Music Theory Alchemy

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“Little Sister” by Queens of the Stone Age is in C# minor and features an interesting blend of simple cycle of power chords, articulating a I – V/v – III – V progression during verses. The track is heavy but also melodic, built from a four-chord pattern that creates a mesmerizing tonality within the rock genre.

The “Like Clockwork” track by Queens of the Stone Age showcases a wide range of harmonic complexity. The track is in the key of F# minor and it is characterized by non-traditional chord progressions. From the range of chords used within the song, it’s clear that the song deviates from strict diatonic harmony, and freely borrows chords from parallel keys (modal mixture).

The chord progression in the chorus of “Say Goodbye” by Beck features a simple, yet unique combination of major and minor chords. It is primarily built around the key of G major, but includes a chromatic twist with the inclusion of the A# major chord. The progression is fairly repetitive, which provides a stable and recognizable backbone for the chorus.

The chord progression in the chorus of “Ramona” by Beck is an interesting mix of diatonic and borrowed chords that creates a unique and somewhat unexpected harmonic landscape. It combines major and minor chords, borrowed chords from the parallel minor key, and chromatic chords, making a rich harmonic texture.

The chord progression of the chorus in Beck’s “Girl Acoustic” is relatively simple and straightforward, yet effective in creating a memorable and catchy tune. The song is in the key of A major, and the progression maintains a predominantly diatonic harmony.

Queens of the Stone Age – Little Sister – Chorus

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Chord Progression

[‘F#sus4’, ‘E’, ‘G#sus4’, ‘F#sus4’, ‘F#sus4’, ‘E’, ‘G#sus4’, ‘F#sus4’, ‘F#sus4’, ‘E’, ‘G#sus4’, ‘F#sus4’, ‘F#sus4’, ‘E’, ‘G#sus4’]

Chord Progression Analysis

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The progression for the chorus in question can be translated to the following full chord names and Roman numerals (assuming an overall key of F# minor):

– F#sus4 (‘IVsus4)
– E (‘III)
– G#sus4 (‘VIsus4)
– F#sus4 (‘IVsus4)
– F#sus4 (‘IVsus4)
– E (‘III)
– G#sus4 (‘VIsus4)
– F#sus4 (‘IVsus4)
– F#sus4 (‘IVsus4)
– E (‘III)
– G#sus4 (‘VIsus4)
– F#sus4 (‘IVsus4)
– F#sus4 (‘IVsus4)
– E (‘III)
– G#sus4 (‘VIsus4)

Please note, F# minor and F# Major use the same roman numerals due to their relative relationship.

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Similar Chord Progressions

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One artist that comes to mind is Foo Fighters, whose song “Times Like These” features similar chord usage, particularly with sus4 chords:

– Dsus4 (‘Isus4)
– Cadd9 (‘bVIIadd9)
– Gsus4 (‘IVsus4)
– Em7 (‘IIm7)

Also, Pearl Jam’s “Alive” uses a similar pattern of suspended, major, and power chords:

– A (‘V)
– Asus4 (‘Vsus4)
– G (‘bVII)
– D (‘IV)

Keep in mind, these are not the exact chords, but the progression and usage of chords bear some similarities.

Musical Analysis

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The chord progression primarily uses suspended fourth chords (sus4), which add a suspended fourth above the root note of the chord. This provides a sense of tension or suspension which is then typically resolved by the following chord.

The progression also uses the E Major chord, which is unusual in the key of F# minor, indicating a borrowed chord from the parallel major key. This is a common technique to add color and contrast in a chord progression.

Also noteworthy is the lack of use of the dominant (C#), which contributes to the open-ended, floating feel of the song, a characteristic feature of many rock and pop songs.

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Overall Analysis

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“Little Sister” by Queens of the Stone Age is based in the rock genre, featuring a simple melody with strong rhythmic components, built on a mix of power, suspended and major chords. The use of the C#5 and G#5/D# chords in the verses and the F#sus4-E-G#sus4 repetition in the chorus indicate an overall key signature of F# minor.

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Style Analysis

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The band’s use of power chords (like C#5 and G#5/D#), and sus4 chords (like F#sus4) adheres to their general style as rock musicians and the genre’s overall tendencies. These types of chords offer a “heavier” and more ambiguous sound, often preferred in rock music.

The repetitive sequence of the three chords, F#sus4, E, and G#sus4, also are characteristic of pop and rock music, in which simplicity and repetition aid in creating a catchy, memorable tune.

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Chords in the Chorus section of Little Sister by Queens of the Stone Age are:

[‘F#sus4’, ‘E’, ‘G#sus4’, ‘F#sus4’, ‘F#sus4’, ‘E’, ‘G#sus4’, ‘F#sus4’, ‘F#sus4’, ‘E’, ‘G#sus4’, ‘F#sus4’, ‘F#sus4’, ‘E’, ‘G#sus4’]