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Related Music Theory Alchemy

“Kiss” by Prince is a well-loved song known for its catchy tune and funky, upbeat style. The song is composed in the key of A major. However, it lacks typical diatonic major harmonies because Prince used power chords (fifth chords) instead of full major or minor chords. The progression is largely built around the ‘A5’ and ‘D5’ power chords, with the occasional ‘E5’ and ‘E9sus4’ worked in to add some variation.

The song “Purple Rain” by Prince is a classic and showcases some interesting use of chord progressions. The key of the song is G major. The classic, popular music formula is present in the use of common chords like I, ii, IV, V which are all diatonic within the key. Noticeably, this song opts for a more simplistic, cyclical chord progression structure that emphasizes repetition of strong melodic lines.

The chord progression in Muse’s Hysteria (verse 2) is a fairly unique progression that revolves around a minor tonality with some hints of E7 acting as a secondary dominant. It seems to have an ambiguous key center, fluctuating between E minor and A minor. The progression is repeated, providing a sense of tension and familiarity throughout the verse.

The verse 2 chord progression of Radiohead’s “Everything In Its Right Place” demonstrates a combination of diatonic and non-diatonic chords with tonal ambiguity, frequent use of borrowed chords from parallel modes, and modulation. The progression has a cyclic, hypnotic quality with occasional surprises due to large leaps in pitch and unexpected, non-diatonic chords.

“Glory Box” by Portishead from the album Dummy (1994) presents a haunting and somewhat melancholy ambience commonly found in their trademark trip-hop style. This song, in particular, draws from a palette of jazz-influenced harmony. The chords used, their extensions, and inversions, conjure complexity beyond basic triadic harmony. The chord progression listed appears to be in the key of D minor and employs common jazz techniques like ii-V-I progressions and usage of the half-diminished chord.

Prince – Kiss – Verse 2

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Chord Progression

[‘A5’, ‘D5’, ‘A5’]

Chord Progression Analysis

– A5 (I)
– D5 (IV)
– A5 (I)

`borrowed chords: None in this progression`

Similar Chord Progressions

– “You Really Got Me” by The Kinks is another famous song employing a similar I-IV-I progression, albeit in a different key. The chords are G5 (I) – C5 (IV) – G5 (I).

– “Smells like Teen Spirit” by Nirvana also follows a similar chord progression, adding a VI as well. The chords are F5 (I) – Bb5 (IV) – Ab5 (bVI) – Db5 (bII). These ‘borrowed’ chords (bVI, bII) are from the parallel minor, and they help create a sense of tension and edginess.

Musical Analysis

The verse of “Kiss” is quite streamlined and its simplicity is a primary factor in the song’s overall catchiness. It employs a simple I-IV-I progression, reminiscent of early rock and roll and blues. The use of power chords (neither major nor minor, just root and fifth) also adds to the song’s rock style, giving it an aggressive but neutral tone. There is thus an enticing vagueness to the harmony.

Overall Analysis

“Kiss” by Prince is a classic example showcasing Prince’s unique and complex songwriting abilities. The song is written in the key of A major. The distinctive funk rock style is primarily expressed via dominant and suspended chords. This combined with Prince’s rhythmically tight and syncopated guitar playing gives the song its infectious groove.

Style Analysis

“Kiss” by Prince represents the Minnesotan artist’s move towards a more stripped down yet rhythmically complex pop sound, deviating from his earlier works which had a thick layered synth pop style. The chord progression used is rooted in the rock and roll tradition with an inclusion of his funk stylings. It’s a nod to the rock and roll pioneers but with a modern 80’s touch. Prince’s vocals also play around with falsetto adding an extra layer of contrast to the aggressive guitar work.

Chords in the Verse 2 section of Kiss by Prince are:

[‘A5’, ‘D5’, ‘A5’]