Music Theory Alchemy

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The chorus of Radiohead’s “Paranoid Android” features an unconventional and diverse chord progression, drawing from various scale degrees. This progression contributes to the song’s complex, shifting quality, moving through several tonal centers.

“Creep” by Radiohead is a song in the key of G major that features a four-chord progression in its verse 2, which is distinctive for its use of a borrowed chord from the parallel minor (G minor). Although the song’s simple harmonic structure is quite common in pop music, its use of a borrowed chord adds an element of surprise and emotional depth, establishing Radiohead’s unique sound.

“Weekend Wars” by MGMT features a distinctive and slightly unconventional chord progression. The verse is in D minor and consists of 22 chords, providing a unique and somewhat complex harmonic landscape. The majority of the chords used are diatonic, but there are also borrowed chords and other non-diatonic chords which contribute to the song’s unique character.

Chord Progression:
Dm (i), C (VII), G (IV), C (VII), G (IV), F (III), Dm (i), C (VII), F (III), Am (v), F (III), Dm (i), C (VII), G (IV), C (VII), G (IV), F (III), Dm (i), C (VII), F (III), Am (v), F (III)

Dm – D minor
C – C major
G – G major (borrowed chord)
F – F major
Am – A minor

The Verse of “Us and Them” by Pink Floyd showcases a unique and non-diatonic chord progression that focuses on D mixolydian mode with added sus2 chords and an augmented chord. It deviates from traditional harmony patterns and creates a spacious, floating feel. The chords occur in a consistent pattern and are mostly slash chords with the constant presence of the D note in the bass, which further strengthens the D tonality.

“All You Need Is Love” is in the key of G major. The song primarily uses the chords within the key signature and has a relatively simple harmonic structure. However, the song does utilize a few distinct chord choices that contribute to its unique sonic character. The song applies modal interchange with an inclusion of A minor from the G Mixolydian mode and the D7 and D6 which evoke a hint of the D Mixolydian mode.

Radiohead – Paranoid Android – Verse

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Chord Progression

Cm, D#, F, D#, Gm, Bb, A7sus4, Cm, D#, F, D#, Gm, Bb, A7sus4

Chord Progression Analysis

Here is the detailed analysis of the verse chord progression with full chord names and their roman numerals:
“`
C Minor (i),
D# Major (III),
F Major (VI),
D# Major (III),
G Minor (v),
Bb Major (VII),
A7sus4 (‘borrowed bVII7sus’, resolves to Cm),
C Minor (i),
D# Major (III),
F Major (VI),
D# Major (III),
G Minor (v),
Bb Major (VII),
A7sus4 (‘borrowed bVII7sus’, resolves to Cm)
“`

“`
A7sus4 (‘borrowed bVII7sus’, resolves to Cm)
“`

Similar Chord Progressions

1. Muse – “Knights of Cydonia”:
“`
Am (i),
F (VI),
E (V),
F (VI),
Abmaj7 (bVIIMaj7),
E (V)
“`
2. Yes – “Roundabout”:
“`
C#m (i),
Dmaj7 (II),
F#m (iv),
A (VI),
G# (V),
G7 (bVIMaj7)
“`
3. Pink Floyd – “Time”:
“`
F#m (i),
A (III),
E (V),
D (IV)
“`

While the exact chord progression of “Paranoid Android” is unique and challenging to find elsewhere, these songs and other progressive rock compositions share a similar spirit of experimentation, complexity, and unpredictability.

Musical Analysis

The chord progression starts with the tonic Cm (i chord) that provides a home base for the progression. The next chord, D# Major (III) is a major chord in a minor key, which implies a sense of drama and tension. The F Major (VI) and D# Major (III) add more tension and create movement. Following these chords, we have Gm (v) and Bb Major (VII), which are typical chords found in natural minor key progressions.

One interesting component includes the borrowed chord A7sus4, creating some tension and chromaticism in the song. This chord deviates from the diatonic chords of the C minor scale, as it would typically appear as Ab Major in the context of C minor. The A7sus4 acts as a temporary dominant of the relative major, D minor, which serves to create tension before resolving back to the tonic chord, Cm.

Overall Analysis

Paranoid Android is a progressive rock song by Radiohead from their album “OK Computer.” The song features various time signature changes, complex harmonic structures, and a blend of distorted guitar tones and strings. The given chords belong to the first verse of the song. The overall tonality of the song is predominantly centered around the C minor key. However, there are some instances of borrowed chords and chromaticism in the chord progression, which adds tension and an unstable quality to the music.

Style Analysis

Radiohead is known for their experimentation and incorporation of different styles and structures in their music. The verse chords of “Paranoid Android” are not a typical progression of pop or rock songs. The chromaticism, rapid chord changes, and borrowing of chords from outside the key contribute to the unorthodox nature of the song and its progressive rock categorization. This combination of unusual elements creates an uneasy, unstable, and complex texture that reflects the song’s underlying theme of a “paranoid android.”

Chords in the Verse section of Paranoid Android by Radiohead are:

Cm, D#, F, D#, Gm, Bb, A7sus4, Cm, D#, F, D#, Gm, Bb, A7sus4