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Related Music Theory Alchemy

“Kiss” by Prince is primarily a rock song that features pop elements. The song utilizes power chords which are common in rock music, having a stripped-down chord structure that highlights the root and the fifth notes of the chord. The defined chord progression listed for Verse 3 is: [‘A5’, ‘D5’, ‘A5’]. This progression lacks the richness of Major or Minor chords but provides a solid, driving rhythm backbone to the song, prioritizing rhythmic energy over harmonic complexity.

“Sometimes It Snows In April” is commonly recognised as a hauntingly beautiful ballad that features gentle, intricate piano work and tender vocals. Musically, it explores a slightly complex harmonic structure that creates a profound emotive sound spectrum.

“Give Me The Night” is a classic R&B and jazz-infused song by George Benson, released in 1980. The song was written by Rod Temperton and produced by Quincy Jones. It features a smooth, soulful groove, lush harmonies, and a sophisticated chord progression that is characteristic of the late 70s and early 80s R&B and jazz fusion style. The verse of the song makes use of diatonic chords with a few borrowed chords, giving the progression a rich and interesting harmonic content.

“Brown Sugar” by The Rolling Stones, off their 1971 album Sticky Fingers, is in the key of C major, and primarily uses the chords C, F, G and Bb. This song showcases the band’s blues rock influences, built on a repetitive, riff-driven chord progression. The use of I, IV, V, and a borrowed bVII (Bb), which is common in the blues, creates an appealing and familiar sound, helping the song resonate with listeners.

The chord progression in MGMT’s “Congratulations” contains a mix of diatonic and non-diatonic chords, which provide a combination of stability and tension throughout the progression. The harmonic rhythm is slow, and the progression is mostly driven by bass line movement and voice leading. The mixture of borrowed chords, inversions, and suspended chords contributes to the overall unique character of the piece.

Prince – Kiss – Verse 2

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Chord Progression

[‘A5’, ‘D5’, ‘A5’]

Chord Progression Analysis

– A5 (I)
– D5 (IV)
– A5 (I)

`borrowed chords: None in this progression`

Similar Chord Progressions

– “You Really Got Me” by The Kinks is another famous song employing a similar I-IV-I progression, albeit in a different key. The chords are G5 (I) – C5 (IV) – G5 (I).

– “Smells like Teen Spirit” by Nirvana also follows a similar chord progression, adding a VI as well. The chords are F5 (I) – Bb5 (IV) – Ab5 (bVI) – Db5 (bII). These ‘borrowed’ chords (bVI, bII) are from the parallel minor, and they help create a sense of tension and edginess.

Musical Analysis

The verse of “Kiss” is quite streamlined and its simplicity is a primary factor in the song’s overall catchiness. It employs a simple I-IV-I progression, reminiscent of early rock and roll and blues. The use of power chords (neither major nor minor, just root and fifth) also adds to the song’s rock style, giving it an aggressive but neutral tone. There is thus an enticing vagueness to the harmony.

Overall Analysis

“Kiss” by Prince is a classic example showcasing Prince’s unique and complex songwriting abilities. The song is written in the key of A major. The distinctive funk rock style is primarily expressed via dominant and suspended chords. This combined with Prince’s rhythmically tight and syncopated guitar playing gives the song its infectious groove.

Style Analysis

“Kiss” by Prince represents the Minnesotan artist’s move towards a more stripped down yet rhythmically complex pop sound, deviating from his earlier works which had a thick layered synth pop style. The chord progression used is rooted in the rock and roll tradition with an inclusion of his funk stylings. It’s a nod to the rock and roll pioneers but with a modern 80’s touch. Prince’s vocals also play around with falsetto adding an extra layer of contrast to the aggressive guitar work.

Chords in the Verse 2 section of Kiss by Prince are:

[‘A5’, ‘D5’, ‘A5’]