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Related Music Theory Alchemy

“Someone to Love” by Queen is a rock song infused with gospel and blues influences. It’s written in the key of Ab major but the second verse you have provided seems to be in G major.

“Save Me” by Queen is a rock ballad that uses a complex mix of traditional popular song structures and common rock chord progressions. The song structure is largely verse-chorus, but then there’s a bridge serving as the solo section, and finally ends with repeating choruses. The chord progression for the chorus utilizes a variety of chord inversions, diatonic chords, and non-diatonic or borrowed chords, which are typical of Queen’s music style.

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The chord progression appears to be in the key of Bb Major, and showcases various diatonic chords along with a few borrowed chords. This progression is characterized by a blend of smooth and rich harmony, primarily due to the use of 7th chords and suspensions. The introduction of the dominant B7 chord adds interest, making the progression more unpredictable and complex.

“Dont Let Me Down” by The Beatles is a song that’s heavily grounded in the key of E Major, with some interesting use of borrowed chords for a richer, more emotional harmonic texture. The song is a fine example of The Beatles’ songwriting style, which often involves mixing diatonic chords with chromatic passing chords, borrowed chords, and secondary dominants.

Queen – Somebody To Love – Bridge

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Chord Progression

[‘C’, ‘C7’, ‘F’, ‘Fm’, ‘A7’, ‘D’]

Chord Progression Analysis

**

The bridge progression is as follows:

C major (‘IV’)
C7 (‘IV7’, borrowed chord)
F major (‘bVII’, borrowed chord)
F minor (‘bVIIm’)
A7 (V of ‘V’)
D major (‘V’)

“`
[C major (‘IV’)]
[C7 (‘IV7’, borrowed chord)]
[F major (‘bVII’, borrowed chord)]
[F minor (‘bVIIm’)]
[A7 (V of ‘V’)]
[D major (‘V’)]
“`

**

Similar Chord Progressions

**

1. “Let It Be” by The Beatles shares a similar progression in its bridge:

C major (‘IV’)
G major (I’)
A minor (‘II’)
F major IV’)
F minor (‘IVm’)
C major (‘I’)

“`
[C major (‘IV’)]
[G major (I’)]
[A minor (‘II’)]
[F major IV’)]
[F minor (‘IVm’)]
[C major (‘I’)]
“`

2. “Sweet Child O’ Mine” by Guns N’ Roses also has a similar progression in its chorus:

C major (‘IV’)
A minor (VI’)
F major (‘II’)
G major (‘V’)
A major (‘VII’)
D major (bIII’)

“`
[C major (‘IV’)]
[A minor (VI’)]
[F major (‘II’)]
[G major (‘V’)]
[A major (‘VII’)]
[D major (bIII’)]
“`

3. “Creep” by Radiohead has a similar progression in its verse:

G major (I’)
B major (‘III’)
C major (‘IV’)
C minor (‘IVm’)

“`
[G major (I’)]
[B major (‘III’)]
[C major (‘IV’)]
[C minor (‘IVm’)]
“`

Musical Analysis

**

The progression starts with a C major chord, which is the IV chord in the key of G major. It then moves to C7, a chord borrowed from the parallel minor key(G minor), to create tension and prepare for the transition to the next chord, F major, a borrowed bVII chord from the same parallel minor.

Next we move to F minor, a chromatic mediant relationship with the preceding F major, and also a borrowed chord (bVIIm) from G minor. This shift from major to minor is a dramatic turn that adds drama to the music.

We then encounter the A7 chords which serve the role of secondary dominants, a dominant chord of the dominant (D major), essentially creating a mini-modulation to D major. This takes us back to the home key.

**

Overall Analysis

**

“Somebody To Love” by Queen is a classic rock ballad in the key of G major, drawing heavily from influences of gospel music and blues progressions. Its bridge, aside from the characteristic gospel and rock elements, includes a modulating progression that is particularly interesting due to its use of borrowed chords, which adds contrast and emphasizes the emotive quality of the song.

**

Style Analysis

**

The use of borrowed chords and secondary dominants in Queen’s “Somebody To Love” mirrors the expressive and dramatic style of their music, a synthesis of rock with symphonic and gospel elements. The movement from the major IV to a borrowed IV7 is a typical blues move, enhancing the soulful quality of the song. Meanwhile, the progression from F major to F minor is a typical move in many gospel and R&B tunes, increasing the emotional depth of the track.

**

Chords in the Bridge section of Somebody To Love by Queen are:

[‘C’, ‘C7’, ‘F’, ‘Fm’, ‘A7’, ‘D’]