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Related Music Theory Alchemy

“Kiss” by Prince is primarily a rock song that features pop elements. The song utilizes power chords which are common in rock music, having a stripped-down chord structure that highlights the root and the fifth notes of the chord. The defined chord progression listed for Verse 3 is: [‘A5’, ‘D5’, ‘A5’]. This progression lacks the richness of Major or Minor chords but provides a solid, driving rhythm backbone to the song, prioritizing rhythmic energy over harmonic complexity.

The progression for the chorus of “Sometimes It Snows In April” by Prince exhibits a rich mixture of non- diatonic chords and borrowed chords. The tonal center of the song is A, but it doesn’t strictly follow a specific major or minor scale, creating an interesting blend of light and dark tonalities. This characteristic is a common feature in Prince’s works, showing his notable talent for blending the traditional with the unconventional.

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Looking at the entire song and isolating the verse, the chord progression provided shows a rock style often seen in Queens of the Stone Age compositions. The harmonic language of this song and its progression style fall within the realm of Pop / Rock music, with frequent use of minor chords suggesting a somber or introspective mood. On first glance, it appears to contain chords primarily from the key of F# minor, with no obvious borrowings from other keys. However, a closer inspection will allow us to delve deeper into their harmonic function.

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“Dead Flowers” by The Rolling Stones, from their album “Sticky Fingers” (1971), features a fairly straightforward repetitive chord progression of D, A, G, D in the verse. The key here is D Major. This common progression falls into a I-V-IV-I pattern known as a “plagal cadence”. It’s a progression which consists of a major key followed by its dominant (V), then its subdominant (IV), taking us back to the tonic (I).

The progression is in the key of C major. The use of the Bb major is known as modal interchange, where a chord that is not in the key is borrowed from a parallel key, which in this case is C minor. This contributes an interesting tone color to the overall sound. The chord progression does consist a use of slash chords (C/B, C/G) which adds a more complex bassline creating a more harmonically active feeling, and yielding more tension and release.

Prince – Kiss – Verse 2

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Chord Progression

[‘A5’, ‘D5’, ‘A5’]

Chord Progression Analysis

– A5 (I)
– D5 (IV)
– A5 (I)

`borrowed chords: None in this progression`

Similar Chord Progressions

– “You Really Got Me” by The Kinks is another famous song employing a similar I-IV-I progression, albeit in a different key. The chords are G5 (I) – C5 (IV) – G5 (I).

– “Smells like Teen Spirit” by Nirvana also follows a similar chord progression, adding a VI as well. The chords are F5 (I) – Bb5 (IV) – Ab5 (bVI) – Db5 (bII). These ‘borrowed’ chords (bVI, bII) are from the parallel minor, and they help create a sense of tension and edginess.

Musical Analysis

The verse of “Kiss” is quite streamlined and its simplicity is a primary factor in the song’s overall catchiness. It employs a simple I-IV-I progression, reminiscent of early rock and roll and blues. The use of power chords (neither major nor minor, just root and fifth) also adds to the song’s rock style, giving it an aggressive but neutral tone. There is thus an enticing vagueness to the harmony.

Overall Analysis

“Kiss” by Prince is a classic example showcasing Prince’s unique and complex songwriting abilities. The song is written in the key of A major. The distinctive funk rock style is primarily expressed via dominant and suspended chords. This combined with Prince’s rhythmically tight and syncopated guitar playing gives the song its infectious groove.

Style Analysis

“Kiss” by Prince represents the Minnesotan artist’s move towards a more stripped down yet rhythmically complex pop sound, deviating from his earlier works which had a thick layered synth pop style. The chord progression used is rooted in the rock and roll tradition with an inclusion of his funk stylings. It’s a nod to the rock and roll pioneers but with a modern 80’s touch. Prince’s vocals also play around with falsetto adding an extra layer of contrast to the aggressive guitar work.

Chords in the Verse 2 section of Kiss by Prince are:

[‘A5’, ‘D5’, ‘A5’]