Music Theory Alchemy

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Related Music Theory Alchemy

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The progression in the song “The Less I Know The Better” by Tame Impala shows a combination of borrowed chords and modal mixture, with most of the chords belonging to the key of E Major. The verse chords including G# minor, C# minor, B, and E, establish a strong use of modal interchange, borrowed from the parallel minor of E.

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Vance Joy’s “Riptide” is a folk-pop song that presents a unique coupling of simplicity and depth on the musical landscape. The chord progression, in particular the pre-chorus, is relatively straightforward, but it introduces a flavor of complexity thanks to the inclusion of the borrowed chord. The song operates primarily within the key of C major, and maintains a predominantly folk-like, easy listening aesthetic throughout. Its chord progression, while simple, is nonetheless powerful in conveying the song’s desired emotional ambiance.

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The given chord progression is the Pre-Chorus section of “After The Storm” by Kali Uchis. The chords in this progression are predominantly built on the 1st and 2nd degrees of the minor scale. The recurring use of the Eaug chord injects an interesting and stylish twist into the music.

The song “The Outsider” by A Perfect Circle has a main key signature of E major, as indicated by the repeated occurrences of the chords B, A, and E. The overall structure is tonal, using chords common in Western music. Some elements of modality are observable though, with the use of the C chord, which in traditional music theory would be considered a borrowed chord from the parallel E minor scale. A sense of tension and release is created through the use of these non-diatonic chords, which ultimately helps to maintain the listener’s interest.

Tame Impala – Cause Im A Man – PRE-CHORUS

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Chord Progression

[‘G’, ‘A’, ‘G’, ‘A’, ‘G’, ‘A’, ‘G’, ‘A’, ‘B’]

Chord Progression Analysis

The Pre-Chorus chords:
1) G Major (bIII)
2) A Major (IV)
The bIII chord here is a borrowed chord from the parallel minor key. The use of this chord gives the music an edgier, yet colorful touch.

“`
G Major (bIII)
A Major (IV)
G Major (bIII)
A Major (IV)
G Major (bIII)
A Major (IV)
G Major (bIII)
A Major (IV)
B Major (V)
“`

Similar Chord Progressions

The chord progression in the pre-chorus of “‘Cause I’m A Man” can be juxtaposed with those of “Breathe” by Pink Floyd and “She’s A Rainbow” by The Rolling Stones which also use an IV-bIII progression.

“She’s A Rainbow” by The Rolling Stones (Key: B Major):
“`
E Major (IV)
D# Major (bIII)
“`

“Breathe” by Pink Floyd (Key: E minor):
“`
A Major (IV in E minor)
G Major (bIII in E minor)
“`

While the keys might be different, the relative motion and treatment of the chords hold similarities yielding a characteristically psychedelic and dense sound.

Musical Analysis

In the pre-chorus, we see an alternating IV-bIII progression. The movement between these two chords acts as a kind of ‘pseudo-suspension’ that eventually resolves to B major (V) – dominant of the root E major. This generates intrigue and also prepares the listener for the change that will come with the chorus.

Overall Analysis

The song seems to have a psychedelic pop/rock vibe reminiscing of the late ’60s and ’70s. The use of major seventh chords and repeated shifting between E Major and D Major hints at a sense of yearning and nostalgia, something that is commonly found in Tame Impala’s music.

Style Analysis

Tame Impala’s music draws heavily from the psychedelic music of the ’60s and ’70s. The use of the major seventh and borrowed chords lends a dreamy and nostalgic quality to the music, a hallmark of the psychedelic style. The Alternating IV-bIII progression in the pre-chorus also adds to the texture, harmonically rich and layered.

Chords in the Pre-chorus section of Cause Im A Man by Tame Impala are:

[‘G’, ‘A’, ‘G’, ‘A’, ‘G’, ‘A’, ‘G’, ‘A’, ‘B’]