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Related Music Theory Alchemy

Tame Impala’s “Let It Happen” is a song in A major key. The chord progression seems simple at first, with a repetitive motive throughout the verse but it creates a hypnotic effect that is very much in line with Tame Impala’s psychedelic style.

“Let It Happen” by Tame Impala is characterized by its psychedelic and experimental nuances. It features an overall bright and uplifting tone despite its use of some more complex chords. The song ska common in pop music. The chord progression in question has a strong melodic sensibility demonstrating Kevin Parker’s ability to incorporate complex musical ideas into a pop format.

“Viva la Vida” by Coldplay is predominantly in the key of G Major, and the main chord progression is a four-chord loop: C, D, G, Em, which repeats throughout the song. The chord progression creates a highly emotional, triumphant atmosphere which reflects the lyrics and overall theme of the song. The use of the B minor chord, the flattened third, later in the song adds some depth and complexity to the harmonic structure and provides a relief from the repetition of the main progression.

“Start Me Up” by The Rolling Stones is structured in a key of D Major, and the song largely follows a I-IV-V chord progression, which is a staple in many genres, especially in blues and rock music. The progression is known for its simple, catchy, and resolved sounds.

The chord progression of the given segment from Muse’s “Apocalypse Please” reflects the band’s signature blend of rock, electronic, and classical music. The progression is in the key of F# minor and features some chromaticism and modal mixture, which is quite common in their style of music. The harmonic rhythm is mostly consistent, and the chords utilized provide a strong sense of direction and resolution throughout the verse.

Tame Impala – Let It Happen – Verse 3

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Chord Progression

[‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’]

Chord Progression Analysis

Here is the chord progression analysis for Verse 3:
“`
A (I)
F#m (vi)
G#sus4 (VII sus4)
“`

The song key is in A Major. Notably, the G#sus4 chord is a borrowed chord from A harmonic minor scale.

Similar Chord Progressions

Similar chord progressions are found in the songs ‘Strawberry Fields Forever’ by The Beatles, using a I – vi – iv progression, and ‘Wonderwall’ by Oasis, using a I – vi – IV – I – ii – IV progression. They present similarities since they use the primary and secondary triads in popular music structure. Nonetheless, it’s important to note the uniqueness of Tame Impala’s progression due to the substitute borrowed chord.

Musical Analysis

Tame Impala plays extensively with musical texture, underpinned by a constant percussive drive that provides momentum. The repetitive sequence of this chord progression underlines a cyclical motif, reflective of the song’s philosophical content. The use of the G#sus4 chord adds an unexpected tension and resolve into the familiar A and F#m chords, which carry the song’s melodic line.

Overall Analysis

Let It Happen’ by Tame Impala employs an accessible and effective chord progression, usual in pop/rock music, yet has unusualness due to the usage of the G#sus4 chord, providing a unique tonal flavor and emotional quality. There is a striking use of harmonic contrast and a continuous return and release of tension throughout the song. This creates an immersive cyclical quality, complementing the song’s theme of embracing inevitable moments and experiences.

Style Analysis

This progression is emblematic of Tame Impala’s style, who often blend accessible pop/rock structures with more complex, unexpected elements. The result is a sound that is instantly recognizable but never predictable. The production is heavily layered and psychedelic-inspired, with a significant use of electronic effects and a broad dynamic range.

Chords in the Verse 3 section of Let It Happen by Tame Impala are:

[‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’]