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Related Music Theory Alchemy

“Kiss” by Prince is a well-loved song known for its catchy tune and funky, upbeat style. The song is composed in the key of A major. However, it lacks typical diatonic major harmonies because Prince used power chords (fifth chords) instead of full major or minor chords. The progression is largely built around the ‘A5’ and ‘D5’ power chords, with the occasional ‘E5’ and ‘E9sus4’ worked in to add some variation.

Muse’s “Can’t Take My Eyes Off You” is a rock interpretation of the classic 1967 pop song “Can’t Take My Eyes Off You” by Frankie Valli, which has been covered by various artists in different styles. The chord progression of the chorus is characterized by a series of diatonic chords, predominant in Western pop music. This progression follows a typical 1950’s “doowop” pattern present in countless pop and rock songs, utilizing the familiar circle of fourths movement (Dm-G-C) and establishing a straightforward harmonic rhythm.

Chord Progression Analysis with Roman Numerals (borrowed chords in code block):

D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major (I) – A major (V/vi) – D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major 7 (Imaj7) – C7 (I7) – C6 (I6) – C major (I) – Ab major (*bVI) – C major (I)

`* Ab major (bVI) is a borrowed chord from the parallel minor key (C minor).`

“In My Head” is a good example of the band’s signature style, combining elements of rock, punk, and alternative music. The usage of primary chords is fairly standard for rock music, but the inclusion of unexpected chords like G5 and D# adds a complex flavor to the progression making it notably unique amongst other songs within the genre.

Vance Joy’s “Riptide” is a remarkably simple yet highly effective song written in the key of C Major. The song follows a repetitive I-vi-IV chord progression, which is only varied in the bridge where a minor seventh chord introduces tension before leading back to the song’s major tonality.

Prince – Little Red Corvette – Chorus

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Chord Progression

[‘Gb’, ‘Ab’, ‘Db’, ‘Gb’, ‘Ab’, ‘Bbm7’, ‘Gb’, ‘Ab’, ‘Db’, ‘Gb’, ‘Ab’, ‘Ab’, ‘Bbm7’, ‘Gb’, ‘Ab’, ‘Bbm7’, ‘Ab’]

Chord Progression Analysis

Following is the Chord progression with their Roman Numerals, and a listing of all the full chord names on one line structured.

“`
Gb Major (‘I’), Ab Major (IV — borrowed from the parallel minor), Db Major (‘V’), Bbm7 (‘iii7’)
“`

Similar Chord Progressions

Several other artists have used similar chord progressions to the one in “Little Red Corvette”. For instance,

1. “Don’t Stop Believin’” by Journey also uses the I-IV-V progression in the key of E Major:
“`
E Major (‘I’), A Major (‘IV’), B Major (‘V’)
“`
2. “Let it Be” by The Beatles uses same progression in the key of C Major:
“`
C Major (‘I’), F Major (‘IV’), G Major (‘V’)
“`

Musical Analysis

The progression begins with the tonic Gb Major, instantly creating a sense of home. It then goes to a borrowed IV Ab Major that adds a bit of flavor due to its part from a parallel minor. The progression then goes to Db Major, traditionally a dominant function, before resolving back to the tonic. The addition of ‘iii7’ (Bbm7) assists in moving back to ‘I’ from ‘V’. The repetitive use of I-IV-V gives the song a catchy, circular progression feel while the Bbm7 adds a touch of soulfulness and complexity.

Overall Analysis

“Little Red Corvette” by Prince is in the key of Gb Major. The song is a staple of 80’s pop and a good example of Prince’s signature sound of fusing elements from different genres, such as funk, pop, and rock. It’s a strong blend of complex chord progressions and simple, catchy melodic lines which adds a compelling depth to the music.

Style Analysis

The use of borrowed chords is not uncommon in popular music of the ’80s and Prince’s music often includes harmonic complexities beyond simple triadic progressions. The syncopation and rhythmic interplay throughout the chorus also adds to its infectious groove. The modulation, strong melody and harmonization all are signature elements of Prince’s style.

Chords in the Chorus section of Little Red Corvette by Prince are:

[‘Gb’, ‘Ab’, ‘Db’, ‘Gb’, ‘Ab’, ‘Bbm7’, ‘Gb’, ‘Ab’, ‘Db’, ‘Gb’, ‘Ab’, ‘Ab’, ‘Bbm7’, ‘Gb’, ‘Ab’, ‘Bbm7’, ‘Ab’]