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Related Music Theory Alchemy

“Something I Can Never Have” by Nine Inch Nails is a song with a dark and moody atmosphere. The chord progression in both the verse and chorus of the song features certain borrowed chords and chromatic tones that give the piece this distinctive quality. The song seems to be in the key of C Major, but certain chords from the parallel minor key (C Minor) are used to create a sense of tension and emotional turmoil.

“Every Day Is Exactly The Same” by Nine Inch Nails is primarily composed in the key of E minor. The song consists of four sections: Verse 1, Chorus, Verse 2, and Bridge. The chord progressions in the song are relatively simple, with a distinct alternation between E and C chords in the verses, while the chorus and bridge sections feature a broader range of chords such as A, C, and G.

Chord Progression Analysis (Verse 2):
E minor (i), C major (VI), E minor (i), C major (VI), E minor (i), C major (VI), G major (III), F major (♭VII; borrowed chord from E Phrygian), E minor (i)

*G major (III) and F major (♭VII) are both non-diatonic chords in E minor, with the F major chord being borrowed from the E Phrygian mode.

The chord progression in Radiohead’s “You And Whose Army” showcases the band’s unique style of blending chord progressions from different key centers, as well as their tendency to use borrowed chords. The progression consists largely of diatonic chords from the key of C# minor, but also features a few borrowed chords from D# minor and the parallel major key, C# Major.

“Two Weeks” by Grizzly Bear exhibits a common pop chord progression and harmonic rhythm. The chords are primarily in root position, which contributes to the song’s straightforward and accessible sound. Stylistically, the track shows the band’s indie-rock influences and features a prominent piano part that drives the harmony.

“Little Sister” by Queens of the Stone Age is in C# minor and features an interesting blend of simple cycle of power chords, articulating a I – V/v – III – V progression during verses. The track is heavy but also melodic, built from a four-chord pattern that creates a mesmerizing tonality within the rock genre.

Nine Inch Nails – Something I Can Never Have – Verse

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Chord Progression

C, C, C, Em, F, C/G, Em, F

Chord Progression Analysis

Verse – C Major (I), C Major (I), C Major (I), E Minor (iii), F Major (IV), C Major/G (I6/4), E Minor (iii), F Major (IV)

Similar Chord Progressions

1. Radiohead – “Karma Police”
Verse: A Minor (i), A Minor7/G (i7/6), D Major/F# (IV/5), Eminor7 (v7)

2. The Beatles – “While My Guitar Gently Weeps”
Verse: A Minor (i), A Minor/G (i6), A Minor/F# (i/5), A Minor/F (i/2)
Bridge: F Major (VI), Dminor/B, G_major/A (VII), A Minor (i), G Major (VII)

3. Depeche Mode – “Enjoy the Silence”
Chorus: D Major (I), A/C# (V6), E/G# (II6), G7 (IV7), A7sus (V7sus), A7 (V7)

Musical Analysis

The verse starts with three repetitions of the C Major chord, establishing a sense of stability. Moving to E Minor, there is a sudden shift in mood due to the chord being a minor third. Continuing on to the F Major chord, this serves as a subdominant with the V chord being absent in this progression. Subsequently, the piece moves to the C Major chord with G in the bass (C Major/G), which adds a descending bass line from the previous F Major chord. Then, the E Minor and F Major chords reappear, concluding the verse in a cyclical structure.

Overall Analysis

“Something I Can Never Have” by Nine Inch Nails features a haunting and melancholic chord progression typical of the alternative rock and industrial rock genres. The tonality of the piece centers around the key of C major, with occasional borrowed chords and chromaticism adding emotional color and tension. The verse and chorus sections both feature a similar pattern of repeating chords as well as a descending bass line connecting the chords, giving the piece cohesion.

Style Analysis

This chord progression is representative of the unique style that Nine Inch Nails brought to the alternative rock and industrial rock styles of the late ’80s and early ’90s. The combination of major and minor chords in close proximity creates a sense of emotional instability, while the use of a descending bass line provides a sense of consistency throughout the piece. The melancholic arrangement and sparsity of chords have become a hallmark of the band’s signature sound.

Chords in the Verse section of Something I Can Never Have by Nine Inch Nails are:

C, C, C, Em, F, C/G, Em, F