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Related Music Theory Alchemy

“Bohemian Rhapsody” is a multi-genre masterpiece that incorporates elements of ballad, opera, and hard rock, showcasing Queen’s versatility and musical potential. The song is mainly in the key of Bb major, but it aggressively utilizes modulations, chromaticism, borrowed chords, and modally mixed chords. The given chord progression is from the verse that follows the opera section, here Queen offers an unusual, nuanced chord progression that complements the surrounding sections.

Queen’s ‘Don’t Stop Me Now’ contains a rich mixture of chord progressions, which is typical of the band’s complex songwriting. The outro of the song makes use of the F, F7, Bb, and Gm7 chords. This progression is in the key of F Major, with F being the tonic (I), F7 being the dominant 7th (V7), Bb being the subdominant (IV) and Gm7 being the submediant 7th (vi7). The Bb chord is a borrowed chord from the parallel minor key (F Minor) and the usage of F7 serves to add a level of tension before resolving to the Bb.

The chord progression in the verse of Beck’s “Sexx Laws” is a blend of major and minor chords, which creates a unique and somewhat unpredictable sound. The progression shifts between the key of B major and G# minor, reflecting an adventurous approach to harmony. The style of this progression has a hint of funk and jazz, with a touch of blues.

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“Zombie” by The Cranberries features a relatively commonly used chord progression in pop/rock music, often referred to as a ‘vi-IV-I-V’ progression. This chord progression, in this particular case, is in the key of G Major and is made up of four chords: Em, C, G, and D/F#.

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The Wind Cries Mary by Jimi Hendrix is a classic rock ballad written in the key of F major, based around a somewhat simple, yet effective, chord progression. There are a few borrowed chords and modulations that add to the harmonic complexity and characteristic guitar work by Hendrix. The song’s structure consists of a verse, followed by a brief pre-chorus, and a chorus before repeating.

Queen – Bohemian Rhapsody – Verse 1

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Chord Progression

[‘Bb’, ‘Gm’, ‘Cm’, ‘Cm7’, ‘F7’, ‘Bb’, ‘Gm’, ‘Cm’, ‘Eb/Cb’, ‘Eb/Bb’, ‘Am7b5’, ‘Abmaj7’, ‘Eb/G’]

Chord Progression Analysis

Here is the chord progression for the verse:

“`
– Bb Major (I)
– G minor (vi)
– C minor (ii)
– C minor 7 (ii7)
– F7 (V7)
– Bb Major (I)
– G minor (vi)
– C minor (ii)
– Eb/Cb (IV/bVII)
– Eb/Bb (IV/I)
– Am7b5 (viiø^7 in II)
– Abmaj7 (IV in II)
– Eb/G (IV in v)
“`

Similar Chord Progressions

1. “Let It Be” by The Beatles:

“`
– C Major (I)
– G Major (V)
– A minor (vi)
– Fmaj7 (IV7)
– C Major (I)
– G Major (V)
– F Major (IV)
– C Major (I)
“`

2. “Imagine” by John Lennon:

“`
– C Major (I)
– Cmaj7 (I7)
– F Major (IV)
– C Major (I)
– E7 (III7)
– F Major (IV)
– Fmaj7 (IV7)
– C Major (I)
– E7 (III7)
– F Major (IV)
– Fmaj7 (IV7)
– C Major (I)
“`

While these two songs also play with borrowed chords and non-diatonic movements, they maintain a simpler progression in comparison to “Bohemian Rhapsody”. However, the spirit of innovation and pushing the boundaries of popular music can be seen in all three compositions.

Musical Analysis

This chord progression is characterized by tonic, sub-dominant and dominant harmony, with the addition of a few borrowed chords which create a richer harmonic palette. The progression from Bb to G minor and C minor gives a sense of sadness or melancholy, which is classic for a pop ballad. Abmaj7 acts as a borrowed chord from the parallel major of the ii chord, while Am7b5 is a common substitution for a dominant chord in a minor key.

Overall Analysis

“Bohemian Rhapsody”, composed by Queen, is a powerful anthem that merges elements of rock, opera, and progressive music. The chord progression demonstrates a sophisticated understanding of voice leading and functional harmony, contributing to its distinctive sound. Famous for its key changes and thematic progressions, the composition is often cited as an example of Freddie Mercury’s musical genius.

Style Analysis

This composition challenges traditional music norms by combining elements of rock, progressive, and classical music. Mercury’s use of exotic borrowed chords signifies his classical influence, while the intricate harmonies and key changes reflect the progressive genre. Meanwhile, the song also maintains a driving rhythm and strong melody, staying true to rock tradition.

Chords in the Verse 1 section of Bohemian Rhapsody by Queen are:

[‘Bb’, ‘Gm’, ‘Cm’, ‘Cm7’, ‘F7’, ‘Bb’, ‘Gm’, ‘Cm’, ‘Eb/Cb’, ‘Eb/Bb’, ‘Am7b5’, ‘Abmaj7’, ‘Eb/G’]