Music Theory Alchemy

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“Everything In Its Right Place” by Radiohead is an experimental and ambient piece released in 2000 as part of their album “Kid A.” The piece defies traditional pop and rock song forms, delving more into the territory of electronic and experimental music. The outro chord progression is simple but intriguing, serving a hypnotic and unresolved quality that keeps the listener engaged.

The chord progression in the chorus of “Exit Music (For A Film)” by Radiohead is rather unconventional and features several borrowed chords from different modes. It showcases the band’s affinity for using non-diatonic chords and contributes to the song’s somber and haunting atmosphere.

The song “The Outsider” by A Perfect Circle frequently uses the chord progression [‘B’, ‘B’, ‘A’, ‘E’] in the key of E major. When viewing the chords through the lens of E major we can identify the chord progression as ii, ii, V, I. Furthermore, It shows some interesting harmonic decisions throughout. Most notably, the band makes use of borrowed chords which are chords taken from the parallel minor (in this case E minor). Here, the borrowed chords include A major and C major.

“Creep” by Radiohead is a song that features a well-known four-chord progression throughout the verses. This progression is G – B – C – Cm, which is often considered one of the factors that contribute to the song’s memorable and emotional quality. The chord progression helps create a melancholic and haunting atmosphere in the song. This song is notably influenced by alternative rock and grunge styles from the early 90s.

“Viva La Vida” by Coldplay is a pop song that sits primarily in the key of G major, featuring four common chords: C Major, D Major, G Major, and E minor. The song’s simplicity lies in the consistent use of these chords, which creates a consistent harmony throughout the song.

Radiohead – Everything In Its Right Place – Verse 1

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Chord Progression

Db, C, Eb, Db, C, Eb, Db, C, Eb, Db, C, Eb, F, C, Db, Eb

Chord Progression Analysis

Dbmaj7 (b♭II), Cmaj7#11 (‘I#11), Ebmaj7 (♭III), Dbmaj7 (b♭II), Cmaj7#11 (I#11), Ebmaj7 (♭III), Dbmaj7 (b♭II), Cmaj7#11 (I#11), Ebmaj7 (♭III), Dbmaj7 (b♭II), Cmaj7#11 (I#11), Ebmaj7 (♭III), Fmaj7 (IV), Cmaj7 (‘I’), Dbmaj7 (b♭II), Ebmaj7 (♭III)

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Borrowed chords: Dbmaj7 (b♭II), Ebmaj7 (♭III)
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Similar Chord Progressions

1. Stevie Wonder – “You Are The Sunshine Of My Life”
Chord Progression: Cmaj7 (I), E7#9 (III#9), A7 (VI), Dmin7 (ii), G7 (V)

2. The Beatles – “Something”
Chord Progression: Cmaj7 (I), C7 (I7), FMaj7 (IV), Bbmaj7 (bII), Am7 (vi), D7 (V7/V)

3. Imogen Heap – “Hide and Seek”
Chord Progression: Ebmadd9 (i), Dbmaj9 (bVII), Bbsus2 (V2), Gbmaj7 (bVI)

While these examples may not have the exact same chords or progressions as “Everything In Its Right Place,” they each exhibit a sense of harmonic exploration and experimentation similar to Radiohead’s work, combining modal interchange and borrowed chords to create unique and expressive progressions.

Musical Analysis

The verse alternates between a b♭II – I#11 progression, which is a common technique in modal interchange, and a ♭III chord that adds a sense of ambiguity with its borrowed nature. The progression is mainly utilizing the Lydian mode, but also borrows chords from other modes, like the Phrygian (b♭II) and the Mixolydian (♭III).

Towards the end of the sequence, it switches from the b♭II – I#11 progression to a plagal cadence (IV – I; Fmaj7 – Cmaj7), which provides a sense of resolution before transitioning back to the other progression (b♭II – ♭III).

Overall Analysis

“Everything In Its Right Place” by Radiohead is a harmonically adventurous piece with an unconventional structure that features a mixture of modal and borrowed chords. The piece has an impressionistic quality influenced by classical lineage, while also regularly employing electronic and synthesized sounds.

Style Analysis

Radiohead is known for incorporating unusual and complex harmonic structures into their songs, and “Everything In Its Right Place” is a perfect example of their signature experimental style. The piece combines an atmospheric ambiance with a harmonic density that is rooted in the electronic sounds, forming a dense wall of sound. This progressive lyricism is combined with electronic synthesizers to create a modern and ethereal texture.

Chords in the Verse 1 section of Everything In Its Right Place by Radiohead are:

Db, C, Eb, Db, C, Eb, Db, C, Eb, Db, C, Eb, F, C, Db, Eb