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Related Music Theory Alchemy

“Little Sister” by Queens of the Stone Age is in C# minor and features an interesting blend of simple cycle of power chords, articulating a I – V/v – III – V progression during verses. The track is heavy but also melodic, built from a four-chord pattern that creates a mesmerizing tonality within the rock genre.

“I Sat By The Ocean” by Queens of the Stone Age is in the key of E major and utilizes a mix of diatonic chords (i.e., chords native to the key of E major) and borrowed chords (i.e., chords borrowed from parallel or related keys).

Pre-Chorus

“Every Day Is Exactly The Same” by Nine Inch Nails utilizes a unique four-chord cycle in its chorus – ‘E’, ‘A’, ‘C’, ‘G’. The song is in the key of E minor, and therefore, the functional analysis would interpret this progression as i-IV-bVI-III. The bVI and III are borrowed chords from the parallel major scale. This chord progression creates a moody atmosphere that aligns with the overall melancholic and introspective theme of the song.

“Eight Days A Week” by The Beatles is in the key of D major. The song features a handful of basic major and minor chords with a sprinkling of interesting harmonic developments such as the E7 transition chord and the use of the B minor chord which provide a rich palette of colors for the progression.

“It’s A Fire” by Portishead is a song characterized by its frequent modulations and use of borrowed chords, making it a considerable complexity in terms of harmony. It features transition from key centers and borrowed chords from other keys, which creates tension and resolution creating the signature moody and intense atmosphere Portishead is known for.

Queens of the Stone Age – Little Sister – Chorus

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Chord Progression

[‘F#sus4’, ‘E’, ‘G#sus4’, ‘F#sus4’, ‘F#sus4’, ‘E’, ‘G#sus4’, ‘F#sus4’, ‘F#sus4’, ‘E’, ‘G#sus4’, ‘F#sus4’, ‘F#sus4’, ‘E’, ‘G#sus4’]

Chord Progression Analysis

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The progression for the chorus in question can be translated to the following full chord names and Roman numerals (assuming an overall key of F# minor):

– F#sus4 (‘IVsus4)
– E (‘III)
– G#sus4 (‘VIsus4)
– F#sus4 (‘IVsus4)
– F#sus4 (‘IVsus4)
– E (‘III)
– G#sus4 (‘VIsus4)
– F#sus4 (‘IVsus4)
– F#sus4 (‘IVsus4)
– E (‘III)
– G#sus4 (‘VIsus4)
– F#sus4 (‘IVsus4)
– F#sus4 (‘IVsus4)
– E (‘III)
– G#sus4 (‘VIsus4)

Please note, F# minor and F# Major use the same roman numerals due to their relative relationship.

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Similar Chord Progressions

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One artist that comes to mind is Foo Fighters, whose song “Times Like These” features similar chord usage, particularly with sus4 chords:

– Dsus4 (‘Isus4)
– Cadd9 (‘bVIIadd9)
– Gsus4 (‘IVsus4)
– Em7 (‘IIm7)

Also, Pearl Jam’s “Alive” uses a similar pattern of suspended, major, and power chords:

– A (‘V)
– Asus4 (‘Vsus4)
– G (‘bVII)
– D (‘IV)

Keep in mind, these are not the exact chords, but the progression and usage of chords bear some similarities.

Musical Analysis

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The chord progression primarily uses suspended fourth chords (sus4), which add a suspended fourth above the root note of the chord. This provides a sense of tension or suspension which is then typically resolved by the following chord.

The progression also uses the E Major chord, which is unusual in the key of F# minor, indicating a borrowed chord from the parallel major key. This is a common technique to add color and contrast in a chord progression.

Also noteworthy is the lack of use of the dominant (C#), which contributes to the open-ended, floating feel of the song, a characteristic feature of many rock and pop songs.

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Overall Analysis

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“Little Sister” by Queens of the Stone Age is based in the rock genre, featuring a simple melody with strong rhythmic components, built on a mix of power, suspended and major chords. The use of the C#5 and G#5/D# chords in the verses and the F#sus4-E-G#sus4 repetition in the chorus indicate an overall key signature of F# minor.

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Style Analysis

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The band’s use of power chords (like C#5 and G#5/D#), and sus4 chords (like F#sus4) adheres to their general style as rock musicians and the genre’s overall tendencies. These types of chords offer a “heavier” and more ambiguous sound, often preferred in rock music.

The repetitive sequence of the three chords, F#sus4, E, and G#sus4, also are characteristic of pop and rock music, in which simplicity and repetition aid in creating a catchy, memorable tune.

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Chords in the Chorus section of Little Sister by Queens of the Stone Age are:

[‘F#sus4’, ‘E’, ‘G#sus4’, ‘F#sus4’, ‘F#sus4’, ‘E’, ‘G#sus4’, ‘F#sus4’, ‘F#sus4’, ‘E’, ‘G#sus4’, ‘F#sus4’, ‘F#sus4’, ‘E’, ‘G#sus4’]