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The chorus of “Closer” by Nine Inch Nails is built around a progression that oscillates between a single major chord, F, and a single minor seventh chord, Cm7. This is quite minimalistic. Major chords usually have a happy, positive feel, while minor chords induce a somewhat sad, introspective mood. The use of C minor 7th gives a particular color to the progression: it’s a minor chord with an added minor seventh, which means it’s a bit less stable than a regular minor chord.

“Right Where It Belongs” by Nine Inch Nails features a non-diatonic chord progression that creates a sense of tension and resolution. The progression makes use of borrowed chords from parallel keys, contributing to its distinctive sound. The overall key of the song is D minor.

The chord progression in MGMT’s “Kids” is quite simple and based on a single chord throughout the instrumental sections, focusing mainly on creating a catchy melody and rhythm. The simplicity of the progression reflects the musical styles seen in synth-pop and electronic dance music genres.

Sigur Rós, an Icelandic post-rock band known for their ethereal sound and experimental use of various instruments, has crafted a unique chord progression in their piece “Hoppipolla.” This progression features six chords that change mode from D# Mixolydian to G# Dorian. The chords used are D#maj, E, B, G#m, F#, and E. Sigur Rós blends the modal interchange with their distinct soundscapes, evoking a dreamy atmosphere fitting for the post-rock genre.

Nine Inch Nails – Closer – Instrumental

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Chord Progression

C#

Chord Progression Analysis

Chord progression in the song’s structure:

Verse: B (I) – C# (II) – B (I) – C# (II) – G (VI♭, borrowed chord)

Pre-Chorus: B (I) – C# (II)

Chorus: C# (II) – F# (V) – B (I) – C (♭VI, borrowed chord)

Bridge: E (IV) – F# (V) – E (IV) – A (♭VII) – E (IV) – F# (V) – E (IV) – D# (III) – E (IV)

Instrumental: C# (II)

Similar Chord Progressions

1. Massive Attack – “Teardrop”: Am (I) – G (VII) – E (V) – D (IV)
2. Marilyn Manson – “Sweet Dreams”: Cm (I) – G (V) – B♭ (♭VII) – G (V)
3. Depeche Mode – “Enjoy the Silence”: B (I) – D (♭III) – A (♭VII) – E (IV)

These songs share a common feature of blending major and minor chords or incorporating borrowed chords, creating a sense of tension and mystery that is characteristic of the alternative and electronic rock genres.

Musical Analysis

The song starts with a simple two-chord repetition between the tonic (B) and the supertonic (C#), creating a sense of stability and anticipation. The borrowed chord G, a ♭VI from the parallel minor, brings a sudden and unexpected change which captures the listener’s attention.

In the chorus, the modal mixture is more evident with the introduction of the borrowed chord C (♭VI) from B minor. The progression moves from the supertonic, dominant, tonic, and finally to the borrowed chord, creating tension before resolving back to the tonic in the following verse.

The bridge takes the listener on a journey through various chords (IV, V, ♭VII, III), maintaining interest and contrasting the repetitive nature of other sections.

Overall Analysis

The song “Closer” by Nine Inch Nails is in the key of B major, evident from the chords in the verse, pre-chorus, and bridge sections. The chord progression in the chorus introduces a borrowed chord from parallel minor, displaying elements of modal mixture. The style of the song features heavy electronic elements, industrial rock aesthetic, and a dark and seductive atmosphere.

Style Analysis

“Closer” utilizes heavy electronic elements and abrasive soundscapes, both defining traits of the industrial rock genre. The song’s dark and seductive atmosphere reflects the themes of desire and control in the lyrics.

Chords in the Instrumental section of Closer by Nine Inch Nails are:

C#