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“Something I Can Never Have” by Nine Inch Nails is a song with a dark and moody atmosphere. The chord progression in both the verse and chorus of the song features certain borrowed chords and chromatic tones that give the piece this distinctive quality. The song seems to be in the key of C Major, but certain chords from the parallel minor key (C Minor) are used to create a sense of tension and emotional turmoil.

The chorus of “Right Where It Belongs” by Nine Inch Nails is built upon a repeating four-chord progression of Gm-Bb-F-C. This song is in the key of Bb major (with two flats in the key signature, Bb and Eb). All the chords used in this song are derived from the Bb major scale, which makes this a diatonic chord progression. There is no borrowed or chromatic harmony in this song.

“Dazed and Confused” by Led Zeppelin is a rock song that features a mix of blues and psychedelic elements. The chord progression in the verse is quite unconventional and may invoke a feeling of unease, which matches the song’s mysterious and somewhat disorienting theme.

“Idioteque” by Radiohead is a song with an alternative rock/electronic style, featuring an unusual chord progression that effectively creates a sense of tension and instability while still maintaining a familiar and consonant tonality. This can be attributed to the band’s creative use of borrowed chords and harmonic movement.

This chord progression from the verse of Tame Impala’s “Alter Ego” suggests a key of C major due to the recurring instances of Cmaj7. However, the presence of certain chords like Bm7 and Dm suggests that Kevin Parker is creatively “borrowing” chords from the parallel and associated keys (C minor, D minor) to create colorful departures from the primary tonality. The use of extended chords (7ths) and suspended chords (Bsus4) adds a sense of complexity and sophistication to the harmony. As can be seen, the chord progression mostly oscillates between Cmaj7, Bsus4, Bm7 before moving to Dm and Gm towards the end of the verse.

Nine Inch Nails – Something I Can Never Have – Verse

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Chord Progression

C, C, C, Em, F, C/G, Em, F

Chord Progression Analysis

Verse – C Major (I), C Major (I), C Major (I), E Minor (iii), F Major (IV), C Major/G (I6/4), E Minor (iii), F Major (IV)

Similar Chord Progressions

1. Radiohead – “Karma Police”
Verse: A Minor (i), A Minor7/G (i7/6), D Major/F# (IV/5), Eminor7 (v7)

2. The Beatles – “While My Guitar Gently Weeps”
Verse: A Minor (i), A Minor/G (i6), A Minor/F# (i/5), A Minor/F (i/2)
Bridge: F Major (VI), Dminor/B, G_major/A (VII), A Minor (i), G Major (VII)

3. Depeche Mode – “Enjoy the Silence”
Chorus: D Major (I), A/C# (V6), E/G# (II6), G7 (IV7), A7sus (V7sus), A7 (V7)

Musical Analysis

The verse starts with three repetitions of the C Major chord, establishing a sense of stability. Moving to E Minor, there is a sudden shift in mood due to the chord being a minor third. Continuing on to the F Major chord, this serves as a subdominant with the V chord being absent in this progression. Subsequently, the piece moves to the C Major chord with G in the bass (C Major/G), which adds a descending bass line from the previous F Major chord. Then, the E Minor and F Major chords reappear, concluding the verse in a cyclical structure.

Overall Analysis

“Something I Can Never Have” by Nine Inch Nails features a haunting and melancholic chord progression typical of the alternative rock and industrial rock genres. The tonality of the piece centers around the key of C major, with occasional borrowed chords and chromaticism adding emotional color and tension. The verse and chorus sections both feature a similar pattern of repeating chords as well as a descending bass line connecting the chords, giving the piece cohesion.

Style Analysis

This chord progression is representative of the unique style that Nine Inch Nails brought to the alternative rock and industrial rock styles of the late ’80s and early ’90s. The combination of major and minor chords in close proximity creates a sense of emotional instability, while the use of a descending bass line provides a sense of consistency throughout the piece. The melancholic arrangement and sparsity of chords have become a hallmark of the band’s signature sound.

Chords in the Verse section of Something I Can Never Have by Nine Inch Nails are:

C, C, C, Em, F, C/G, Em, F