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Related Music Theory Alchemy

“I Sat By The Ocean” by Queens of the Stone Age is in the key of E major and utilizes a mix of diatonic chords (i.e., chords native to the key of E major) and borrowed chords (i.e., chords borrowed from parallel or related keys).

Pre-Chorus

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“Little Sister” by Queens of the Stone Age is based in the rock genre, featuring a simple melody with strong rhythmic components, built on a mix of power, suspended and major chords. The use of the C#5 and G#5/D# chords in the verses and the F#sus4-E-G#sus4 repetition in the chorus indicate an overall key signature of F# minor.

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“Little Sister” by Queens of the Stone Age is in C# minor and features an interesting blend of simple cycle of power chords, articulating a I – V/v – III – V progression during verses. The track is heavy but also melodic, built from a four-chord pattern that creates a mesmerizing tonality within the rock genre.

“Guilty as Sin?” by Taylor Swift uses a chord progression in the verse that reflects a more nuanced and reflective approach, suitable for a song with a contemplative or emotive theme. The interplay between minor and major seventh chords creates a lush, complex sound that elevates the song’s introspective and somewhat moody lyrical content.

“Dazed and Confused” by Led Zeppelin is a rock song that features a mix of blues and psychedelic elements. The chord progression in the verse is quite unconventional and may invoke a feeling of unease, which matches the song’s mysterious and somewhat disorienting theme.

Queens of the Stone Age – I Sat By The Ocean – Verse

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Chord Progression

[‘G#’, ‘A#’, ‘B’, ‘F#’, ‘G#’, ‘F#’, ‘E’, ‘C#m’, ‘G#’, ‘G#’, ‘A#’, ‘B’, ‘F#’, ‘G#’, ‘F#’, ‘E’, ‘C#’, ‘G#’]

Chord Progression Analysis

Here is the verse chord progression analyzed in Roman numerals:

“`
G# (I), A# (II), B (III), F# (V/vi), G# (I), F# (V/vi), E (♭VI), C#m (v), G# (I), G# (I), A# (II), B (III), F# (V/vi), G# (I), F# (V/vi), E (♭VI), C# (V/v), G# (I)
“`

C#m and C# are borrowed chords. Specifically, they’re borrowed from the parallel minor of G# (G# minor).

Similar Chord Progressions

Most artists don’t have the exact same progression as this verse, but Nirvana’s “About a Girl” has similar chord structures. Though it doesn’t borrow chords, it frequently moves between the I and the (♭)VI, like the verse of “I Sat By The Ocean”.

Here’s “About a Girl”:

“`
Em (i), G (♭III),
“`

Additionally, the verse chord progression of “Under the Bridge” by Red Hot Chili Peppers is similar. It uses the I, V/vi, vi, and IV chords – similar to the use in “I Sat By The Ocean”.

“Under The Bridge”:

“`
E (I), B (V), C#m (vi), G#m (iii), A (IV), E (I), B (V)
“`

Musical Analysis

The verse begins on the root note of G#, progressing up a whole step to A#, and another half step to B, creating a level of tension. This tension is released through a descending progression starting at F# (borrowed from the key of C# minor), back to G#, then F#, then getting resolved by moving to E (which is the bVI of G# major). This drops to the borrowed minor v chord, C#m, before going back to the I chord, G#. This pattern repeats once more but ends on C# instead of C#m, for a less resolute ending and adding more tension/resolution cycles to the progression.

Overall Analysis

“I Sat By The Ocean” by Queens of the Stone Age employs multiple chords which creates a complex and engaging harmony in the verse. The song is in the key G# major and it uses multiple borrowed chords from other keys. It’s worth noting that Queens of the Stone Age has a distinct sound that incorporates elements of stoner rock, heavy metal, and alternative rock into their material. Sizeable use of power chords that gives the song its heavy rock feel.

Style Analysis

Queens of the Stone Age are known for their unique mix of heavy elements with more standard rock traditions. This chord progression encapsulates that innovative approach. The use of borrowed chords and the balance between tension and resolution contribute to a trademarks of their hard rock style.

Chords in the Verse section of I Sat By The Ocean by Queens of the Stone Age are:

[‘G#’, ‘A#’, ‘B’, ‘F#’, ‘G#’, ‘F#’, ‘E’, ‘C#m’, ‘G#’, ‘G#’, ‘A#’, ‘B’, ‘F#’, ‘G#’, ‘F#’, ‘E’, ‘C#’, ‘G#’]