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Related Music Theory Alchemy

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The overall use of chords highlights Queen’s blending of rock with more complex harmonic structures, moving beyond simple major & minor chords and incorporating 7th and inversions. Despite its pop/rock surface, “Somebody to Love” includes interesting modulation and chord choices that could be seen as more typical of more ‘classical’ forms of music.

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This chord progression is from the song, “Good Old-Fashioned Lover Boy” by Queen, which is known for its complex and intricate progressions. The song is set in the key of C major, and it features a mixture of triadic major and minor chords, dominant sevenths and the common use of borrowed and secondary dominant chords to create tension. This creates a lot of harmonic interest.

“Beast of Burden” by The Rolling Stones uses a common rock arrangement with a focus on the V, I, and vi chords. The distinguishing factor for this particular progression is its consistent use of inverted chords to create more linear, and stepwise, bass lines.

The chorus of Radiohead’s “Paranoid Android” features an unconventional and diverse chord progression, drawing from various scale degrees. This progression contributes to the song’s complex, shifting quality, moving through several tonal centers.

“Iris” by the Goo Goo Dolls is well-known for its unique tuning and chords which adds a certain tenderness and emotional depth to the song. The song is in D Major and utilizes a repeated chord progression that is relatively simple but effective.

Queen – Somebody To Love – Chorus

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Chord Progression

[‘G’, ‘G’, ‘D/F#’, ‘Em’, ‘C’, ‘D7’, ‘G’, ‘D/F#’, ‘Em’, ‘C’, ‘D’]

Chord Progression Analysis

Here is the chord progression of the Chorus with the full chord names and their corresponding Roman Numerals:
“`
G (I),
G (I),
D/F# (V6),
Em (vi),
C (IV),
D7 (V7),
G (I),
D/F# (V6),
Em (vi),
C (IV),
D (V)
“`

Similar Chord Progressions

1. “Let It Be” by The Beatles also uses an I-V-vi-IV progression in the key of C major:
“`
C (I), G (V), Am (vi), F (IV)
“`
2. “I’m Yours” by Jason Mraz maintains the I-V-vi-IV progression in the key of B major:
“`
B (I), F# (V), G#m (vi), E (IV)
“`
3. “No Woman No Cry” by Bob Marley adheres strictly to the I-V-vi-IV progression in its verses and employs it in the key of C major:
“`
C (I), G (V), Am (vi), F (IV)
“`
4. “Don’t Stop Believing” by Journey: This song also includes the transition from I to a V with an inverted bass note creating a descending line, much like Queen’s “Somebody to Love.”

It’s important to note that while these songs share a similar progression, the feeling they elicit can be different due to variations in melody, rhythm, instrumentation, and lyrical content.

Musical Analysis

In the chord progression of “Somebody to Love,” the recurring I-V-vi-IV progression is clear. This progression is one of the most popular in pop music. The D/F# (V6) is an inversion that gives a smooth bass line descending from the G (I). The D7 (V7) acts as a dominant seventh chord and creates a strong pull back to the return to G (I). Many transitions between chords also involve common tones, allowing for smoother transitions and voice leading.

Overall Analysis

The song, “Somebody to Love” by Queen, utilizes the classic pop/rock harmonic structure while incorporating aspects of blues and gospel music. The harmonic progression is structured around common chords found in the key of G major. However, the way these chords are ordered and arranged is unconventional and adds depth to the song. It reflects the band’s interest in pushing the boundaries of the traditional harmonic structure common in pop music of that time. Queen is known for their innovative use of harmony, which they certainly showcase in this song.

Style Analysis

“Somebody to Love” is a derivative of the blues and gospel styles, with its poignant melodic twists, repeated use of the dominant seventh chord, and progression to the IV chord, which is reminiscent of the move to the IV chord in a standard 12-bar blues progression. The inclusion of the sixth (vi) chord could be seen as an infusion of the relative minor, which adds depth and melancholy to the sound.

Chords in the Chorus section of Somebody To Love by Queen are:

[‘G’, ‘G’, ‘D/F#’, ‘Em’, ‘C’, ‘D7’, ‘G’, ‘D/F#’, ‘Em’, ‘C’, ‘D’]