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Related Music Theory Alchemy

The chord progression of Radiohead’s “Everything In Its Right Place” is unique and complex, which contributes to the dreamy, atmospheric, and rich harmonic content prevalent in the song. Its ambiguous key center and shifting tonal centers create a sense of fluidity and unpredictability, commonly observed in Radiohead’s style. The chorus features a blend of diatonic and borrowed chords from parallel keys, which creates a colorful, almost impressionist quality to the progression.

“Everything In Its Right Place” by Radiohead is an experimental and ambient piece released in 2000 as part of their album “Kid A.” The piece defies traditional pop and rock song forms, delving more into the territory of electronic and experimental music. The outro chord progression is simple but intriguing, serving a hypnotic and unresolved quality that keeps the listener engaged.

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The overall use of chords highlights Queen’s blending of rock with more complex harmonic structures, moving beyond simple major & minor chords and incorporating 7th and inversions. Despite its pop/rock surface, “Somebody to Love” includes interesting modulation and chord choices that could be seen as more typical of more ‘classical’ forms of music.

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“Ceilings” by Lizzy McAlpine, draws its magic from a mix of interesting chord progressions and different rhythms. The use of added notes in several chords (Cadd9, Emadd9) introduces additional color into the mix, creating a rich and thoughtful atmosphere. The tonality of the song is in G Major, despite the liberal use of the Cadd9 in the progression. We’ll use this tonality for the Roman numerals.

“Say It Ain’t So” by Weezer is a rock song, primarily falling within the alternative rock and power pop styles. The chord progression of Verse 1 is simple yet effective in creating a somber, introspective mood. It primarily utilizes diatonic chords of the C major key, with the E major chord borrowed from the parallel minor key (C minor).

Chord progression analysis with Roman numerals:
A minor (vi) – E major (V/vi) – F major (IV) – C major (I)

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Borrowed chord: E major (V/vi)
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Radiohead – Everything In Its Right Place – Verse 1

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Chord Progression

Db, C, Eb, Db, C, Eb, Db, C, Eb, Db, C, Eb, F, C, Db, Eb

Chord Progression Analysis

Dbmaj7 (b♭II), Cmaj7#11 (‘I#11), Ebmaj7 (♭III), Dbmaj7 (b♭II), Cmaj7#11 (I#11), Ebmaj7 (♭III), Dbmaj7 (b♭II), Cmaj7#11 (I#11), Ebmaj7 (♭III), Dbmaj7 (b♭II), Cmaj7#11 (I#11), Ebmaj7 (♭III), Fmaj7 (IV), Cmaj7 (‘I’), Dbmaj7 (b♭II), Ebmaj7 (♭III)

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Borrowed chords: Dbmaj7 (b♭II), Ebmaj7 (♭III)
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Similar Chord Progressions

1. Stevie Wonder – “You Are The Sunshine Of My Life”
Chord Progression: Cmaj7 (I), E7#9 (III#9), A7 (VI), Dmin7 (ii), G7 (V)

2. The Beatles – “Something”
Chord Progression: Cmaj7 (I), C7 (I7), FMaj7 (IV), Bbmaj7 (bII), Am7 (vi), D7 (V7/V)

3. Imogen Heap – “Hide and Seek”
Chord Progression: Ebmadd9 (i), Dbmaj9 (bVII), Bbsus2 (V2), Gbmaj7 (bVI)

While these examples may not have the exact same chords or progressions as “Everything In Its Right Place,” they each exhibit a sense of harmonic exploration and experimentation similar to Radiohead’s work, combining modal interchange and borrowed chords to create unique and expressive progressions.

Musical Analysis

The verse alternates between a b♭II – I#11 progression, which is a common technique in modal interchange, and a ♭III chord that adds a sense of ambiguity with its borrowed nature. The progression is mainly utilizing the Lydian mode, but also borrows chords from other modes, like the Phrygian (b♭II) and the Mixolydian (♭III).

Towards the end of the sequence, it switches from the b♭II – I#11 progression to a plagal cadence (IV – I; Fmaj7 – Cmaj7), which provides a sense of resolution before transitioning back to the other progression (b♭II – ♭III).

Overall Analysis

“Everything In Its Right Place” by Radiohead is a harmonically adventurous piece with an unconventional structure that features a mixture of modal and borrowed chords. The piece has an impressionistic quality influenced by classical lineage, while also regularly employing electronic and synthesized sounds.

Style Analysis

Radiohead is known for incorporating unusual and complex harmonic structures into their songs, and “Everything In Its Right Place” is a perfect example of their signature experimental style. The piece combines an atmospheric ambiance with a harmonic density that is rooted in the electronic sounds, forming a dense wall of sound. This progressive lyricism is combined with electronic synthesizers to create a modern and ethereal texture.

Chords in the Verse 1 section of Everything In Its Right Place by Radiohead are:

Db, C, Eb, Db, C, Eb, Db, C, Eb, Db, C, Eb, F, C, Db, Eb