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Related Music Theory Alchemy

“Dont Stop Me Now” by Queen has a key of F major. The song takes you on a journey of a unique blend of chords and progression. Freddie Mercury and the entire band are known for their diverse songwriting abilities, apparent in ‘Don’t Stop Me Now’. The chord progression in Verse 2 hints a story-telling stalwart of pop music production – the major-to-relative-minor movement (I to vi), with some interesting additions of minor seven, major seven and diminished seventh chords, giving it a more sophisticated feel.

“Save Me” by Queen is a rock ballad that uses a complex mix of traditional popular song structures and common rock chord progressions. The song structure is largely verse-chorus, but then there’s a bridge serving as the solo section, and finally ends with repeating choruses. The chord progression for the chorus utilizes a variety of chord inversions, diatonic chords, and non-diatonic or borrowed chords, which are typical of Queen’s music style.

The outro of Beck’s song “Morning” features a beautiful and interesting chord progression in the key of E major. This progression has a mix of diatonic and borrowed chords that creates an evocative sonority and dreamy atmosphere, fitting seamlessly with the rest of the song.

The chord progression “[‘Em’, ‘Am’, ‘D’]” from the outro of Weezer’s “The Good Life” is a simple, yet effective progression in the key of E minor. It demonstrates a melancholic feel common to alternative rock and power-pop music genres of the 1990s. The chords in this progression are borrowed from the E natural minor scale.

The chord progression in the outro of Weezer’s “Undone – The Sweater Song” follows a repeating pattern with a combination of major and power chords. The overall key of the progression is G major, and the chords follow a predictable pattern that is rooted in rock and alternative music styles. The chord progression uses borrowed chords from the parallel key of G minor, specifically the B♭ major chord.

Queen – Dont Stop Me Now – Outro

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Chord Progression

[‘F’, ‘F7’, ‘Bb’, ‘Gm7’]

Chord Progression Analysis

– F Major (I)
– F Dominant 7 (V7)
– Bb Major (IV)
– G Minor 7 (vi7)

Similar Chord Progressions

The Beach Boys’ ‘God Only Knows’ certain sections of the song follow a similar progression:

– A Major (I)
– A Dominant 7 (V7)
– D Major (IV)
– F# Minor 7 (vi7)

Radiohead’s ‘Paranoid Android’ also uses a similar progression:

– G Major (I)
– G Dominant 7 (V7)
– C Major (IV)
– E Minor 7 (vi7)

Musical Analysis

The chord progression for the outro combines a traditional I-V7-IV sequence – a common progression in many popular music genres, particularly rock. The usage of Gm7 brings a slight melodic melancholy to the end of the sequence. The movement from F7 to Bb works as a perfect 4th interval progression, resulting in the feeling of resolution; this is a key characteristic of blues and jazz progressions.

Overall Analysis

Queen’s ‘Don’t Stop Me Now’ contains a rich mixture of chord progressions, which is typical of the band’s complex songwriting. The outro of the song makes use of the F, F7, Bb, and Gm7 chords. This progression is in the key of F Major, with F being the tonic (I), F7 being the dominant 7th (V7), Bb being the subdominant (IV) and Gm7 being the submediant 7th (vi7). The Bb chord is a borrowed chord from the parallel minor key (F Minor) and the usage of F7 serves to add a level of tension before resolving to the Bb.

Style Analysis

This progression is indicative of Queen’s songwriting style, showcasing their traditional rock roots infused with elements of jazz and blues. This is evident in the F7 resolution to Bb, a common blues/jazz technique. Meanwhile, the usage of Gm7 is indicative of Brian May’s fondness for complex harmonies and unconventional chord choices.

Chords in the Outro section of Dont Stop Me Now by Queen are:

[‘F’, ‘F7’, ‘Bb’, ‘Gm7’]