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Related Music Theory Alchemy

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“Every Day Is Exactly The Same” by Nine Inch Nails has an interesting chord progression, particularly in the bridge, which adopts a distinct pattern of E, A, C, G repeatedly. This song is classified under Industrial Rock and utilizes repetition impressively to create a sense of monotony and frustration, akin to the lyrical theme.

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“Hurt”, written by Nine Inch Nails, exudes melancholy and despair through a slow progression that weaves intricate melodies between the chords. The tonality is primarily in B minor, but introduces D, E, A, and G chords throughout, indicating some mode mixture or borrowed chord use.

This particular section is mostly based in the key of F major and highlights Freddie Mercury’s love for moving from the classical I-ii-V progression to the jazz-inspired I-IV-ii-V, often followed by a jazzy II-V-I. In this part of the song, you will find some interesting use of borrowed chords and leading tones, contributing to the chromaticism that enriches the progression.

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“Somebody To Love” by Queen is a classic rock ballad in the key of G major, drawing heavily from influences of gospel music and blues progressions. Its bridge, aside from the characteristic gospel and rock elements, includes a modulating progression that is particularly interesting due to its use of borrowed chords, which adds contrast and emphasizes the emotive quality of the song.

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The bridge of “Say Goodbye” by Beck features a simple two-chord progression. However, this simplicity allows space for an interesting interplay between melody and harmony while still evoking strong emotions. Despite being simple, the progression still manages to create a sense of tension and resolution.

Nine Inch Nails – Every Day Is Exactly The Same – Bridge

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Chord Progression

E, A, C, G, E, A, C, G, E, A, C, G, E, A, C, G, E

Chord Progression Analysis

Bridge: E (i) – A (IV) – C (♭VI) – G (III)

Similar Chord Progressions

1. Muse – “Knights of Cydonia” (Em – A – C – G)
Chord Progression: E minor (i) – A major (IV) – C major (♭VI) – G major (III)
2. Radiohead – “Karma Police” (Am – D – G)
Chord Progression: A minor (i) – D major (IV) – G major (♭VII)
3. Four Non Blondes – “What’s Up?” (A – Bm – D – A)
Chord Progression: A major (I) – B minor (ii) – D major (IV) – A major (I)

These examples of similar chord progressions by other artists showcase the use of borrowed chords and movement between major/minor keys. Each of the songs mentioned above feature distinct alterations in their chord progressions, yet still maintain a similar atmosphere or mood found in “Every Day Is Exactly The Same” by Nine Inch Nails.

Musical Analysis

The bridge of the song consists primarily of a four-chord progression that repeats several times. It starts with the tonic E minor (i), followed by a borrowed chord A major (IV) from the parallel major key, then the C major (♭VI) chord, and finally the G major (III). This chord progression creates a sense of tension and release, as the tonic chord moves to a borrowed major chord, and then to a more stable ♭VI chord that tends to resolve back to the tonic.

Overall Analysis

The given chord progression is from the song “Every Day Is Exactly The Same” by Nine Inch Nails. The overall structure of the song consists of verses, choruses, and a bridge, each with distinct chord progressions that contribute to the song’s moody, melancholic atmosphere. The song is mostly in the key of E minor, with some borrowed chords from the parallel major key.

Style Analysis

Nine Inch Nails is known for their unique blend of industrial and alternative rock music. Their songs often make use of dark, brooding chord progressions, unusual time signatures, and layered textures. In the case of “Every Day Is Exactly The Same,” the borrowed chords and the repetitions of the chord progression in the bridge contribute to the song’s haunting and sorrowful atmosphere, which is characteristic of the band’s style.

Chords in the Bridge section of Every Day Is Exactly The Same by Nine Inch Nails are:

E, A, C, G, E, A, C, G, E, A, C, G, E, A, C, G, E