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“I Sat By The Ocean” by Queens of The Stone Age is written in E Major key.

The “Like Clockwork” track by Queens of the Stone Age showcases a wide range of harmonic complexity. The track is in the key of F# minor and it is characterized by non-traditional chord progressions. From the range of chords used within the song, it’s clear that the song deviates from strict diatonic harmony, and freely borrows chords from parallel keys (modal mixture).

“Weekend Wars” by MGMT features a distinctive and slightly unconventional chord progression. The verse is in D minor and consists of 22 chords, providing a unique and somewhat complex harmonic landscape. The majority of the chords used are diatonic, but there are also borrowed chords and other non-diatonic chords which contribute to the song’s unique character.

Chord Progression:
Dm (i), C (VII), G (IV), C (VII), G (IV), F (III), Dm (i), C (VII), F (III), Am (v), F (III), Dm (i), C (VII), G (IV), C (VII), G (IV), F (III), Dm (i), C (VII), F (III), Am (v), F (III)

Dm – D minor
C – C major
G – G major (borrowed chord)
F – F major
Am – A minor

“After You’ve Gone” is a jazz standard composed by Django Reinhardt. The verse progression of the song uses a combination of major, minor and dominant chords with some borrowed chords and secondary dominants, which is a hallmark of early jazz and swing music. The harmonic rhythm is mainly at a pace of one or two chords per bar, with occasional faster changes. The piece has a strong sense of tonal center around the key of G major.

“Two Weeks” by Grizzly Bear exhibits a common pop chord progression and harmonic rhythm. The chords are primarily in root position, which contributes to the song’s straightforward and accessible sound. Stylistically, the track shows the band’s indie-rock influences and features a prominent piano part that drives the harmony.

Queens of the Stone Age – I Sat By The Ocean – Verse

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Chord Progression

[‘G#’, ‘A#’, ‘B’, ‘F#’, ‘G#’, ‘F#’, ‘E’, ‘C#m’, ‘G#’, ‘G#’, ‘A#’, ‘B’, ‘F#’, ‘G#’, ‘F#’, ‘E’, ‘C#’, ‘G#’]

Chord Progression Analysis

Here is the verse chord progression analyzed in Roman numerals:

“`
G# (I), A# (II), B (III), F# (V/vi), G# (I), F# (V/vi), E (♭VI), C#m (v), G# (I), G# (I), A# (II), B (III), F# (V/vi), G# (I), F# (V/vi), E (♭VI), C# (V/v), G# (I)
“`

C#m and C# are borrowed chords. Specifically, they’re borrowed from the parallel minor of G# (G# minor).

Similar Chord Progressions

Most artists don’t have the exact same progression as this verse, but Nirvana’s “About a Girl” has similar chord structures. Though it doesn’t borrow chords, it frequently moves between the I and the (♭)VI, like the verse of “I Sat By The Ocean”.

Here’s “About a Girl”:

“`
Em (i), G (♭III),
“`

Additionally, the verse chord progression of “Under the Bridge” by Red Hot Chili Peppers is similar. It uses the I, V/vi, vi, and IV chords – similar to the use in “I Sat By The Ocean”.

“Under The Bridge”:

“`
E (I), B (V), C#m (vi), G#m (iii), A (IV), E (I), B (V)
“`

Musical Analysis

The verse begins on the root note of G#, progressing up a whole step to A#, and another half step to B, creating a level of tension. This tension is released through a descending progression starting at F# (borrowed from the key of C# minor), back to G#, then F#, then getting resolved by moving to E (which is the bVI of G# major). This drops to the borrowed minor v chord, C#m, before going back to the I chord, G#. This pattern repeats once more but ends on C# instead of C#m, for a less resolute ending and adding more tension/resolution cycles to the progression.

Overall Analysis

“I Sat By The Ocean” by Queens of the Stone Age employs multiple chords which creates a complex and engaging harmony in the verse. The song is in the key G# major and it uses multiple borrowed chords from other keys. It’s worth noting that Queens of the Stone Age has a distinct sound that incorporates elements of stoner rock, heavy metal, and alternative rock into their material. Sizeable use of power chords that gives the song its heavy rock feel.

Style Analysis

Queens of the Stone Age are known for their unique mix of heavy elements with more standard rock traditions. This chord progression encapsulates that innovative approach. The use of borrowed chords and the balance between tension and resolution contribute to a trademarks of their hard rock style.

Chords in the Verse section of I Sat By The Ocean by Queens of the Stone Age are:

[‘G#’, ‘A#’, ‘B’, ‘F#’, ‘G#’, ‘F#’, ‘E’, ‘C#m’, ‘G#’, ‘G#’, ‘A#’, ‘B’, ‘F#’, ‘G#’, ‘F#’, ‘E’, ‘C#’, ‘G#’]