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Related Music Theory Alchemy

“Creep” by Radiohead is a song in the key of G major that features a four-chord progression in its verse 2, which is distinctive for its use of a borrowed chord from the parallel minor (G minor). Although the song’s simple harmonic structure is quite common in pop music, its use of a borrowed chord adds an element of surprise and emotional depth, establishing Radiohead’s unique sound.

The verse 2 chord progression of Radiohead’s “Everything In Its Right Place” demonstrates a combination of diatonic and non-diatonic chords with tonal ambiguity, frequent use of borrowed chords from parallel modes, and modulation. The progression has a cyclic, hypnotic quality with occasional surprises due to large leaps in pitch and unexpected, non-diatonic chords.

“Riptide” by Vance Joy is in the key of C major. The chord progression is a repeated sequence of Am, G, C and Fmaj7, with the Fmaj7 being a borrowed chord from the parallel minor, C minor. Given that the majority of the song follows this pattern, it’s simple yet effective, providing a catchy and persistent structure to the song.

“Perfect Situation” by Weezer is a rock song with a combination of major and minor chords, giving it a feeling of both tension and resolution. The chord progression in the bridge features a i-iv-VII-VIII pattern in the key of E minor, which is common in rock and pop music. The bridge consists mainly of triads with some possible extensions or added notes depending on how they are voiced.

“I Am The Walrus” is a composition by The Beatles in which the song varies in key and progressive elements, with fascinating uses of borrowed chords from parallel modes and chromatic bass motion. The melody resides predominantly within a pentatonic framework, frequently rotating around subversions. The Bridge section beautifully showcases Beatles’ experimentation with descending chord progression built around chromatic movement.

Radiohead – Creep – Bridge

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Chord Progression

G, B, C, Cm, G, B, C, Cm

Chord Progression Analysis

The chords in the bridge of “Creep” are as follows:

G major (I)
B major (III)
C major (IV)
C minor (iv)
G major (I)
B major (III)
C major (IV)
C minor (iv)

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Borrowed Chord: C minor (iv)
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Similar Chord Progressions

1. The Beatles – “While My Guitar Gently Weeps”
– [Am (vi), G (IV), C#m (iii), C#m (iii), Am (vi), G (IV), C#m (iii), C#m (iii)]
2. Led Zeppelin – “Stairway to Heaven”
– [Am (vi), G# diminished (vii°), C (III), D (IV), F (bVI), Am (vi), G# diminished (vii°), C (III), D (IV), F (bVI)]

These examples feature chord progressions that are similar to Radiohead’s “Creep,” though not identical. They both involve the use of chromatic mediants and borrowed chords from adjacent keys, which creates a rich and emotionally charged atmosphere.

Musical Analysis

The bridge’s chord progression is based on two distinct parts, each repeated twice. The initial G, B, C sequence (I – III – IV) features a major key chromatic mediant progression, which involves a major third relationship between G and B. This creates a smooth, elegant sound.

The introduction of the borrowed C minor (iv) chord, which replaces the diatonic C major (IV) in the second half of each phrase, adds an element of tension and drama. This is mainly because C minor naturally belongs to the parallel minor key (G minor). The use of both C major (IV) and C minor (iv) seamlessly incorporates the mixture of diatonic and borrowed chords, contributing to the sense of melancholy and emotional depth in Radiohead’s work.

Overall Analysis

“Creep” by Radiohead is a well-known song that features a fairly simple chord progression in its bridge. The progression is memorable for its fusion of diatonic and chromatic elements, creating a sense of tension and interest.

Style Analysis

This chord progression’s beauty lies in its simplicity and effectiveness in conveying a strong emotional impact. The use of a chromatic mediant progression and a borrowed chord from the parallel minor key is typical of alternative rock, which often explores darker themes and tends to have more complex harmonies than traditional pop and rock music.

Chords in the Bridge section of Creep by Radiohead are:

G, B, C, Cm, G, B, C, Cm