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Related Music Theory Alchemy

“Little Sister” by Queens of the Stone Age is in C# minor and features an interesting blend of simple cycle of power chords, articulating a I – V/v – III – V progression during verses. The track is heavy but also melodic, built from a four-chord pattern that creates a mesmerizing tonality within the rock genre.

“I Sat By The Ocean” by Queens of the Stone Age employs multiple chords which creates a complex and engaging harmony in the verse. The song is in the key G# major and it uses multiple borrowed chords from other keys. It’s worth noting that Queens of the Stone Age has a distinct sound that incorporates elements of stoner rock, heavy metal, and alternative rock into their material. Sizeable use of power chords that gives the song its heavy rock feel.

The song “Ceilings” by Lizzy McAlpine is in the key of G Major, employing a mixture of major, minor, and additive chords to create a progression that lends itself to a pop/folk atmosphere. The song is largely composed of diatonic chords in the key of G Major, with an occasional use of a B7, which can be seen as a secondary dominant to Em.

This is a beautiful chorus from “Rocket Man,” a song by Elton John. The overall vibe of the song is nostalgic and melancholy, largely due to the combination of key changes, chord progression, and Elton John’s vocal melody. The song appears to be in the key of G major.

“I Guess That’s Why They Call it the Blues” is a well-known hit by Elton John from the album “Too Low for Zero” released in 1983. The song is a blend of pop, rock and blues styles and showcases Elton John’s proficiency in blending different music genres. The verse uses a straightforward I-V-vi-IV progression which is a common progression in pop music.

The Chorus’s

Queens of the Stone Age – Little Sister – Chorus

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Chord Progression

[‘F#sus4’, ‘E’, ‘G#sus4’, ‘F#sus4’, ‘F#sus4’, ‘E’, ‘G#sus4’, ‘F#sus4’, ‘F#sus4’, ‘E’, ‘G#sus4’, ‘F#sus4’, ‘F#sus4’, ‘E’, ‘G#sus4’]

Chord Progression Analysis

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The progression for the chorus in question can be translated to the following full chord names and Roman numerals (assuming an overall key of F# minor):

– F#sus4 (‘IVsus4)
– E (‘III)
– G#sus4 (‘VIsus4)
– F#sus4 (‘IVsus4)
– F#sus4 (‘IVsus4)
– E (‘III)
– G#sus4 (‘VIsus4)
– F#sus4 (‘IVsus4)
– F#sus4 (‘IVsus4)
– E (‘III)
– G#sus4 (‘VIsus4)
– F#sus4 (‘IVsus4)
– F#sus4 (‘IVsus4)
– E (‘III)
– G#sus4 (‘VIsus4)

Please note, F# minor and F# Major use the same roman numerals due to their relative relationship.

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Similar Chord Progressions

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One artist that comes to mind is Foo Fighters, whose song “Times Like These” features similar chord usage, particularly with sus4 chords:

– Dsus4 (‘Isus4)
– Cadd9 (‘bVIIadd9)
– Gsus4 (‘IVsus4)
– Em7 (‘IIm7)

Also, Pearl Jam’s “Alive” uses a similar pattern of suspended, major, and power chords:

– A (‘V)
– Asus4 (‘Vsus4)
– G (‘bVII)
– D (‘IV)

Keep in mind, these are not the exact chords, but the progression and usage of chords bear some similarities.

Musical Analysis

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The chord progression primarily uses suspended fourth chords (sus4), which add a suspended fourth above the root note of the chord. This provides a sense of tension or suspension which is then typically resolved by the following chord.

The progression also uses the E Major chord, which is unusual in the key of F# minor, indicating a borrowed chord from the parallel major key. This is a common technique to add color and contrast in a chord progression.

Also noteworthy is the lack of use of the dominant (C#), which contributes to the open-ended, floating feel of the song, a characteristic feature of many rock and pop songs.

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Overall Analysis

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“Little Sister” by Queens of the Stone Age is based in the rock genre, featuring a simple melody with strong rhythmic components, built on a mix of power, suspended and major chords. The use of the C#5 and G#5/D# chords in the verses and the F#sus4-E-G#sus4 repetition in the chorus indicate an overall key signature of F# minor.

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Style Analysis

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The band’s use of power chords (like C#5 and G#5/D#), and sus4 chords (like F#sus4) adheres to their general style as rock musicians and the genre’s overall tendencies. These types of chords offer a “heavier” and more ambiguous sound, often preferred in rock music.

The repetitive sequence of the three chords, F#sus4, E, and G#sus4, also are characteristic of pop and rock music, in which simplicity and repetition aid in creating a catchy, memorable tune.

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Chords in the Chorus section of Little Sister by Queens of the Stone Age are:

[‘F#sus4’, ‘E’, ‘G#sus4’, ‘F#sus4’, ‘F#sus4’, ‘E’, ‘G#sus4’, ‘F#sus4’, ‘F#sus4’, ‘E’, ‘G#sus4’, ‘F#sus4’, ‘F#sus4’, ‘E’, ‘G#sus4’]