of G with the D7 chord, creating an interesting harmonic shift.

“Hoppipolla” by Sigur Rós is a dreamy and atmospheric piece that showcases the band’s unique style. The chord progression in the verse consists of D#m, E, D#m, and E chords, which creates a simple and elegant harmonic structure. The use of open strings and melodically moving chords in this progression reflects the ethereal nature of this piece. This progression can be found in both rock and alternative music genres, as it uses the powerful major and minor chords found throughout these styles. The repetitive nature of the chord progression mirrors the band’s tendency to use slow-building and evolving textures in their compositions.

“Guilty as Sin?” by Taylor Swift uses a chord progression in the verse that reflects a more nuanced and reflective approach, suitable for a song with a contemplative or emotive theme. The interplay between minor and major seventh chords creates a lush, complex sound that elevates the song’s introspective and somewhat moody lyrical content.

“Have You Ever Seen The Rain” by Creedence Clearwater Revival is a classic rock song written in the key of C Major. It’s a brilliant representation of 60s and 70s folk-rock music with a chord sequence that is very recognizable, even to this day.

##

The Beatles – A Hard Days Night – Verse

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘G’, ‘C’, ‘G’, ‘F’, ‘G’, ‘G’, ‘C’, ‘G’, ‘F’, ‘G’, ‘C’, ‘D’, ‘G’, ‘C’, ‘G’]

Chord Progression Analysis

“`
G Major (‘I’)
C Major (‘IV’)
G Major (‘I’)
F Major (‘♭VII’) – Borrowed from the parallel minor
G Major (‘I’)
G Major (‘I’)
C Major (‘IV’)
G Major (‘I’)
F Major (‘♭VII’) – Borrowed from the parallel minor
G Major (‘I’)
C Major (‘IV’)
D Major (‘V’)
G Major (‘I’)
C Major (‘IV’)
G Major (‘I’)
“`

Similar Chord Progressions

1. “Twist and Shout” (The Beatles)
“`
D Major (‘I’)
G Major (‘IV’)
A Major (‘V’)
D Major (‘I’)
“`
2. “Wild Thing” (The Troggs)
“`
A Major (‘I’)
D Major (‘IV’)
E Major (‘V’)
A Major (‘I’)
“`
3. “Three Little Birds” (Bob Marley)
“`
A Major (‘I’)
D Major (‘IV’)
E Major (‘V’)
A Major (‘I’)
“`

In the above progressions, the same I-IV-I-V pattern is used, but they don’t have the ‘bVII’ chord found in A Hard Day’s Night, making their transition smoother but perhaps not as distinctive or interesting.

Musical Analysis

The chord progression of “A Hard Day’s Night” verse plays around the I-IV chords with the addition of the ‘♭VII’ chord borrowed from the parallel minor of G major, which is G minor. This borrowing gives the song a distinctive, unexpected twist which is typically perceived as a key characteristic of Beatles’ songs, helping to give them an additional level of complexity.

Overall Analysis

“A Hard Day’s Night” by The Beatles, despite seeming to have a simple structure, is quite unique in its musical composition. The progression varies from standard rock, pop, and folk structure by integrating unique transitions and slightly unconventional chord choices.

Verse

Style Analysis

The Beatles, especially in their early years, often combined elements of rock-n-roll, British pop, and R&B, while ingeniously incorporating more unconventional elements into their songwriting. The ‘♭VII’ borrowed chord is a feature generally seen in blues music. Blues influence is observed in many Beatles songs, and this chord adds tension or surprise which soon resolves back to the tonic, creating a pleasurable musical experience.

Chords in the Verse section of A Hard Days Night by The Beatles are:

[‘G’, ‘C’, ‘G’, ‘F’, ‘G’, ‘G’, ‘C’, ‘G’, ‘F’, ‘G’, ‘C’, ‘D’, ‘G’, ‘C’, ‘G’]