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Related Music Theory Alchemy

The chorus of Radiohead’s “Paranoid Android” features an unconventional and diverse chord progression, drawing from various scale degrees. This progression contributes to the song’s complex, shifting quality, moving through several tonal centers.

The chord progression in the outro of “Fake Plastic Trees” by Radiohead utilizes some common and some less common harmonic devices. The piece employs diatonic chords with some added extensions, giving a sense of tension and release. Furthermore, the progression is in the key of A major, which contributes to the overall tonality and harmonic structure.

The chord progression for the verse of “Kids” by MGMT is a simple and diatonic progression in the key of A major, following the vi-IV-I-V pattern. It is common in pop music and creates a sense of tension and release throughout the progression. The chords are played using predominantly major and minor triads, with an inversion in the V chord (E/G#).

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“You Can’t Always Get What You Want” by The Rolling Stones is built around major tonality and uses direct and simple progressions. It also features what are known as additive chords (Gadd9) – chords to which notes are added beyond the common triad. The song commences in the key of G Major, indicated by the G, Gadd9, and C chords. These chords progress in an almost continual cyclical pattern across the verses. Here, the dominant chord (D) in the key of G Major is absent, which grants a tonal ambiguity to the song. Interestingly, the song takes a departure into a different key later on which will not be included in this analysis as it pertains to the Verse only.

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The chord progression in Radiohead’s “You And Whose Army” showcases the band’s unique style of blending chord progressions from different key centers, as well as their tendency to use borrowed chords. The progression consists largely of diatonic chords from the key of C# minor, but also features a few borrowed chords from D# minor and the parallel major key, C# Major.

Radiohead – Paranoid Android – Verse

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Chord Progression

Cm, D#, F, D#, Gm, Bb, A7sus4, Cm, D#, F, D#, Gm, Bb, A7sus4

Chord Progression Analysis

Here is the detailed analysis of the verse chord progression with full chord names and their roman numerals:
“`
C Minor (i),
D# Major (III),
F Major (VI),
D# Major (III),
G Minor (v),
Bb Major (VII),
A7sus4 (‘borrowed bVII7sus’, resolves to Cm),
C Minor (i),
D# Major (III),
F Major (VI),
D# Major (III),
G Minor (v),
Bb Major (VII),
A7sus4 (‘borrowed bVII7sus’, resolves to Cm)
“`

“`
A7sus4 (‘borrowed bVII7sus’, resolves to Cm)
“`

Similar Chord Progressions

1. Muse – “Knights of Cydonia”:
“`
Am (i),
F (VI),
E (V),
F (VI),
Abmaj7 (bVIIMaj7),
E (V)
“`
2. Yes – “Roundabout”:
“`
C#m (i),
Dmaj7 (II),
F#m (iv),
A (VI),
G# (V),
G7 (bVIMaj7)
“`
3. Pink Floyd – “Time”:
“`
F#m (i),
A (III),
E (V),
D (IV)
“`

While the exact chord progression of “Paranoid Android” is unique and challenging to find elsewhere, these songs and other progressive rock compositions share a similar spirit of experimentation, complexity, and unpredictability.

Musical Analysis

The chord progression starts with the tonic Cm (i chord) that provides a home base for the progression. The next chord, D# Major (III) is a major chord in a minor key, which implies a sense of drama and tension. The F Major (VI) and D# Major (III) add more tension and create movement. Following these chords, we have Gm (v) and Bb Major (VII), which are typical chords found in natural minor key progressions.

One interesting component includes the borrowed chord A7sus4, creating some tension and chromaticism in the song. This chord deviates from the diatonic chords of the C minor scale, as it would typically appear as Ab Major in the context of C minor. The A7sus4 acts as a temporary dominant of the relative major, D minor, which serves to create tension before resolving back to the tonic chord, Cm.

Overall Analysis

Paranoid Android is a progressive rock song by Radiohead from their album “OK Computer.” The song features various time signature changes, complex harmonic structures, and a blend of distorted guitar tones and strings. The given chords belong to the first verse of the song. The overall tonality of the song is predominantly centered around the C minor key. However, there are some instances of borrowed chords and chromaticism in the chord progression, which adds tension and an unstable quality to the music.

Style Analysis

Radiohead is known for their experimentation and incorporation of different styles and structures in their music. The verse chords of “Paranoid Android” are not a typical progression of pop or rock songs. The chromaticism, rapid chord changes, and borrowing of chords from outside the key contribute to the unorthodox nature of the song and its progressive rock categorization. This combination of unusual elements creates an uneasy, unstable, and complex texture that reflects the song’s underlying theme of a “paranoid android.”

Chords in the Verse section of Paranoid Android by Radiohead are:

Cm, D#, F, D#, Gm, Bb, A7sus4, Cm, D#, F, D#, Gm, Bb, A7sus4