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“Creep” by Radiohead is a song in the key of G major that gained significant attention for its melancholic lyrics and distinctive chord progression. The verse chord progression features major chords, followed by a switch to a minor chord, which creates an unexpected twist and contributes to the emotive quality of the song. This specific progression is relatively rare in popular music but has been used in various other songs.

The chord progression in the outro of “Fake Plastic Trees” by Radiohead utilizes some common and some less common harmonic devices. The piece employs diatonic chords with some added extensions, giving a sense of tension and release. Furthermore, the progression is in the key of A major, which contributes to the overall tonality and harmonic structure.

“The Long And Winding Road” by The Beatles presents us with a classic example of their innovative approach to harmony and composition. Drawing from various sources of influence, the song incorporates elements of traditional pop ballad form with a hint of the Baroque harmonic palette. This song is an excellent study in complex harmony and modulation within a pop music context, a trait that underpins much of The Beatles’ later work.

The bridge of George Benson’s “Give Me The Night” features a blend of jazz, R&B, and pop elements. The harmonic progression showcases a series of descending chords, interspersed with borrowed chords that provide an interesting twist to the overall tonality of the piece.

The chord progression in the bridge of “Gone, Gone” by Tyler, The Creator can be described as a combination of diatonic and borrowed chords from the parallel minor key. The key of the song is F major, and the progression combines elements of pop, R&B, and jazz, creating a distinctive harmonic sound.

Radiohead – Creep – Bridge

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Chord Progression

G, B, C, Cm, G, B, C, Cm

Chord Progression Analysis

The chords in the bridge of “Creep” are as follows:

G major (I)
B major (III)
C major (IV)
C minor (iv)
G major (I)
B major (III)
C major (IV)
C minor (iv)

“`
Borrowed Chord: C minor (iv)
“`

Similar Chord Progressions

1. The Beatles – “While My Guitar Gently Weeps”
– [Am (vi), G (IV), C#m (iii), C#m (iii), Am (vi), G (IV), C#m (iii), C#m (iii)]
2. Led Zeppelin – “Stairway to Heaven”
– [Am (vi), G# diminished (vii°), C (III), D (IV), F (bVI), Am (vi), G# diminished (vii°), C (III), D (IV), F (bVI)]

These examples feature chord progressions that are similar to Radiohead’s “Creep,” though not identical. They both involve the use of chromatic mediants and borrowed chords from adjacent keys, which creates a rich and emotionally charged atmosphere.

Musical Analysis

The bridge’s chord progression is based on two distinct parts, each repeated twice. The initial G, B, C sequence (I – III – IV) features a major key chromatic mediant progression, which involves a major third relationship between G and B. This creates a smooth, elegant sound.

The introduction of the borrowed C minor (iv) chord, which replaces the diatonic C major (IV) in the second half of each phrase, adds an element of tension and drama. This is mainly because C minor naturally belongs to the parallel minor key (G minor). The use of both C major (IV) and C minor (iv) seamlessly incorporates the mixture of diatonic and borrowed chords, contributing to the sense of melancholy and emotional depth in Radiohead’s work.

Overall Analysis

“Creep” by Radiohead is a well-known song that features a fairly simple chord progression in its bridge. The progression is memorable for its fusion of diatonic and chromatic elements, creating a sense of tension and interest.

Style Analysis

This chord progression’s beauty lies in its simplicity and effectiveness in conveying a strong emotional impact. The use of a chromatic mediant progression and a borrowed chord from the parallel minor key is typical of alternative rock, which often explores darker themes and tends to have more complex harmonies than traditional pop and rock music.

Chords in the Bridge section of Creep by Radiohead are:

G, B, C, Cm, G, B, C, Cm