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Related Music Theory Alchemy

The given chord progression for the ending of Radiohead’s “You And Whose Army?” is in the key of A major. There are four chords in the progression: A, C#m, B-5, and B-5. Overall, it follows a relatively simple harmonic structure that incorporates power chords and a chromatic neighbor tone in the bass.

Radiohead’s “Fake Plastic Trees” is an alternative rock ballad from their 1995 album, “The Bends.” The moody and atmospheric track is characterized by its emotive vocal delivery, contrasting dynamics, rich arrangement, and engaging chord progression. This progression, in particular, features an interesting mixture of diatonic and borrowed chords that create a sense of tension and resolution throughout the piece.

The chord progression in the verse of “Help!” by The Beatles is quite characteristic of their style, using common chords but in interesting and unusual ways. The verse of “Help!” notably presents a mix of classic pop chord progression (I-vi-ii-V), secondary dominant chords and chromatic progressions. The Beatles often incorporated novel harmonic structures that added depth and complexity to their pop music, as evidenced in this piece.

“All You Need Is Love” is in the key of G major. The song primarily uses the chords within the key signature and has a relatively simple harmonic structure. However, the song does utilize a few distinct chord choices that contribute to its unique sonic character. The song applies modal interchange with an inclusion of A minor from the G Mixolydian mode and the D7 and D6 which evoke a hint of the D Mixolydian mode.

“Dazed and Confused” by Led Zeppelin is a rock song that features a mix of blues and psychedelic elements. The chord progression in the verse is quite unconventional and may invoke a feeling of unease, which matches the song’s mysterious and somewhat disorienting theme.

Radiohead – You And Whose Army – Verse

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Chord Progression

D#m, G#, C#m, F#, Bm, E, A, C#m, D#m, G#, C#m, F#, Bm, E, A, C#m, E, A, C#m, D#m, G#, C#m, F#, Bm, E, A, C#m, D#m, G#, C#m, F#, Bm, E, A, C#m, E, A, C#m

Chord Progression Analysis

D#m (bII), G# (V), C#m (i), F# (IV), Bm (v), E (III), A (VI), C#m (i), D#m (bII), G# (V), C#m (i), F# (IV), Bm (v), E (III), A (VI), C#m (i), E (III), A (VI), C#m (i), D#m (bII), G# (V), C#m (i), F# (IV), Bm (v), E (III), A (VI), C#m (i), D#m (bII), G# (V), C#m (i), F# (IV), Bm (v), E (III), A (VI), C#m (i), E (III), A (VI), C#m (i)

Borrowed Chord:

“`
D#m (bII)
“`

Similar Chord Progressions

1. “Exit Music (For a Film)” by Radiohead
Bm (i), G (VI), Em (iv), C#dim (iio), F# (V), Bm (i), G (VI), Em (iv), C#dim (iio), F# (V), Bm (i)

2. “Something” by The Beatles
C (I), Cmaj7 (IM7), C7 (I7), F (IV), D (V), G (V), Am (vi), Am7/G (vi7/VI), Cmaj7 (IM7), G (V)

Both of these examples, while not identical to “You And Whose Army,” exhibit some elements present in the song, such as unusual chord relationships and borrowed chords.

Musical Analysis

The recurring use of the borrowed chord D#m (bII) creates an element of surprise and tension while still providing a sense of resolution as it progresses to the G# (V) chord. This tension-release relationship is further emphasized by the movement between the F# (IV) and Bm (v) chords. The progression also includes a common chord progression, the VI-III-i progression (A-C#m-E), which adds an emotional and somewhat nostalgic quality to the piece.

Overall Analysis

The chord progression in Radiohead’s “You And Whose Army” showcases the band’s unique style of blending chord progressions from different key centers, as well as their tendency to use borrowed chords. The progression consists largely of diatonic chords from the key of C# minor, but also features a few borrowed chords from D# minor and the parallel major key, C# Major.

Style Analysis

Radiohead is known for their innovative and experimental approach to songwriting, often blending elements from various genres and styles. The chord progression in “You And Whose Army” embodies this approach by using borrowed chords, uncommon chord relationships, and multiple key centers. This technique can be found in various songs throughout their discography, as they consistently push the boundaries of conventional music theory to create a unique and evocative sound.

Chords in the Verse section of You And Whose Army by Radiohead are:

D#m, G#, C#m, F#, Bm, E, A, C#m, D#m, G#, C#m, F#, Bm, E, A, C#m, E, A, C#m, D#m, G#, C#m, F#, Bm, E, A, C#m, D#m, G#, C#m, F#, Bm, E, A, C#m, E, A, C#m