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The song “Purple Rain” by Prince is a classic and showcases some interesting use of chord progressions. The key of the song is G major. The classic, popular music formula is present in the use of common chords like I, ii, IV, V which are all diatonic within the key. Noticeably, this song opts for a more simplistic, cyclical chord progression structure that emphasizes repetition of strong melodic lines.

The chorus of “The Good Life” by Weezer features a mixture of diatonic and non-diatonic chords, with a primary focus on the key of G major. The chord progression stands out as somewhat unconventional due to the inclusion of chromatic chords, which gives it an interesting character and emotion. Additionally, the repetition of certain chords emphasizes the harmonic structure and creates a sense of familiarity.

The chord progression in the chorus of “Ramona” by Beck is an interesting mix of diatonic and borrowed chords that creates a unique and somewhat unexpected harmonic landscape. It combines major and minor chords, borrowed chords from the parallel minor key, and chromatic chords, making a rich harmonic texture.

“Nothings Gonna Change My Love For You” by George Benson is a romantic ballad in the key of Db major. The piece features a soothing and harmonically rich chord progression that is characteristic of the pop/jazz fusion style popular in the late 70s and 80s. The chorus features a mix of diatonic, borrowed, and secondary-dominant chords, creating an expressive palette of colors and tensions. This progression shares similarities with other ballads and pop songs from the era.

Prince – Little Red Corvette – Chorus

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Chord Progression

[‘Gb’, ‘Ab’, ‘Db’, ‘Gb’, ‘Ab’, ‘Bbm7’, ‘Gb’, ‘Ab’, ‘Db’, ‘Gb’, ‘Ab’, ‘Ab’, ‘Bbm7’, ‘Gb’, ‘Ab’, ‘Bbm7’, ‘Ab’]

Chord Progression Analysis

Following is the Chord progression with their Roman Numerals, and a listing of all the full chord names on one line structured.

“`
Gb Major (‘I’), Ab Major (IV — borrowed from the parallel minor), Db Major (‘V’), Bbm7 (‘iii7’)
“`

Similar Chord Progressions

Several other artists have used similar chord progressions to the one in “Little Red Corvette”. For instance,

1. “Don’t Stop Believin’” by Journey also uses the I-IV-V progression in the key of E Major:
“`
E Major (‘I’), A Major (‘IV’), B Major (‘V’)
“`
2. “Let it Be” by The Beatles uses same progression in the key of C Major:
“`
C Major (‘I’), F Major (‘IV’), G Major (‘V’)
“`

Musical Analysis

The progression begins with the tonic Gb Major, instantly creating a sense of home. It then goes to a borrowed IV Ab Major that adds a bit of flavor due to its part from a parallel minor. The progression then goes to Db Major, traditionally a dominant function, before resolving back to the tonic. The addition of ‘iii7’ (Bbm7) assists in moving back to ‘I’ from ‘V’. The repetitive use of I-IV-V gives the song a catchy, circular progression feel while the Bbm7 adds a touch of soulfulness and complexity.

Overall Analysis

“Little Red Corvette” by Prince is in the key of Gb Major. The song is a staple of 80’s pop and a good example of Prince’s signature sound of fusing elements from different genres, such as funk, pop, and rock. It’s a strong blend of complex chord progressions and simple, catchy melodic lines which adds a compelling depth to the music.

Style Analysis

The use of borrowed chords is not uncommon in popular music of the ’80s and Prince’s music often includes harmonic complexities beyond simple triadic progressions. The syncopation and rhythmic interplay throughout the chorus also adds to its infectious groove. The modulation, strong melody and harmonization all are signature elements of Prince’s style.

Chords in the Chorus section of Little Red Corvette by Prince are:

[‘Gb’, ‘Ab’, ‘Db’, ‘Gb’, ‘Ab’, ‘Bbm7’, ‘Gb’, ‘Ab’, ‘Db’, ‘Gb’, ‘Ab’, ‘Ab’, ‘Bbm7’, ‘Gb’, ‘Ab’, ‘Bbm7’, ‘Ab’]