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“Someone to Love” by Queen exhibits a blend of rock and gospel music, showcasing their musical brilliance and theatrical elements. The chord progression forms a classic example of a departure from the typical I-IV-V root progression seen in much of popular western music, demonstrating Queen’s ingenious writing style.

This particular section is mostly based in the key of F major and highlights Freddie Mercury’s love for moving from the classical I-ii-V progression to the jazz-inspired I-IV-ii-V, often followed by a jazzy II-V-I. In this part of the song, you will find some interesting use of borrowed chords and leading tones, contributing to the chromaticism that enriches the progression.

Vance Joy’s “Riptide” is a remarkably simple yet highly effective song written in the key of C Major. The song follows a repetitive I-vi-IV chord progression, which is only varied in the bridge where a minor seventh chord introduces tension before leading back to the song’s major tonality.

The chord progression in the chorus of “Ramona” by Beck is an interesting mix of diatonic and borrowed chords that creates a unique and somewhat unexpected harmonic landscape. It combines major and minor chords, borrowed chords from the parallel minor key, and chromatic chords, making a rich harmonic texture.

“Penny Lane,” written by the Beatles, utilizes key changes and borrowed chords to create an interesting and complex tonal palette. The song is best understood to primarily be in the key of A Major; however, it frequently borrows chords from the parallel minor key, uses unexpected dominant chords, and briefly modulates to other key areas for color and variety. This is characteristic of several Beatles songs, and it’s one of the ways they added complexity to their music while still remaining accessible.

Queen – Somebody To Love – Chorus

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Chord Progression

[‘G’, ‘G’, ‘D/F#’, ‘Em’, ‘C’, ‘D7’, ‘G’, ‘D/F#’, ‘Em’, ‘C’, ‘D’]

Chord Progression Analysis

Here is the chord progression of the Chorus with the full chord names and their corresponding Roman Numerals:
“`
G (I),
G (I),
D/F# (V6),
Em (vi),
C (IV),
D7 (V7),
G (I),
D/F# (V6),
Em (vi),
C (IV),
D (V)
“`

Similar Chord Progressions

1. “Let It Be” by The Beatles also uses an I-V-vi-IV progression in the key of C major:
“`
C (I), G (V), Am (vi), F (IV)
“`
2. “I’m Yours” by Jason Mraz maintains the I-V-vi-IV progression in the key of B major:
“`
B (I), F# (V), G#m (vi), E (IV)
“`
3. “No Woman No Cry” by Bob Marley adheres strictly to the I-V-vi-IV progression in its verses and employs it in the key of C major:
“`
C (I), G (V), Am (vi), F (IV)
“`
4. “Don’t Stop Believing” by Journey: This song also includes the transition from I to a V with an inverted bass note creating a descending line, much like Queen’s “Somebody to Love.”

It’s important to note that while these songs share a similar progression, the feeling they elicit can be different due to variations in melody, rhythm, instrumentation, and lyrical content.

Musical Analysis

In the chord progression of “Somebody to Love,” the recurring I-V-vi-IV progression is clear. This progression is one of the most popular in pop music. The D/F# (V6) is an inversion that gives a smooth bass line descending from the G (I). The D7 (V7) acts as a dominant seventh chord and creates a strong pull back to the return to G (I). Many transitions between chords also involve common tones, allowing for smoother transitions and voice leading.

Overall Analysis

The song, “Somebody to Love” by Queen, utilizes the classic pop/rock harmonic structure while incorporating aspects of blues and gospel music. The harmonic progression is structured around common chords found in the key of G major. However, the way these chords are ordered and arranged is unconventional and adds depth to the song. It reflects the band’s interest in pushing the boundaries of the traditional harmonic structure common in pop music of that time. Queen is known for their innovative use of harmony, which they certainly showcase in this song.

Style Analysis

“Somebody to Love” is a derivative of the blues and gospel styles, with its poignant melodic twists, repeated use of the dominant seventh chord, and progression to the IV chord, which is reminiscent of the move to the IV chord in a standard 12-bar blues progression. The inclusion of the sixth (vi) chord could be seen as an infusion of the relative minor, which adds depth and melancholy to the sound.

Chords in the Chorus section of Somebody To Love by Queen are:

[‘G’, ‘G’, ‘D/F#’, ‘Em’, ‘C’, ‘D7’, ‘G’, ‘D/F#’, ‘Em’, ‘C’, ‘D’]