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Related Music Theory Alchemy

“A Hard Day’s Night” by the Beatles is in the key of G Major. According to the provided list, the song has an array of major, minor, and some of the seventh and suspended chords, which is quite typical for the pop and rock genres. The coda appears to be a cyclic repetition of a phrase involving a transition from a C Major to a G Major chord, before leading to the repeated sequence of D7sus4, Dm7 chords. The D7sus4 and Dm7 chords give an interesting tension and release effect, as the suspension wants to resolve to the minor chord, while the minor chord creates an expectation for a return to the root chord.

“Something” written by George Harrison from The Beatles majorly follows the key of C major and includes a few borrowed chords. There is a usage of secondary dominants and seventh chords which lend a harmonic complexity to the song. During the course of the song, the chords shift from the major scale to the parallel minor scale.

The chord progression of the verse in Weezer’s “If You’re Wondering If I Want You To I Want You To” uses a combination of diatonic and borrowed chords in the key of D Major. The use of the borrowed chord from the parallel minor key contributes to the unique sound of the progression.

“All You Need Is Love” is in the key of G major. The song primarily uses the chords within the key signature and has a relatively simple harmonic structure. However, the song does utilize a few distinct chord choices that contribute to its unique sonic character. The song applies modal interchange with an inclusion of A minor from the G Mixolydian mode and the D7 and D6 which evoke a hint of the D Mixolydian mode.

“After You’ve Gone” is a jazz standard composed by Django Reinhardt. The verse progression of the song uses a combination of major, minor and dominant chords with some borrowed chords and secondary dominants, which is a hallmark of early jazz and swing music. The harmonic rhythm is mainly at a pace of one or two chords per bar, with occasional faster changes. The piece has a strong sense of tonal center around the key of G major.

The Beatles – A Hard Days Night – Verse

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Chord Progression

[‘G’, ‘C’, ‘G’, ‘F’, ‘G’, ‘G’, ‘C’, ‘G’, ‘F’, ‘G’, ‘C’, ‘D’, ‘G’, ‘C’, ‘G’]

Chord Progression Analysis

“`
G Major (‘I’)
C Major (‘IV’)
G Major (‘I’)
F Major (‘♭VII’) – Borrowed from the parallel minor
G Major (‘I’)
G Major (‘I’)
C Major (‘IV’)
G Major (‘I’)
F Major (‘♭VII’) – Borrowed from the parallel minor
G Major (‘I’)
C Major (‘IV’)
D Major (‘V’)
G Major (‘I’)
C Major (‘IV’)
G Major (‘I’)
“`

Similar Chord Progressions

1. “Twist and Shout” (The Beatles)
“`
D Major (‘I’)
G Major (‘IV’)
A Major (‘V’)
D Major (‘I’)
“`
2. “Wild Thing” (The Troggs)
“`
A Major (‘I’)
D Major (‘IV’)
E Major (‘V’)
A Major (‘I’)
“`
3. “Three Little Birds” (Bob Marley)
“`
A Major (‘I’)
D Major (‘IV’)
E Major (‘V’)
A Major (‘I’)
“`

In the above progressions, the same I-IV-I-V pattern is used, but they don’t have the ‘bVII’ chord found in A Hard Day’s Night, making their transition smoother but perhaps not as distinctive or interesting.

Musical Analysis

The chord progression of “A Hard Day’s Night” verse plays around the I-IV chords with the addition of the ‘♭VII’ chord borrowed from the parallel minor of G major, which is G minor. This borrowing gives the song a distinctive, unexpected twist which is typically perceived as a key characteristic of Beatles’ songs, helping to give them an additional level of complexity.

Overall Analysis

“A Hard Day’s Night” by The Beatles, despite seeming to have a simple structure, is quite unique in its musical composition. The progression varies from standard rock, pop, and folk structure by integrating unique transitions and slightly unconventional chord choices.

Verse

Style Analysis

The Beatles, especially in their early years, often combined elements of rock-n-roll, British pop, and R&B, while ingeniously incorporating more unconventional elements into their songwriting. The ‘♭VII’ borrowed chord is a feature generally seen in blues music. Blues influence is observed in many Beatles songs, and this chord adds tension or surprise which soon resolves back to the tonic, creating a pleasurable musical experience.

Chords in the Verse section of A Hard Days Night by The Beatles are:

[‘G’, ‘C’, ‘G’, ‘F’, ‘G’, ‘G’, ‘C’, ‘G’, ‘F’, ‘G’, ‘C’, ‘D’, ‘G’, ‘C’, ‘G’]