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Related Music Theory Alchemy

“Kiss” by Prince is a well-loved song known for its catchy tune and funky, upbeat style. The song is composed in the key of A major. However, it lacks typical diatonic major harmonies because Prince used power chords (fifth chords) instead of full major or minor chords. The progression is largely built around the ‘A5’ and ‘D5’ power chords, with the occasional ‘E5’ and ‘E9sus4’ worked in to add some variation.

“Kiss” by Prince is primarily a rock song that features pop elements. The song utilizes power chords which are common in rock music, having a stripped-down chord structure that highlights the root and the fifth notes of the chord. The defined chord progression listed for Verse 3 is: [‘A5’, ‘D5’, ‘A5’]. This progression lacks the richness of Major or Minor chords but provides a solid, driving rhythm backbone to the song, prioritizing rhythmic energy over harmonic complexity.

“Eight Days A Week” by The Beatles, released in 1965, is renowned for its catchy melodic phrases, tight harmonies, and distinctive use of chords. The song is firmly rooted in the key of D major, but there is an interesting use of borrowed chords.

Verse 2

“Wish You Were Here” by Pink Floyd is a classic rock ballad from their 1975 album of the same name. The song features an introspective and expressive melody with a predominantly acoustic instrumentation. The chord progression for Verse 2 demonstrates a blend of diatonic and non-diatonic chords, with borrowed chords from parallel modes, which adds to the emotional depth of the piece.

The progression from B to A to E is a common progression in pop and rock music. This progression utilizes diatonic and non-diatonic chords, meaning that the chords all belong to the same key and it suggests the use of borrowed chords. A Perfect Circle tends to use a lot of downward motion in their chord progressions, moving from higher to lower pitches, which can give their music a distinct ‘heavy’ feel.

Prince – Kiss – Verse 2

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Chord Progression

[‘A5’, ‘D5’, ‘A5’]

Chord Progression Analysis

– A5 (I)
– D5 (IV)
– A5 (I)

`borrowed chords: None in this progression`

Similar Chord Progressions

– “You Really Got Me” by The Kinks is another famous song employing a similar I-IV-I progression, albeit in a different key. The chords are G5 (I) – C5 (IV) – G5 (I).

– “Smells like Teen Spirit” by Nirvana also follows a similar chord progression, adding a VI as well. The chords are F5 (I) – Bb5 (IV) – Ab5 (bVI) – Db5 (bII). These ‘borrowed’ chords (bVI, bII) are from the parallel minor, and they help create a sense of tension and edginess.

Musical Analysis

The verse of “Kiss” is quite streamlined and its simplicity is a primary factor in the song’s overall catchiness. It employs a simple I-IV-I progression, reminiscent of early rock and roll and blues. The use of power chords (neither major nor minor, just root and fifth) also adds to the song’s rock style, giving it an aggressive but neutral tone. There is thus an enticing vagueness to the harmony.

Overall Analysis

“Kiss” by Prince is a classic example showcasing Prince’s unique and complex songwriting abilities. The song is written in the key of A major. The distinctive funk rock style is primarily expressed via dominant and suspended chords. This combined with Prince’s rhythmically tight and syncopated guitar playing gives the song its infectious groove.

Style Analysis

“Kiss” by Prince represents the Minnesotan artist’s move towards a more stripped down yet rhythmically complex pop sound, deviating from his earlier works which had a thick layered synth pop style. The chord progression used is rooted in the rock and roll tradition with an inclusion of his funk stylings. It’s a nod to the rock and roll pioneers but with a modern 80’s touch. Prince’s vocals also play around with falsetto adding an extra layer of contrast to the aggressive guitar work.

Chords in the Verse 2 section of Kiss by Prince are:

[‘A5’, ‘D5’, ‘A5’]