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Verse 3 of Radiohead’s Motion Picture Soundtrack features a melancholic and non-functional chord progression that showcases the band’s use of interesting chord voicings as well as the mixture of major and minor modalities. The progression revolves around the G major, and shifts between borrowed chords and non-conventional chord extensions such as the sus2 chord. This approach is typical of alternative rock bands like Radiohead, which often stray away from traditional norms in favor of innovative and evocative harmonies.

The chord progression in the chorus of Radiohead’s “Knives Out” is an interesting and unconventional one, making use of some borrowed chords and a mix of major and minor tonalities. The overall style of the song can be described as alternative rock with some influences of jazz harmony and chromaticism, creating a unique and moody atmosphere. The progression is mostly diatonic, but it also incorporates some borrowed chords from parallel modes to add color and tension.

“Heart Is A Drum” by Beck is a song with a somewhat unconventional chord progression in the hook that features major and minor chords, as well as a borrowed minor chord. It has a melancholic and introspective feeling to it. The style can be associated with the indie folk-pop genre.

Radiohead – Motion Picture Soundtrack – Hook

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Chord Progression

Em, C, G, G/F#, B7, Em/D, C#/E, Cmaj7

Chord Progression Analysis

`E minor (i) – C major (VI) – G major (III) – G major/F# (III6/4) – B7 (V7) – E minor/D (i6) – C#/E (VI #5/3) – C major 7 (VI maj7)`

Borrowed chords: `C#/E (VI #5/3)`

Similar Chord Progressions

Musical Analysis

The chord progression begins with a simple Em – C – G, setting the stage for a diatonic feel in the key of E minor. The G/F# is a 6/4 inversion of the G major chord, giving a descending bass line and a smooth transition to the B7, the dominant chord leading to E minor. The Em/D is the first inversion of the tonic chord, creating a brief moment of stability.

The surprise comes with the next chord, C#/E, which is a borrowed VI chord with a #5 (tritone substitution). This chord brings rich chromaticism to the progression, which is then resolved nicely into Cmaj7, functioning as the VI major 7 chord that provides a sense of resolution before restarting the progression.

Style Notes:
The style of the chord progression is influenced by genres like art rock, electronic themes, and experimental music, as evident in the album “Kid A”. It uses non-diatonic chords and chromaticism to create a sense of tension and release, while adding interest and unpredictability. This aligns with Radiohead’s innovative approach to songwriting and musical exploration.

Overall Analysis

“Motion Picture Soundtrack” is an alternative rock song by Radiohead from their album “Kid A” released in 2000. The chord progression in the hook features a mixture of harmonic choices from both diatonic and non-diatonic sources, with borrowed chords and chromatic notes. The style displays a unique blend of rock, electronic, and experimental music elements, which is characteristic of the art/pop-rock genre of the time.

Style Analysis

1. “Space Oddity” by David Bowie
`C major (I) – E minor/4 (VIm4) – F major (IV) – F minor (IVm) – C major (I) – C major/7 (Iadd7)`

2. “Stairway to Heaven” by Led Zeppelin
`A minor (i) – G major (VII) – A minor (i) – A minor/C (i6) – D major/F# (IV6/5) – F major (VI) – A minor (i) – G major (VII) – A minor (i)`

3. “Creep” by Radiohead
`G major (I) – B major (III) – C major (IV) – C minor (IVm)`

Chords in the Hook section of Motion Picture Soundtrack by Radiohead are:

Em, C, G, G/F#, B7, Em/D, C#/E, Cmaj7