Search

Related Music Theory Alchemy

**

Looking at the entire song and isolating the verse, the chord progression provided shows a rock style often seen in Queens of the Stone Age compositions. The harmonic language of this song and its progression style fall within the realm of Pop / Rock music, with frequent use of minor chords suggesting a somber or introspective mood. On first glance, it appears to contain chords primarily from the key of F# minor, with no obvious borrowings from other keys. However, a closer inspection will allow us to delve deeper into their harmonic function.

**

“I Sat By The Ocean” by Queens of The Stone Age is written in E Major key.

Jimi Hendrix’s “Castles Made of Sand” is an interesting and unique composition with an innovative chord progression. The song is in the key of G major and is characterized by an engaging and complex harmonic structure that showcases Hendrix’s skill as a songwriter and performer. The chord progression, though relatively simple, creates a sense of depth and movement uncommon during that time period.

**

The piece, ‘1979’ by The Smashing Pumpkins follows an overarching structure with a mix of major and minor chords, what stand out are the rich extended chords, ‘Emaj7’ and ‘Amaj7’. The piece displays a balance between tonic chords and dominant chords, expressing a classic pop-rock style whilst frequent usage of maj7 chords adding a distinctive jazziness to the tune.

**

The chorus maintains a feeling of resolution and tension by alternating between the IV (F major) and V (G major) chords, while the vi (A minor) to V/vi (E major) progression provides a smooth transition back to the IV chord (F major).

In terms of borrowed chords, the E Major is a borrowed chord.
“`
E major (V/vi)
“`

Queens of the Stone Age – Like Clockwork – Chorus 2

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘B’, ‘G#m’, ‘F#m’, ‘D’, ‘C#m’, ‘B’, ‘G#m’, ‘F#m’, ‘D’, ‘C#m’, ‘F#m’, ‘D’, ‘C#m’, ‘B’, ‘C#m’]

Chord Progression Analysis

The most dominant chords in the song are F#m, A, E, and C#m, and these form the basis of the verses. The chorus has a different chord progression which you outlined as:

Here’s the full chord name, Roman numeral, and borrowed chord status respectively:
“`
B Major (IV),
G# minor (iii),
F# minor (ii),
D Major (bVII *Borrowed from F# Dorian*),
C# minor (i),
B Major (IV),
G# minor (iii),
F# minor (ii),
D Major (bVII *Borrowed from F# Dorian*),
C# minor (i),
F# minor (ii),
D Major (bVII *Borrowed from F# Dorian*), C# minor (i), B Major (IV), C# minor (i).
“`

Similar Chord Progressions

The use of minor keys and uncommon chord progressions can also be seen in other bands’ work. A similar progression can be found in Radiohead’s “Paranoid Android” with a surprising use of borrowed chords to add tension and interest. Another example can be found in Pink Floyd’s “Comfortably Numb”, where David Gilmour uses extensive chord progression techniques to paint a haunting and ethereal soundscape.

Musical Analysis

The song has a dark, melancholic tone, indicated by the minor key and the progression of minor chords and facilitated by the key of F# minor. The predominant use of minor chords in the progression encapsulates a dark, gloomy, and powering atmosphere. The borrowed chords like D Major inject some elements of surprise and interest, and they also help in traversing between the verses and the choruses.

Overall Analysis

The “Like Clockwork” track by Queens of the Stone Age showcases a wide range of harmonic complexity. The track is in the key of F# minor and it is characterized by non-traditional chord progressions. From the range of chords used within the song, it’s clear that the song deviates from strict diatonic harmony, and freely borrows chords from parallel keys (modal mixture).

Style Analysis

Queens of the Stone Age is known for their balance of hard rock elements and melodic elements, and this is reflected in “Like Clockwork”. The chord progression of the song speaks to the band’s broader approach to songwriting, where the hard rock sound is modulated with chords from across the tonal spectrum to give the song a moody, atmospheric quality.

Chords in the Chorus 2 section of Like Clockwork by Queens of the Stone Age are:

[‘B’, ‘G#m’, ‘F#m’, ‘D’, ‘C#m’, ‘B’, ‘G#m’, ‘F#m’, ‘D’, ‘C#m’, ‘F#m’, ‘D’, ‘C#m’, ‘B’, ‘C#m’]