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Related Music Theory Alchemy

The chord progression from verse 3 of Pink Floyd’s “Wish You Were Here” is in the key of C major and shows a mix of diatonic chords and borrowed chords. The progression creates a sense of smooth journey and has a certain melancholic yet uplifting character.

The chord progression in the bridge of “Hey You” by Pink Floyd is a relatively simple progression that revolves around the C Major and G Major chords, with brief appearances of D Major and E minor add9 chords. The piece showcases Pink Floyd’s signature progressive rock style, with steady changes between chords and a sense of tension and release.

“When I Was Your Man” by Bruno Mars is in the key of C major. It is a ballad with a piano-led instrumentation, backed by Bruno’s powerful and emotive vocals. The melody and chords are relatively simple, but the lingering tone and the poignant lyrics create an emotionally resonant track. A common feature in this piece, as well as many pop songs in general, is the use of borrowed chords.

“Right Where It Belongs” by Nine Inch Nails features a non-diatonic chord progression that creates a sense of tension and resolution. The progression makes use of borrowed chords from parallel keys, contributing to its distinctive sound. The overall key of the song is D minor.

The chord progression in Verse 1 of “My Name Is Jonas” by Weezer is in the key of C Major. The progression is quite simple and common, but it includes an interesting borrowed chord to provide extra color. This can be described as a mix of pop and rock idioms.

Chord Progression Analysis (with full chord names and Roman numerals):

C Major (I) – G Major (V) – A minor (vi) – F Major (IV)

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Borrowed Chord: None in this progression
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Pink Floyd – Wish You Were Here – Verse 1

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Chord Progression

C, D/F#, Am/E, G, D/F#, C, Am, G

Chord Progression Analysis

C Major (I) – D Major/F# (V/V) – A Minor/E (vi) – G Major (V) – D Major/F# (V/V) – C Major (I) – A Minor (vi) – G Major (V)

The D Major chord in this context functions as a borrowed chord from the parallel Lydian mode:
`D Major (♭II)`

Similar Chord Progressions

1. “Hotel California” by Eagles:
B Minor (i) – F# Major/A# (V) – A Major (VII) – E Major/G# (IV) – G Major (VI) – D Major (III) – E Major (IV) – F# Major (V)
Here, the chords A Major and G Major function as borrowed chords from the parallel Dorian and Mixolydian modes, respectively.

2. “Stairway to Heaven” by Led Zeppelin (Verse):
A Minor (i) – C Major/G (♭III) – G Major (♭VII) – D Major/F# (IV) – A Minor (i) – C Major/G (♭III) – D Major (IV) – F Major (♭VI)
The F Major chord functions as a borrowed chord from the parallel Aeolian mode.

These similar chord progressions contain borrowed chords and/or inversions that create a sense of longing and depth, showcasing the versatility and emotional expressiveness of these techniques in rock music.

Musical Analysis

The verse begins with the tonic chord, C Major, establishing a sense of stability. The progression then moves to a borrowed D Major chord in first inversion, creating tension leading to the relative minor, A Minor. This chord progression (I – V/V – vi) heightens the emotional impact and sets up a smooth transition to the dominant, G Major. The cycle is repeated, transitioning back to the tonic chord (C Major) before ending on the dominant (G Major), leaving a sense of openness and anticipation of the next verse or chorus.

Overall Analysis

“Wish You Were Here” by Pink Floyd is an iconic rock ballad from their 1975 album of the same name. The song’s verse chord progression evokes a sense of nostalgia and longing, featuring a combination of major and minor chords, as well as borrowed chords and inversions that create a unique and emotional soundscape.

Style Analysis

“Wish You Were Here” is known for its acoustic guitar-driven sound, meaningful lyrics, and melodic guitar solos. The combination of introspective lyrics and the verse’s chord progression contributes to the overall melancholic atmosphere, making it a timeless representation of 70’s progressive rock.

Chords in the Verse 1 section of Wish You Were Here by Pink Floyd are:

C, D/F#, Am/E, G, D/F#, C, Am, G