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Related Music Theory Alchemy

“I Sat By The Ocean” by Queens of the Stone Age is in the key of E major and utilizes a mix of diatonic chords (i.e., chords native to the key of E major) and borrowed chords (i.e., chords borrowed from parallel or related keys).

Pre-Chorus

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Looking at the entire song and isolating the verse, the chord progression provided shows a rock style often seen in Queens of the Stone Age compositions. The harmonic language of this song and its progression style fall within the realm of Pop / Rock music, with frequent use of minor chords suggesting a somber or introspective mood. On first glance, it appears to contain chords primarily from the key of F# minor, with no obvious borrowings from other keys. However, a closer inspection will allow us to delve deeper into their harmonic function.

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“Buddy Holly” by Weezer is a power-pop/alternative rock song from their debut studio album “Weezer” (also known as the Blue Album) released in 1994. The verse chord progression features diatonic chords from the A major key, along with some inversions and techniques borrowed from other musical styles such as blues and rock.

“Knives Out” by Radiohead features a chord progression that combines elements of rock and jazz with a touch of chromaticism. The harmony is based in the key of C minor, but it also borrows chords from the parallel major key, creating an interesting mix of major and minor tonalities. The overall feel of the piece is melancholic and introspective, with various chord relationships contributing to this mood.

“God Only Knows” by The Beach Boys showcases the artistic depth and compositional craft of Brian Wilson, the band’s primary songwriter. The song utilizes a complex chord progression and key changes that are unconventional for pop music of its time. The chord progression creates a sense of constant mood transitions, similar to arias in Romantic era music.

Queens of the Stone Age – I Sat By The Ocean – Verse

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Chord Progression

[‘G#’, ‘A#’, ‘B’, ‘F#’, ‘G#’, ‘F#’, ‘E’, ‘C#m’, ‘G#’, ‘G#’, ‘A#’, ‘B’, ‘F#’, ‘G#’, ‘F#’, ‘E’, ‘C#’, ‘G#’]

Chord Progression Analysis

Here is the verse chord progression analyzed in Roman numerals:

“`
G# (I), A# (II), B (III), F# (V/vi), G# (I), F# (V/vi), E (♭VI), C#m (v), G# (I), G# (I), A# (II), B (III), F# (V/vi), G# (I), F# (V/vi), E (♭VI), C# (V/v), G# (I)
“`

C#m and C# are borrowed chords. Specifically, they’re borrowed from the parallel minor of G# (G# minor).

Similar Chord Progressions

Most artists don’t have the exact same progression as this verse, but Nirvana’s “About a Girl” has similar chord structures. Though it doesn’t borrow chords, it frequently moves between the I and the (♭)VI, like the verse of “I Sat By The Ocean”.

Here’s “About a Girl”:

“`
Em (i), G (♭III),
“`

Additionally, the verse chord progression of “Under the Bridge” by Red Hot Chili Peppers is similar. It uses the I, V/vi, vi, and IV chords – similar to the use in “I Sat By The Ocean”.

“Under The Bridge”:

“`
E (I), B (V), C#m (vi), G#m (iii), A (IV), E (I), B (V)
“`

Musical Analysis

The verse begins on the root note of G#, progressing up a whole step to A#, and another half step to B, creating a level of tension. This tension is released through a descending progression starting at F# (borrowed from the key of C# minor), back to G#, then F#, then getting resolved by moving to E (which is the bVI of G# major). This drops to the borrowed minor v chord, C#m, before going back to the I chord, G#. This pattern repeats once more but ends on C# instead of C#m, for a less resolute ending and adding more tension/resolution cycles to the progression.

Overall Analysis

“I Sat By The Ocean” by Queens of the Stone Age employs multiple chords which creates a complex and engaging harmony in the verse. The song is in the key G# major and it uses multiple borrowed chords from other keys. It’s worth noting that Queens of the Stone Age has a distinct sound that incorporates elements of stoner rock, heavy metal, and alternative rock into their material. Sizeable use of power chords that gives the song its heavy rock feel.

Style Analysis

Queens of the Stone Age are known for their unique mix of heavy elements with more standard rock traditions. This chord progression encapsulates that innovative approach. The use of borrowed chords and the balance between tension and resolution contribute to a trademarks of their hard rock style.

Chords in the Verse section of I Sat By The Ocean by Queens of the Stone Age are:

[‘G#’, ‘A#’, ‘B’, ‘F#’, ‘G#’, ‘F#’, ‘E’, ‘C#m’, ‘G#’, ‘G#’, ‘A#’, ‘B’, ‘F#’, ‘G#’, ‘F#’, ‘E’, ‘C#’, ‘G#’]