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Related Music Theory Alchemy

“Something I Can Never Have” by Nine Inch Nails is a song with a dark and moody atmosphere. The chord progression in both the verse and chorus of the song features certain borrowed chords and chromatic tones that give the piece this distinctive quality. The song seems to be in the key of C Major, but certain chords from the parallel minor key (C Minor) are used to create a sense of tension and emotional turmoil.

The song “Closer” by Nine Inch Nails is written in C minor key, and the overall structure of the song consists of a verse, pre-chorus, and a chorus. The progression is simple yet effective in creating a dark and moody atmosphere, consistent with the industrial rock genre that characterizes Nine Inch Nails’ music.

Pre-Chorus 1 –

“Nothings Gonna Change My Love For You” is a romantic ballad featuring a smooth and melodic chord progression characteristic of the pop and jazz fusion genres. The Verse’s chord progression contains some elements of a standard jazz progression while also making use of several borrowed chords. The chords contribute to the warm and sentimental atmosphere that captures the essence of the song’s theme.

The verse chord progression in Beck’s “Girl Acoustic” features a bright and uplifting feel, with a mix of major and minor chords. The progression is in the key of A major and showcases a simplicity that is common in pop and folk music.

“Guilty as Sin?” by Taylor Swift uses a chord progression in the verse that reflects a more nuanced and reflective approach, suitable for a song with a contemplative or emotive theme. The interplay between minor and major seventh chords creates a lush, complex sound that elevates the song’s introspective and somewhat moody lyrical content.

Nine Inch Nails – Something I Can Never Have – Verse

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Chord Progression

C, C, C, Em, F, C/G, Em, F

Chord Progression Analysis

Verse – C Major (I), C Major (I), C Major (I), E Minor (iii), F Major (IV), C Major/G (I6/4), E Minor (iii), F Major (IV)

Similar Chord Progressions

1. Radiohead – “Karma Police”
Verse: A Minor (i), A Minor7/G (i7/6), D Major/F# (IV/5), Eminor7 (v7)

2. The Beatles – “While My Guitar Gently Weeps”
Verse: A Minor (i), A Minor/G (i6), A Minor/F# (i/5), A Minor/F (i/2)
Bridge: F Major (VI), Dminor/B, G_major/A (VII), A Minor (i), G Major (VII)

3. Depeche Mode – “Enjoy the Silence”
Chorus: D Major (I), A/C# (V6), E/G# (II6), G7 (IV7), A7sus (V7sus), A7 (V7)

Musical Analysis

The verse starts with three repetitions of the C Major chord, establishing a sense of stability. Moving to E Minor, there is a sudden shift in mood due to the chord being a minor third. Continuing on to the F Major chord, this serves as a subdominant with the V chord being absent in this progression. Subsequently, the piece moves to the C Major chord with G in the bass (C Major/G), which adds a descending bass line from the previous F Major chord. Then, the E Minor and F Major chords reappear, concluding the verse in a cyclical structure.

Overall Analysis

“Something I Can Never Have” by Nine Inch Nails features a haunting and melancholic chord progression typical of the alternative rock and industrial rock genres. The tonality of the piece centers around the key of C major, with occasional borrowed chords and chromaticism adding emotional color and tension. The verse and chorus sections both feature a similar pattern of repeating chords as well as a descending bass line connecting the chords, giving the piece cohesion.

Style Analysis

This chord progression is representative of the unique style that Nine Inch Nails brought to the alternative rock and industrial rock styles of the late ’80s and early ’90s. The combination of major and minor chords in close proximity creates a sense of emotional instability, while the use of a descending bass line provides a sense of consistency throughout the piece. The melancholic arrangement and sparsity of chords have become a hallmark of the band’s signature sound.

Chords in the Verse section of Something I Can Never Have by Nine Inch Nails are:

C, C, C, Em, F, C/G, Em, F