Music Theory Alchemy

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“Comfortably Numb” is a song by Pink Floyd from their 1979 album, The Wall. It is written in the key of D major and has a slow, dreamy tempo. The second verse of the song features a chord progression that is a blend of major and minor chords, giving the song a sense of melancholy mixed with a calming atmosphere. It also deviates from the typical pop/rock chord progressions, signifying Pink Floyd’s distinct sound and innovative use of harmony.

“Goodbye Blue Sky” is a song by Pink Floyd from their 1979 album “The Wall.” It is a progressive rock piece with acoustic guitar and vocal harmony that creates a haunting and atmospheric sound. The chord progression in Verse 2 demonstrates the use of non-diatonic chords, pedal tones, and borrowed chords, giving it a sense of tension and release. This unique combination of chords contributes to the overall distinctive mood of the song.

Pink Floyd – Comfortably Numb – Guitar Solo 2

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Chord Progression

Bm, A, G, Em, Bm

Chord Progression Analysis

B minor (i) – A major (VII) – G major (VI) – E minor (iv) – B minor (i)

Similar Chord Progressions

1. “Nights in White Satin” by The Moody Blues
D minor (i) – C major (VII) – Bb major (VI) – G minor (iv) – D minor (i)

2. “While My Guitar Gently Weeps” by The Beatles
A minor (i) – G major (VII) – F major (VI) – C major (III) – E major (V) – A minor (i)

3. “Creep” by Radiohead
G major (IV) – B major (VI) – C major (VII) – C minor (viio) – G major (IV)

These similar chord progressions show a mix of diatonic borrowed chords, modal interchange, and the use of descending tetrachords. Each of these examples, like “Comfortably Numb,” feature guitar solos or melodic lines that explore the expressive and emotional possibilities within their harmonies.

Musical Analysis

This chord progression presents a sense of progression and resolution with the use of diatonic chords from both the minor (B Aeolian) and major (G Ionian) tonalities. The VIm-IV-I cadence in the G major tonality (G-Em-Bm) gives this progression a plagal feel, while the turnaround on the borrowed A major (VII) chord provides a brief contrast. When considered from the perspective of B minor, the presence of the VI and iv chords outlines a descending minor tetrachord that emphasizes the modal quality of Aeolian mode.

Overall Analysis

The second guitar solo in “Comfortably Numb” by Pink Floyd is based on a simple five-chord progression, spanning two diatonic tonalities (i.e., B minor and G major). This progression heavily relies on the B Aeolian mode (or natural minor scale) and showcases the band’s affinity for modal interchange and progressive rock elements.

Style Analysis

The second guitar solo of “Comfortably Numb” epitomizes the progressive and psychedelic rock styles for which Pink Floyd is well-known. The modal interchange and incorporation of diatonic borrowed chords contribute to the atmospheric and expressive guitar work of David Gilmour. The simplicity of the chord progression leaves room for the guitar solo to take center stage, while providing a solid harmonic foundation.

Chords in the Guitar Solo 2 section of Comfortably Numb by Pink Floyd are:

Bm, A, G, Em, Bm