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Related Music Theory Alchemy

“Good Old Fashioned Lover Boy” by Queen from the album “A Night at the Opera” is essentially written in the key of C major. The song includes an intricate and quite peculiar chord progression full of chromatic and borrowed chords, highly characteristic of Queen’s eccentric and unique style of songwriting. In particular, Freddie Mercury, the primary songwriter, often incorporated complex harmonic structures from classical music into their rock/pop context.

The complexity and richness of the harmonics is among the aspects that make Queen’s songs stand out and, in this specific track, it contributes to the song’s upbeat yet nostalgic feel.

“Save Me” by Queen is in the key of G Major and it features a number of modulations to closely related keys. It resonates a distinct rock ballad style incorporating unique variations of common chord progressions from rock and pop genres. The progression’s utilization of inverted chords also brings depth and character to the melody.

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“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song that features a unique chord progression and distinctive guitar techniques that were ahead of its time. The song was released in 1967 on the album “Axis: Bold as Love” and showcases Hendrix’s innovative approach to guitar playing and songwriting.

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“1979” by The Smashing Pumpkins is a classic alternative rock song that cleverly uses uncommon, sophisticated chords to evoke an emotional, melancholic atmosphere.

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The chord progression in the chorus of “Give Me The Night” by George Benson demonstrates the use of extended and borrowed chords. The progression consists of a mix of diatonic chords and chords borrowed from the parallel minor, which is a characteristic of jazz and R&B music. The use of the Db/Eb also adds a layer of harmonic ambiguity that creates tension, enriching the overall sound of the piece.

Queen – Good Old Fashioned Lover Boy – Chorus 3

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Chord Progression

[‘C’, ‘G7/B’, ‘Am’, ‘Em’, ‘F’, ‘C’, ‘G7/B’, ‘Am’, ‘E7/G#’, ‘Am’, ‘Em’, ‘Am’, ‘Em’, ‘Dm7’, ‘Fm’, ‘G7’, ‘C’, ‘G’, ‘C’]

Chord Progression Analysis

“`
C (I),
G7/B (V7/iii),
Am (vi),
Em (iii),
F (IV),
C (I),
G7/B (V7/iii),
Am (vi),
E7/G# (V7/vi),
Am (vi),
Em (iii),
Am (vi),
Em (iii),
Dm7 (ii7),
Fm (iv- Borrowed from C minor),
G7 (V7),
C (I),
G (V),
C (I)
“`

Similar Chord Progressions

While this exact chord progression might not appear in many songs due to its complexity, certain movements such as IV – I, I – vi, and V7 – I are very common in popular music. The use of chromatic mediants, secondary dominants and borrowed chords are also seen in many compositions by The Beatles, particularly in songs like “Penny Lane” and “Strawberry Fields Forever.”
Chord progression for “Penny Lane”:
“`
B (I),
E/F# (V/I),
G#m (iii),
F# (V),
B (I),
F#7/A# (V7/IV),
B/D# (I),
F# (V),
B (I)
“`

Musical Analysis

The progression starts brightly with the tonic C major chord (I), then moves to G7/B (V7/iii), functioning as a secondary dominant to set up the following Am chord (vi). Em is the mediant (iii), followed by a plagal cadence from F (IV) back to C (I). The Fm that appears is a borrowed chord from the C minor key, adding a touch of melancholy into the progression.

Overall Analysis

This chord progression is from the song, “Good Old-Fashioned Lover Boy” by Queen, which is known for its complex and intricate progressions. The song is set in the key of C major, and it features a mixture of triadic major and minor chords, dominant sevenths and the common use of borrowed and secondary dominant chords to create tension. This creates a lot of harmonic interest.

Style Analysis

Queen is noted for their unique blend of rock, pop and classical influences, and “Good Old Fashioned Lover Boy” exemplifies this with its mix of tonally stable and less predictable harmonic movements. It uses both diatonic and non-diatonic chords regularly, which is a characteristic trait of Queen’s harmonic language especially in their ballads and slower songs.

Chords in the Chorus 3 section of Good Old Fashioned Lover Boy by Queen are:

[‘C’, ‘G7/B’, ‘Am’, ‘Em’, ‘F’, ‘C’, ‘G7/B’, ‘Am’, ‘E7/G#’, ‘Am’, ‘Em’, ‘Am’, ‘Em’, ‘Dm7’, ‘Fm’, ‘G7’, ‘C’, ‘G’, ‘C’]