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“Creep” by Radiohead is a song in the key of G major that features a four-chord progression in its verse 2, which is distinctive for its use of a borrowed chord from the parallel minor (G minor). Although the song’s simple harmonic structure is quite common in pop music, its use of a borrowed chord adds an element of surprise and emotional depth, establishing Radiohead’s unique sound.

The chord progression in Verse 2 of Radiohead’s “All I Need” is a relatively simple and straightforward progression featuring chords from the key of C major. The progression revolves around the I, iii, and V chords (C, Em, and G), providing a tonal base that’s consistent and easy to follow. Radiohead’s use of repetition and minimalism in this progression contributes to an emotional atmosphere and allows listeners to focus on the lyrics and other musical elements.

The bridge of Beck’s “Think I’m In Love” is an interesting combination of chords, showcasing unusual harmonic choices and unexpected modulations. The tonal center of this progression appears to be ambiguous, as several key centers are explored throughout the progression, creating a sense of harmonic tension and release.

The chord progression in the bridge of Kali Uchis’ “After The Storm” consists of two alternating chords, Amaj7 and Dmaj7, played repeatedly. This progression is simple yet effective, creating a smooth and mellow atmosphere that matches well with the song’s overall neo-soul and R&B vibe. The arrangement is in the key of A Major and has a diatonic structure without any borrowed chords.

The song ‘Today’ by The Smashing Pumpkins is a classic example of mixing major and minor modes in rock music. The majority of the song is modal, centered around D major and B minor. However, the bridge section changes gears and revolves around E minor.

Radiohead – Creep – Bridge

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Chord Progression

G, B, C, Cm, G, B, C, Cm

Chord Progression Analysis

The chords in the bridge of “Creep” are as follows:

G major (I)
B major (III)
C major (IV)
C minor (iv)
G major (I)
B major (III)
C major (IV)
C minor (iv)

“`
Borrowed Chord: C minor (iv)
“`

Similar Chord Progressions

1. The Beatles – “While My Guitar Gently Weeps”
– [Am (vi), G (IV), C#m (iii), C#m (iii), Am (vi), G (IV), C#m (iii), C#m (iii)]
2. Led Zeppelin – “Stairway to Heaven”
– [Am (vi), G# diminished (vii°), C (III), D (IV), F (bVI), Am (vi), G# diminished (vii°), C (III), D (IV), F (bVI)]

These examples feature chord progressions that are similar to Radiohead’s “Creep,” though not identical. They both involve the use of chromatic mediants and borrowed chords from adjacent keys, which creates a rich and emotionally charged atmosphere.

Musical Analysis

The bridge’s chord progression is based on two distinct parts, each repeated twice. The initial G, B, C sequence (I – III – IV) features a major key chromatic mediant progression, which involves a major third relationship between G and B. This creates a smooth, elegant sound.

The introduction of the borrowed C minor (iv) chord, which replaces the diatonic C major (IV) in the second half of each phrase, adds an element of tension and drama. This is mainly because C minor naturally belongs to the parallel minor key (G minor). The use of both C major (IV) and C minor (iv) seamlessly incorporates the mixture of diatonic and borrowed chords, contributing to the sense of melancholy and emotional depth in Radiohead’s work.

Overall Analysis

“Creep” by Radiohead is a well-known song that features a fairly simple chord progression in its bridge. The progression is memorable for its fusion of diatonic and chromatic elements, creating a sense of tension and interest.

Style Analysis

This chord progression’s beauty lies in its simplicity and effectiveness in conveying a strong emotional impact. The use of a chromatic mediant progression and a borrowed chord from the parallel minor key is typical of alternative rock, which often explores darker themes and tends to have more complex harmonies than traditional pop and rock music.

Chords in the Bridge section of Creep by Radiohead are:

G, B, C, Cm, G, B, C, Cm