Search

Related Music Theory Alchemy

“Save Me” by Queen is in the key of G Major and it features a number of modulations to closely related keys. It resonates a distinct rock ballad style incorporating unique variations of common chord progressions from rock and pop genres. The progression’s utilization of inverted chords also brings depth and character to the melody.

2.

“Someone to Love” by Queen exhibits a blend of rock and gospel music, showcasing their musical brilliance and theatrical elements. The chord progression forms a classic example of a departure from the typical I-IV-V root progression seen in much of popular western music, demonstrating Queen’s ingenious writing style.

“Hurt” by Nine Inch Nails features a melancholic and introspective chord progression. The song is predominantly in the key of B minor. The verse and outro sections revolve around the Bm, D, and E chords, while the chorus uses a progression of Bm, G, D, A. The use of borrowed chords enriches the harmonic landscape, adding depth to the composition.

“Something I Can Never Have” by Nine Inch Nails is a song with a dark and moody atmosphere. The chord progression in both the verse and chorus of the song features certain borrowed chords and chromatic tones that give the piece this distinctive quality. The song seems to be in the key of C Major, but certain chords from the parallel minor key (C Minor) are used to create a sense of tension and emotional turmoil.

The song “Space Oddity” by David Bowie features a complex and varied chord progression that incorporates elements of both traditional and experimental popular music. The song is in the key of C Major, and its progression is characterized by the use of modal interchange, or the borrowing of chords from parallel scales. This is indicative of Bowie’s varied musical influences, combining elements of folk, rock, and pop while also incorporating experimental techniques associated with progressive rock.

Queen – Save Me – Chorus

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘D’, ‘A/C#’, ‘G/B’, ‘D’, ‘D’, ‘E’, ‘A’, ‘D’, ‘G’, ‘D’, ‘A/C#’, ‘D/C’, ‘G/B’, ‘D’, ‘C’, ‘G’, ‘D’]

Chord Progression Analysis

D Major (‘I’), A Major/C# (‘V6’), G Major/B (‘IV6’), D Major (‘I’), D Major (‘I’), E Major (‘II’), A Major (‘V’), D Major (‘I’), G Major (‘IV’), D Major (‘I’), A Major/C# (‘V6’), D Major/C (‘I7’), G Major/B (‘IV6’), D Major (‘I’), C Major (‘bVII’), G Major (‘IV’), D Major (‘I’)

The borrowed or non-diatonic chord in this progression is C Major (‘bVII’), which is borrowed from the parallel minor key (D minor).

Similar Chord Progressions

1. “Let It Be” by The Beatles:
C major (‘I’), G major (‘V’), A minor (‘vi’), F major (‘IV’), C major (‘I’), G major (‘V’), F major (‘IV’), C major (‘I’)

2. “Space Oddity” by David Bowie:
C Major (‘I’), Em (‘iii’), F Major (‘IV’), F Minor (‘iv’), C Major (‘I’)

Noticeably, these examples do not carry the same level of harmonic complexity as “Save Me”, but they do feature the IV-I oscillation witnessed in the Queen track. The use of the ‘iv’ chord in “Space Oddity” as a borrowed chord is a common technique in pop and rock music and mirrors the technique employed by Queen in “Save Me”.

Musical Analysis

The chorus primarily oscillates between I (D Major) and IV (G Major), creating a sense of tension and release throughout. The introduction of the II (E Major) and bVII (C Major) gives the progression a distinctive flavor, contributing to the longing and yearning reflected in the song’s mood. The use of first inversion chords (A/C#, G/B) adds interest and provides smooth transitional harmonies. The ‘I7’ (D Major/C) in the middle of the progression serves as a secondary dominant directive towards the IV (G Major).

Overall Analysis

“Save Me” by Queen is a rock ballad that uses a complex mix of traditional popular song structures and common rock chord progressions. The song structure is largely verse-chorus, but then there’s a bridge serving as the solo section, and finally ends with repeating choruses. The chord progression for the chorus utilizes a variety of chord inversions, diatonic chords, and non-diatonic or borrowed chords, which are typical of Queen’s music style.

Style Analysis

“Save Me” is a classic example of Queen’s sophisticated approach to songwriting and harmonization. The use of borrowed chords not only adds an unconventional twist to the chord progression, but it also heightens the song’s emotive power. The moving bass lines and chord inversions also add depth and texture, reflecting Queen’s often complex and grandiose music style.

Chords in the Chorus section of Save Me by Queen are:

[‘D’, ‘A/C#’, ‘G/B’, ‘D’, ‘D’, ‘E’, ‘A’, ‘D’, ‘G’, ‘D’, ‘A/C#’, ‘D/C’, ‘G/B’, ‘D’, ‘C’, ‘G’, ‘D’]