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The chorus of Radiohead’s “Paranoid Android” features an unconventional and diverse chord progression, drawing from various scale degrees. This progression contributes to the song’s complex, shifting quality, moving through several tonal centers.

The verse 2 chord progression of Radiohead’s “Everything In Its Right Place” demonstrates a combination of diatonic and non-diatonic chords with tonal ambiguity, frequent use of borrowed chords from parallel modes, and modulation. The progression has a cyclic, hypnotic quality with occasional surprises due to large leaps in pitch and unexpected, non-diatonic chords.

The chord progression in the verse of “Help!” by The Beatles is quite characteristic of their style, using common chords but in interesting and unusual ways. The verse of “Help!” notably presents a mix of classic pop chord progression (I-vi-ii-V), secondary dominant chords and chromatic progressions. The Beatles often incorporated novel harmonic structures that added depth and complexity to their pop music, as evidenced in this piece.

This chord progression from the verse of Tame Impala’s “Alter Ego” suggests a key of C major due to the recurring instances of Cmaj7. However, the presence of certain chords like Bm7 and Dm suggests that Kevin Parker is creatively “borrowing” chords from the parallel and associated keys (C minor, D minor) to create colorful departures from the primary tonality. The use of extended chords (7ths) and suspended chords (Bsus4) adds a sense of complexity and sophistication to the harmony. As can be seen, the chord progression mostly oscillates between Cmaj7, Bsus4, Bm7 before moving to Dm and Gm towards the end of the verse.

“I Sat By The Ocean” by Queens of the Stone Age employs multiple chords which creates a complex and engaging harmony in the verse. The song is in the key G# major and it uses multiple borrowed chords from other keys. It’s worth noting that Queens of the Stone Age has a distinct sound that incorporates elements of stoner rock, heavy metal, and alternative rock into their material. Sizeable use of power chords that gives the song its heavy rock feel.

Radiohead – Paranoid Android – Verse

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Chord Progression

Cm, D#, F, D#, Gm, Bb, A7sus4, Cm, D#, F, D#, Gm, Bb, A7sus4

Chord Progression Analysis

Here is the detailed analysis of the verse chord progression with full chord names and their roman numerals:
“`
C Minor (i),
D# Major (III),
F Major (VI),
D# Major (III),
G Minor (v),
Bb Major (VII),
A7sus4 (‘borrowed bVII7sus’, resolves to Cm),
C Minor (i),
D# Major (III),
F Major (VI),
D# Major (III),
G Minor (v),
Bb Major (VII),
A7sus4 (‘borrowed bVII7sus’, resolves to Cm)
“`

“`
A7sus4 (‘borrowed bVII7sus’, resolves to Cm)
“`

Similar Chord Progressions

1. Muse – “Knights of Cydonia”:
“`
Am (i),
F (VI),
E (V),
F (VI),
Abmaj7 (bVIIMaj7),
E (V)
“`
2. Yes – “Roundabout”:
“`
C#m (i),
Dmaj7 (II),
F#m (iv),
A (VI),
G# (V),
G7 (bVIMaj7)
“`
3. Pink Floyd – “Time”:
“`
F#m (i),
A (III),
E (V),
D (IV)
“`

While the exact chord progression of “Paranoid Android” is unique and challenging to find elsewhere, these songs and other progressive rock compositions share a similar spirit of experimentation, complexity, and unpredictability.

Musical Analysis

The chord progression starts with the tonic Cm (i chord) that provides a home base for the progression. The next chord, D# Major (III) is a major chord in a minor key, which implies a sense of drama and tension. The F Major (VI) and D# Major (III) add more tension and create movement. Following these chords, we have Gm (v) and Bb Major (VII), which are typical chords found in natural minor key progressions.

One interesting component includes the borrowed chord A7sus4, creating some tension and chromaticism in the song. This chord deviates from the diatonic chords of the C minor scale, as it would typically appear as Ab Major in the context of C minor. The A7sus4 acts as a temporary dominant of the relative major, D minor, which serves to create tension before resolving back to the tonic chord, Cm.

Overall Analysis

Paranoid Android is a progressive rock song by Radiohead from their album “OK Computer.” The song features various time signature changes, complex harmonic structures, and a blend of distorted guitar tones and strings. The given chords belong to the first verse of the song. The overall tonality of the song is predominantly centered around the C minor key. However, there are some instances of borrowed chords and chromaticism in the chord progression, which adds tension and an unstable quality to the music.

Style Analysis

Radiohead is known for their experimentation and incorporation of different styles and structures in their music. The verse chords of “Paranoid Android” are not a typical progression of pop or rock songs. The chromaticism, rapid chord changes, and borrowing of chords from outside the key contribute to the unorthodox nature of the song and its progressive rock categorization. This combination of unusual elements creates an uneasy, unstable, and complex texture that reflects the song’s underlying theme of a “paranoid android.”

Chords in the Verse section of Paranoid Android by Radiohead are:

Cm, D#, F, D#, Gm, Bb, A7sus4, Cm, D#, F, D#, Gm, Bb, A7sus4