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The chorus of “Right Where It Belongs” by Nine Inch Nails is built upon a repeating four-chord progression of Gm-Bb-F-C. This song is in the key of Bb major (with two flats in the key signature, Bb and Eb). All the chords used in this song are derived from the Bb major scale, which makes this a diatonic chord progression. There is no borrowed or chromatic harmony in this song.

The song “Hurt” by Nine Inch Nails is in the key of B minor. The verse has a simple yet effective chord progression that revolves mainly around the i, III, and IV chords with a slight deviation towards the end. The chorus is characterized by a i-VII-III-VI progression with a slight extension. The outro mostly repeats the verse progression but is shorter.

“Somewhere Only We Know” by Keane is a pop/rock song written in the key of A Major, although the chord progression given seems to be transposed to the key of C Major. It is characterized by its use of repeated motifs and sequenced chord progressions to create a sense of familiarity and typical of the pop genre.

“Someone to Love” by Queen is a rock song infused with gospel and blues influences. It’s written in the key of Ab major but the second verse you have provided seems to be in G major.

“Sorry Seems to Be The Hardest Word” is in the key of E minor and shifts to the relative major (G major) at various points, it demonstrates Elton John’s mastery of the line between major and minor keys. It’s a melancholic song with a moderate tempo. The use of both minor and major chords in Elton John’s progression signifies the tension and release in the song’s melody and lyrics.

Nine Inch Nails – Right Where It Belongs – Verse 2

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Chord Progression

D, C, Bb, F, D, C, Bb, F, D, C, Bb, F, D, C, Bb, F

Chord Progression Analysis

D Major (VI), C Major (V), Bb Major (IV), F Major (I), D Major (VI), C Major (V), Bb Major (IV), F Major (I), D Major (VI), C Major (V), Bb Major (IV), F Major (I), D Major (VI), C Major (V), Bb Major (IV), F Major (I)

Similar Chord Progressions

1. Radiohead – “Exit Music (For a Film)”: A minor (i), G Major (VII), D Major (IV), F Major (VI), A minor (i), G Major (VII), D Major (IV), F Major (VI)
2. The Beatles – “Yesterday”: F Major (I), E minor (vi/bIII), A Major (IV/V), D minor (vi), Bb Major (IV), C Major (V), F Major (I)

Both of these examples feature unconventional chord progressions and a mixture of major and minor chords in a non-standard order, evoking a similar sense of ambiguity and melancholy.

Musical Analysis

The verse features a IV-I-VI-V progression in F major, which lends a sense of continuous movement without fully resolving. This progression is unusual as it starts on the IV chord instead of the typical I or V chord and ends on the V. This gives it a floating and unresolved feeling, which complements the introspective lyrics and instrumentation. The repeated sequence of the four-chord loop creates a hypnotic effect, feeling both comfortable and slightly unsettling at the same time. The chorus, on the other hand, features a more familiar progression of vi-IV-I-V in F major, giving a sense of resolution to the listener before returning to the ambiguous verse progression.

Overall Analysis

“Right Where It Belongs” by Nine Inch Nails features a melancholic and somewhat unconventional chord progression that moves between different tonal centers. The base key can be identified as F major from the frequency of F major chords in the progression.

Style Analysis

“Right Where It Belongs” is characteristic of Nine Inch Nails with its electronic elements, sparse instrumentation, and dark themes. The chords move between major chords, but their progression and emphasis on non-resolving chords create a sense of unease. The song can be classified as alternative rock, industrial rock, or electronic.

Chords in the Verse 2 section of Right Where It Belongs by Nine Inch Nails are:

D, C, Bb, F, D, C, Bb, F, D, C, Bb, F, D, C, Bb, F