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Related Music Theory Alchemy

The given chord progression for the ending of Radiohead’s “You And Whose Army?” is in the key of A major. There are four chords in the progression: A, C#m, B-5, and B-5. Overall, it follows a relatively simple harmonic structure that incorporates power chords and a chromatic neighbor tone in the bass.

“Creep” by Radiohead is a well-known song that features a fairly simple chord progression in its bridge. The progression is memorable for its fusion of diatonic and chromatic elements, creating a sense of tension and interest.

The verse of Taylor Swift’s “ME!” features a chord progression that is archetypal for upbeat pop music, echoing themes of brightness and positivity. This progression harnesses straightforward harmonic movement to support the song’s enthusiastic vibe, making it highly effective for conveying the song’s message of self-love and confidence.

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“You Can’t Always Get What You Want” by The Rolling Stones is built around major tonality and uses direct and simple progressions. It also features what are known as additive chords (Gadd9) – chords to which notes are added beyond the common triad. The song commences in the key of G Major, indicated by the G, Gadd9, and C chords. These chords progress in an almost continual cyclical pattern across the verses. Here, the dominant chord (D) in the key of G Major is absent, which grants a tonal ambiguity to the song. Interestingly, the song takes a departure into a different key later on which will not be included in this analysis as it pertains to the Verse only.

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The chord progression in the verse of “Knights of Cydonia” by Muse features a mix of diatonic and borrowed chords, primarily from the G# minor and E major keys. The progression features an interesting blend of major and minor chords, chromatic movement, and modulation, contributing to the epic and powerful sound of the track.

Radiohead – You And Whose Army – Verse

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Chord Progression

D#m, G#, C#m, F#, Bm, E, A, C#m, D#m, G#, C#m, F#, Bm, E, A, C#m, E, A, C#m, D#m, G#, C#m, F#, Bm, E, A, C#m, D#m, G#, C#m, F#, Bm, E, A, C#m, E, A, C#m

Chord Progression Analysis

D#m (bII), G# (V), C#m (i), F# (IV), Bm (v), E (III), A (VI), C#m (i), D#m (bII), G# (V), C#m (i), F# (IV), Bm (v), E (III), A (VI), C#m (i), E (III), A (VI), C#m (i), D#m (bII), G# (V), C#m (i), F# (IV), Bm (v), E (III), A (VI), C#m (i), D#m (bII), G# (V), C#m (i), F# (IV), Bm (v), E (III), A (VI), C#m (i), E (III), A (VI), C#m (i)

Borrowed Chord:

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D#m (bII)
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Similar Chord Progressions

1. “Exit Music (For a Film)” by Radiohead
Bm (i), G (VI), Em (iv), C#dim (iio), F# (V), Bm (i), G (VI), Em (iv), C#dim (iio), F# (V), Bm (i)

2. “Something” by The Beatles
C (I), Cmaj7 (IM7), C7 (I7), F (IV), D (V), G (V), Am (vi), Am7/G (vi7/VI), Cmaj7 (IM7), G (V)

Both of these examples, while not identical to “You And Whose Army,” exhibit some elements present in the song, such as unusual chord relationships and borrowed chords.

Musical Analysis

The recurring use of the borrowed chord D#m (bII) creates an element of surprise and tension while still providing a sense of resolution as it progresses to the G# (V) chord. This tension-release relationship is further emphasized by the movement between the F# (IV) and Bm (v) chords. The progression also includes a common chord progression, the VI-III-i progression (A-C#m-E), which adds an emotional and somewhat nostalgic quality to the piece.

Overall Analysis

The chord progression in Radiohead’s “You And Whose Army” showcases the band’s unique style of blending chord progressions from different key centers, as well as their tendency to use borrowed chords. The progression consists largely of diatonic chords from the key of C# minor, but also features a few borrowed chords from D# minor and the parallel major key, C# Major.

Style Analysis

Radiohead is known for their innovative and experimental approach to songwriting, often blending elements from various genres and styles. The chord progression in “You And Whose Army” embodies this approach by using borrowed chords, uncommon chord relationships, and multiple key centers. This technique can be found in various songs throughout their discography, as they consistently push the boundaries of conventional music theory to create a unique and evocative sound.

Chords in the Verse section of You And Whose Army by Radiohead are:

D#m, G#, C#m, F#, Bm, E, A, C#m, D#m, G#, C#m, F#, Bm, E, A, C#m, E, A, C#m, D#m, G#, C#m, F#, Bm, E, A, C#m, D#m, G#, C#m, F#, Bm, E, A, C#m, E, A, C#m