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Nine Inch Nails’ “Closer” is a unique blend of industrial rock, electronica, and alternative styles that has propelled the song to prominence as one of the band’s most famous and frequently played tracks. The song is in the key of E major and features a recurring chord progression throughout its various sections.

“Something I Can Never Have” by Nine Inch Nails features a haunting and melancholic chord progression typical of the alternative rock and industrial rock genres. The tonality of the piece centers around the key of C major, with occasional borrowed chords and chromaticism adding emotional color and tension. The verse and chorus sections both feature a similar pattern of repeating chords as well as a descending bass line connecting the chords, giving the piece cohesion.

Sigur Rós, an Icelandic post-rock band known for their ethereal sound and experimental use of various instruments, has crafted a unique chord progression in their piece “Hoppipolla.” This progression features six chords that change mode from D# Mixolydian to G# Dorian. The chords used are D#maj, E, B, G#m, F#, and E. Sigur Rós blends the modal interchange with their distinct soundscapes, evoking a dreamy atmosphere fitting for the post-rock genre.

The chord progression in MGMT’s “Kids” is quite simple and based on a single chord throughout the instrumental sections, focusing mainly on creating a catchy melody and rhythm. The simplicity of the progression reflects the musical styles seen in synth-pop and electronic dance music genres.

Nine Inch Nails – Closer – Instrumental

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Chord Progression

C#

Chord Progression Analysis

Chord progression in the song’s structure:

Verse: B (I) – C# (II) – B (I) – C# (II) – G (VI♭, borrowed chord)

Pre-Chorus: B (I) – C# (II)

Chorus: C# (II) – F# (V) – B (I) – C (♭VI, borrowed chord)

Bridge: E (IV) – F# (V) – E (IV) – A (♭VII) – E (IV) – F# (V) – E (IV) – D# (III) – E (IV)

Instrumental: C# (II)

Similar Chord Progressions

1. Massive Attack – “Teardrop”: Am (I) – G (VII) – E (V) – D (IV)
2. Marilyn Manson – “Sweet Dreams”: Cm (I) – G (V) – B♭ (♭VII) – G (V)
3. Depeche Mode – “Enjoy the Silence”: B (I) – D (♭III) – A (♭VII) – E (IV)

These songs share a common feature of blending major and minor chords or incorporating borrowed chords, creating a sense of tension and mystery that is characteristic of the alternative and electronic rock genres.

Musical Analysis

The song starts with a simple two-chord repetition between the tonic (B) and the supertonic (C#), creating a sense of stability and anticipation. The borrowed chord G, a ♭VI from the parallel minor, brings a sudden and unexpected change which captures the listener’s attention.

In the chorus, the modal mixture is more evident with the introduction of the borrowed chord C (♭VI) from B minor. The progression moves from the supertonic, dominant, tonic, and finally to the borrowed chord, creating tension before resolving back to the tonic in the following verse.

The bridge takes the listener on a journey through various chords (IV, V, ♭VII, III), maintaining interest and contrasting the repetitive nature of other sections.

Overall Analysis

The song “Closer” by Nine Inch Nails is in the key of B major, evident from the chords in the verse, pre-chorus, and bridge sections. The chord progression in the chorus introduces a borrowed chord from parallel minor, displaying elements of modal mixture. The style of the song features heavy electronic elements, industrial rock aesthetic, and a dark and seductive atmosphere.

Style Analysis

“Closer” utilizes heavy electronic elements and abrasive soundscapes, both defining traits of the industrial rock genre. The song’s dark and seductive atmosphere reflects the themes of desire and control in the lyrics.

Chords in the Instrumental section of Closer by Nine Inch Nails are:

C#