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“Kiss” by Prince is a well-loved song known for its catchy tune and funky, upbeat style. The song is composed in the key of A major. However, it lacks typical diatonic major harmonies because Prince used power chords (fifth chords) instead of full major or minor chords. The progression is largely built around the ‘A5’ and ‘D5’ power chords, with the occasional ‘E5’ and ‘E9sus4’ worked in to add some variation.

“The song When Doves Cry” by Prince features a very distinctive chord progression in its chorus section. Technically the song is written in a minor key, but the progression tends to flow in a way that feels almost like a major key at times. This is a common characteristic of many Prince songs, signifying the unique and innovative style of the artist.

“Strawberry Fields Forever” by The Beatles is one of the excellent examples of the unique and complex style popular in the late 1960’s. It is in the key of E and further progresses to F# minor. The progression utilizes modal interchange, chromaticism, and unusual chord progressions to create a dreamlike and psychedelic landscape that perfectly suits the lyrical theme of the song.

The chord progression in Verse 2 of Beck’s “Say Goodbye” showcases a unique blend of chords that are not commonly heard together in popular music. The mix of major, minor, and borrowed chords creates an interesting and engaging sound. Its distinctive quality can be found in the use of the A# major chord, which is not diatonic to the key of G major.

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Looking at the entire song and isolating the verse, the chord progression provided shows a rock style often seen in Queens of the Stone Age compositions. The harmonic language of this song and its progression style fall within the realm of Pop / Rock music, with frequent use of minor chords suggesting a somber or introspective mood. On first glance, it appears to contain chords primarily from the key of F# minor, with no obvious borrowings from other keys. However, a closer inspection will allow us to delve deeper into their harmonic function.

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Prince – Kiss – Verse 2

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Chord Progression

[‘A5’, ‘D5’, ‘A5’]

Chord Progression Analysis

– A5 (I)
– D5 (IV)
– A5 (I)

`borrowed chords: None in this progression`

Similar Chord Progressions

– “You Really Got Me” by The Kinks is another famous song employing a similar I-IV-I progression, albeit in a different key. The chords are G5 (I) – C5 (IV) – G5 (I).

– “Smells like Teen Spirit” by Nirvana also follows a similar chord progression, adding a VI as well. The chords are F5 (I) – Bb5 (IV) – Ab5 (bVI) – Db5 (bII). These ‘borrowed’ chords (bVI, bII) are from the parallel minor, and they help create a sense of tension and edginess.

Musical Analysis

The verse of “Kiss” is quite streamlined and its simplicity is a primary factor in the song’s overall catchiness. It employs a simple I-IV-I progression, reminiscent of early rock and roll and blues. The use of power chords (neither major nor minor, just root and fifth) also adds to the song’s rock style, giving it an aggressive but neutral tone. There is thus an enticing vagueness to the harmony.

Overall Analysis

“Kiss” by Prince is a classic example showcasing Prince’s unique and complex songwriting abilities. The song is written in the key of A major. The distinctive funk rock style is primarily expressed via dominant and suspended chords. This combined with Prince’s rhythmically tight and syncopated guitar playing gives the song its infectious groove.

Style Analysis

“Kiss” by Prince represents the Minnesotan artist’s move towards a more stripped down yet rhythmically complex pop sound, deviating from his earlier works which had a thick layered synth pop style. The chord progression used is rooted in the rock and roll tradition with an inclusion of his funk stylings. It’s a nod to the rock and roll pioneers but with a modern 80’s touch. Prince’s vocals also play around with falsetto adding an extra layer of contrast to the aggressive guitar work.

Chords in the Verse 2 section of Kiss by Prince are:

[‘A5’, ‘D5’, ‘A5’]