Search

Related Music Theory Alchemy

“A Hard Day’s Night” by the Beatles is in the key of G Major. According to the provided list, the song has an array of major, minor, and some of the seventh and suspended chords, which is quite typical for the pop and rock genres. The coda appears to be a cyclic repetition of a phrase involving a transition from a C Major to a G Major chord, before leading to the repeated sequence of D7sus4, Dm7 chords. The D7sus4 and Dm7 chords give an interesting tension and release effect, as the suspension wants to resolve to the minor chord, while the minor chord creates an expectation for a return to the root chord.

“For No One” is a song from The Beatles’ album Revolver, released in 1966. The song has a melancholic theme, represented quite well through a sophisticated chord progression that features significant use of the minor scale and infrequent use of chord extensions, such as 7th and suspended chords. It’s written primarily in C Major, but the chorus alternates between D Minor and A7, an interesting modal shift (Using structural chords from different modes).

Taylor Swift’s “Black Dog” features a verse chord progression that is both simple and evocative, utilizing variations of the tonic chord to create a sense of movement and build tension before resolving into more straightforward chord changes. This kind of progression is characteristic of songs that aim to evoke a contemplative or narrative-driven mood, which is a frequent theme in Swift’s songwriting.

The chord progression from Muse’s “Hate This And I’ll Love You” displays a mix of diatonic and borrowed chords from the parallel minor. The progression is in the key of A major and shows an unconventional use of chords that gives the song its unique sound. It also showcases certain characteristics of Muse’s music style that includes complex chord progressions and frequent changes between major and minor harmonies.

Chord Progression Analysis and Roman Numerals:

A ('I'), Gm ('bVII'), D/F# ('IV/V'), A ('I'),
Gm ('bVII'), D ('IV'), A ('I'), Gm ('bVII'),
D/F# ('IV/V'), A ('I'), Gm ('bVII'), D/F# ('IV/V')

The borrowed chord in this progression is Gm, taken from the parallel minor, A minor:
`Gm (‘bVII’)`

Paranoid Android is a progressive rock song by Radiohead from their album “OK Computer.” The song features various time signature changes, complex harmonic structures, and a blend of distorted guitar tones and strings. The given chords belong to the first verse of the song. The overall tonality of the song is predominantly centered around the C minor key. However, there are some instances of borrowed chords and chromaticism in the chord progression, which adds tension and an unstable quality to the music.

The Beatles – A Hard Days Night – Verse

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘G’, ‘C’, ‘G’, ‘F’, ‘G’, ‘G’, ‘C’, ‘G’, ‘F’, ‘G’, ‘C’, ‘D’, ‘G’, ‘C’, ‘G’]

Chord Progression Analysis

“`
G Major (‘I’)
C Major (‘IV’)
G Major (‘I’)
F Major (‘♭VII’) – Borrowed from the parallel minor
G Major (‘I’)
G Major (‘I’)
C Major (‘IV’)
G Major (‘I’)
F Major (‘♭VII’) – Borrowed from the parallel minor
G Major (‘I’)
C Major (‘IV’)
D Major (‘V’)
G Major (‘I’)
C Major (‘IV’)
G Major (‘I’)
“`

Similar Chord Progressions

1. “Twist and Shout” (The Beatles)
“`
D Major (‘I’)
G Major (‘IV’)
A Major (‘V’)
D Major (‘I’)
“`
2. “Wild Thing” (The Troggs)
“`
A Major (‘I’)
D Major (‘IV’)
E Major (‘V’)
A Major (‘I’)
“`
3. “Three Little Birds” (Bob Marley)
“`
A Major (‘I’)
D Major (‘IV’)
E Major (‘V’)
A Major (‘I’)
“`

In the above progressions, the same I-IV-I-V pattern is used, but they don’t have the ‘bVII’ chord found in A Hard Day’s Night, making their transition smoother but perhaps not as distinctive or interesting.

Musical Analysis

The chord progression of “A Hard Day’s Night” verse plays around the I-IV chords with the addition of the ‘♭VII’ chord borrowed from the parallel minor of G major, which is G minor. This borrowing gives the song a distinctive, unexpected twist which is typically perceived as a key characteristic of Beatles’ songs, helping to give them an additional level of complexity.

Overall Analysis

“A Hard Day’s Night” by The Beatles, despite seeming to have a simple structure, is quite unique in its musical composition. The progression varies from standard rock, pop, and folk structure by integrating unique transitions and slightly unconventional chord choices.

Verse

Style Analysis

The Beatles, especially in their early years, often combined elements of rock-n-roll, British pop, and R&B, while ingeniously incorporating more unconventional elements into their songwriting. The ‘♭VII’ borrowed chord is a feature generally seen in blues music. Blues influence is observed in many Beatles songs, and this chord adds tension or surprise which soon resolves back to the tonic, creating a pleasurable musical experience.

Chords in the Verse section of A Hard Days Night by The Beatles are:

[‘G’, ‘C’, ‘G’, ‘F’, ‘G’, ‘G’, ‘C’, ‘G’, ‘F’, ‘G’, ‘C’, ‘D’, ‘G’, ‘C’, ‘G’]