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“Kiss” is a funk, synthpop song written, produced and performed by Prince. The song’s structure runs around a simple, repeated two-bar eight-note pattern, but what’s odd is the song’s key. Dotting between E and D, it’s hard to pin down definitively, but the song seems to be written in the ambiguous key of E Mixolydian/D major.

The given chord progression is from the chorus of “Earfquake” by Tyler, The Creator, a contemporary hip-hop and neo-soul artist. The progression features a smooth and mellow tonality, characterized by the use of 7th chords. The chord progression is in the key of Bb Major and showcases the use of mostly diatonic chords with a repetition that contributes to the song’s catchy nature.

The chord progression in the chorus of “Say Goodbye” by Beck features a simple, yet unique combination of major and minor chords. It is primarily built around the key of G major, but includes a chromatic twist with the inclusion of the A# major chord. The progression is fairly repetitive, which provides a stable and recognizable backbone for the chorus.

“Hurt” by Nine Inch Nails features a melancholic and introspective chord progression. The song is predominantly in the key of B minor. The verse and outro sections revolve around the Bm, D, and E chords, while the chorus uses a progression of Bm, G, D, A. The use of borrowed chords enriches the harmonic landscape, adding depth to the composition.

Prince – Little Red Corvette – Chorus

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Chord Progression

[‘Gb’, ‘Ab’, ‘Db’, ‘Gb’, ‘Ab’, ‘Bbm7’, ‘Gb’, ‘Ab’, ‘Db’, ‘Gb’, ‘Ab’, ‘Ab’, ‘Bbm7’, ‘Gb’, ‘Ab’, ‘Bbm7’, ‘Ab’]

Chord Progression Analysis

Following is the Chord progression with their Roman Numerals, and a listing of all the full chord names on one line structured.

“`
Gb Major (‘I’), Ab Major (IV — borrowed from the parallel minor), Db Major (‘V’), Bbm7 (‘iii7’)
“`

Similar Chord Progressions

Several other artists have used similar chord progressions to the one in “Little Red Corvette”. For instance,

1. “Don’t Stop Believin’” by Journey also uses the I-IV-V progression in the key of E Major:
“`
E Major (‘I’), A Major (‘IV’), B Major (‘V’)
“`
2. “Let it Be” by The Beatles uses same progression in the key of C Major:
“`
C Major (‘I’), F Major (‘IV’), G Major (‘V’)
“`

Musical Analysis

The progression begins with the tonic Gb Major, instantly creating a sense of home. It then goes to a borrowed IV Ab Major that adds a bit of flavor due to its part from a parallel minor. The progression then goes to Db Major, traditionally a dominant function, before resolving back to the tonic. The addition of ‘iii7’ (Bbm7) assists in moving back to ‘I’ from ‘V’. The repetitive use of I-IV-V gives the song a catchy, circular progression feel while the Bbm7 adds a touch of soulfulness and complexity.

Overall Analysis

“Little Red Corvette” by Prince is in the key of Gb Major. The song is a staple of 80’s pop and a good example of Prince’s signature sound of fusing elements from different genres, such as funk, pop, and rock. It’s a strong blend of complex chord progressions and simple, catchy melodic lines which adds a compelling depth to the music.

Style Analysis

The use of borrowed chords is not uncommon in popular music of the ’80s and Prince’s music often includes harmonic complexities beyond simple triadic progressions. The syncopation and rhythmic interplay throughout the chorus also adds to its infectious groove. The modulation, strong melody and harmonization all are signature elements of Prince’s style.

Chords in the Chorus section of Little Red Corvette by Prince are:

[‘Gb’, ‘Ab’, ‘Db’, ‘Gb’, ‘Ab’, ‘Bbm7’, ‘Gb’, ‘Ab’, ‘Db’, ‘Gb’, ‘Ab’, ‘Ab’, ‘Bbm7’, ‘Gb’, ‘Ab’, ‘Bbm7’, ‘Ab’]