Music Theory Alchemy

Search

Related Music Theory Alchemy

“Something I Can Never Have” by Nine Inch Nails is a song with a dark and moody atmosphere. The chord progression in both the verse and chorus of the song features certain borrowed chords and chromatic tones that give the piece this distinctive quality. The song seems to be in the key of C Major, but certain chords from the parallel minor key (C Minor) are used to create a sense of tension and emotional turmoil.

**

“Closer” by Nine Inch Nails utilizes a relatively simple chord structure, which allows the song to establish a pervasive atmosphere and direct the listener’s focus on the lyrics and melodies. This piece is in the key of C minor, and the chord progression is cyclical in nature, with Verse 2 consisting of the repetition of Cm7 chord throughout.

**

The chord progression in the verse of “Help!” by The Beatles is quite characteristic of their style, using common chords but in interesting and unusual ways. The verse of “Help!” notably presents a mix of classic pop chord progression (I-vi-ii-V), secondary dominant chords and chromatic progressions. The Beatles often incorporated novel harmonic structures that added depth and complexity to their pop music, as evidenced in this piece.

The chord progression from Muse’s “Hate This And I’ll Love You” displays a mix of diatonic and borrowed chords from the parallel minor. The progression is in the key of A major and shows an unconventional use of chords that gives the song its unique sound. It also showcases certain characteristics of Muse’s music style that includes complex chord progressions and frequent changes between major and minor harmonies.

Chord Progression Analysis and Roman Numerals:

A ('I'), Gm ('bVII'), D/F# ('IV/V'), A ('I'),
Gm ('bVII'), D ('IV'), A ('I'), Gm ('bVII'),
D/F# ('IV/V'), A ('I'), Gm ('bVII'), D/F# ('IV/V')

The borrowed chord in this progression is Gm, taken from the parallel minor, A minor:
`Gm (‘bVII’)`

**

“Blackbird” by The Beatles is a song mostly in the key of G Major. It’s known for its interesting guitar work and unconventional chord progression. The song employs a mix of functional and non-functional harmony, striking a balance between traditional diatonic harmony and more experimental harmonic ideas. The chord progression also includes several chromatic or borrowed chords (Cm, Dbdim, D# (b5), C#dim, and Ebaug).

**

Nine Inch Nails – Something I Can Never Have – Verse

Add To Favorites Remove From Favorites

Chord Progression

C, C, C, Em, F, C/G, Em, F

Chord Progression Analysis

Verse – C Major (I), C Major (I), C Major (I), E Minor (iii), F Major (IV), C Major/G (I6/4), E Minor (iii), F Major (IV)

Similar Chord Progressions

1. Radiohead – “Karma Police”
Verse: A Minor (i), A Minor7/G (i7/6), D Major/F# (IV/5), Eminor7 (v7)

2. The Beatles – “While My Guitar Gently Weeps”
Verse: A Minor (i), A Minor/G (i6), A Minor/F# (i/5), A Minor/F (i/2)
Bridge: F Major (VI), Dminor/B, G_major/A (VII), A Minor (i), G Major (VII)

3. Depeche Mode – “Enjoy the Silence”
Chorus: D Major (I), A/C# (V6), E/G# (II6), G7 (IV7), A7sus (V7sus), A7 (V7)

Musical Analysis

The verse starts with three repetitions of the C Major chord, establishing a sense of stability. Moving to E Minor, there is a sudden shift in mood due to the chord being a minor third. Continuing on to the F Major chord, this serves as a subdominant with the V chord being absent in this progression. Subsequently, the piece moves to the C Major chord with G in the bass (C Major/G), which adds a descending bass line from the previous F Major chord. Then, the E Minor and F Major chords reappear, concluding the verse in a cyclical structure.

Overall Analysis

“Something I Can Never Have” by Nine Inch Nails features a haunting and melancholic chord progression typical of the alternative rock and industrial rock genres. The tonality of the piece centers around the key of C major, with occasional borrowed chords and chromaticism adding emotional color and tension. The verse and chorus sections both feature a similar pattern of repeating chords as well as a descending bass line connecting the chords, giving the piece cohesion.

Style Analysis

This chord progression is representative of the unique style that Nine Inch Nails brought to the alternative rock and industrial rock styles of the late ’80s and early ’90s. The combination of major and minor chords in close proximity creates a sense of emotional instability, while the use of a descending bass line provides a sense of consistency throughout the piece. The melancholic arrangement and sparsity of chords have become a hallmark of the band’s signature sound.

Chords in the Verse section of Something I Can Never Have by Nine Inch Nails are:

C, C, C, Em, F, C/G, Em, F