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Related Music Theory Alchemy

“Creep” by Radiohead is an alternative rock song in the key of G major, with a somewhat melancholic tone. The chord progression used is iconic, and it heavily relies on borrowed chords to create tension and resolution in the harmony. This use of chords creates a distinct sound that has become synonymous with the song.

“Everything In Its Right Place” by Radiohead is a harmonically adventurous piece with an unconventional structure that features a mixture of modal and borrowed chords. The piece has an impressionistic quality influenced by classical lineage, while also regularly employing electronic and synthesized sounds.

“Riptide” by Vance Joy is in the key of C major. The chord progression is a repeated sequence of Am, G, C and Fmaj7, with the Fmaj7 being a borrowed chord from the parallel minor, C minor. Given that the majority of the song follows this pattern, it’s simple yet effective, providing a catchy and persistent structure to the song.

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“Every Day Is Exactly The Same” by Nine Inch Nails has an interesting chord progression, particularly in the bridge, which adopts a distinct pattern of E, A, C, G repeatedly. This song is classified under Industrial Rock and utilizes repetition impressively to create a sense of monotony and frustration, akin to the lyrical theme.

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The chord progression in the bridge of “Hey You” by Pink Floyd is a relatively simple progression that revolves around the C Major and G Major chords, with brief appearances of D Major and E minor add9 chords. The piece showcases Pink Floyd’s signature progressive rock style, with steady changes between chords and a sense of tension and release.

Radiohead – Creep – Bridge

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Chord Progression

G, B, C, Cm, G, B, C, Cm

Chord Progression Analysis

The chords in the bridge of “Creep” are as follows:

G major (I)
B major (III)
C major (IV)
C minor (iv)
G major (I)
B major (III)
C major (IV)
C minor (iv)

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Borrowed Chord: C minor (iv)
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Similar Chord Progressions

1. The Beatles – “While My Guitar Gently Weeps”
– [Am (vi), G (IV), C#m (iii), C#m (iii), Am (vi), G (IV), C#m (iii), C#m (iii)]
2. Led Zeppelin – “Stairway to Heaven”
– [Am (vi), G# diminished (vii°), C (III), D (IV), F (bVI), Am (vi), G# diminished (vii°), C (III), D (IV), F (bVI)]

These examples feature chord progressions that are similar to Radiohead’s “Creep,” though not identical. They both involve the use of chromatic mediants and borrowed chords from adjacent keys, which creates a rich and emotionally charged atmosphere.

Musical Analysis

The bridge’s chord progression is based on two distinct parts, each repeated twice. The initial G, B, C sequence (I – III – IV) features a major key chromatic mediant progression, which involves a major third relationship between G and B. This creates a smooth, elegant sound.

The introduction of the borrowed C minor (iv) chord, which replaces the diatonic C major (IV) in the second half of each phrase, adds an element of tension and drama. This is mainly because C minor naturally belongs to the parallel minor key (G minor). The use of both C major (IV) and C minor (iv) seamlessly incorporates the mixture of diatonic and borrowed chords, contributing to the sense of melancholy and emotional depth in Radiohead’s work.

Overall Analysis

“Creep” by Radiohead is a well-known song that features a fairly simple chord progression in its bridge. The progression is memorable for its fusion of diatonic and chromatic elements, creating a sense of tension and interest.

Style Analysis

This chord progression’s beauty lies in its simplicity and effectiveness in conveying a strong emotional impact. The use of a chromatic mediant progression and a borrowed chord from the parallel minor key is typical of alternative rock, which often explores darker themes and tends to have more complex harmonies than traditional pop and rock music.

Chords in the Bridge section of Creep by Radiohead are:

G, B, C, Cm, G, B, C, Cm