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Related Music Theory Alchemy

The song “Closer” by Nine Inch Nails is in the key of B major, evident from the chords in the verse, pre-chorus, and bridge sections. The chord progression in the chorus introduces a borrowed chord from parallel minor, displaying elements of modal mixture. The style of the song features heavy electronic elements, industrial rock aesthetic, and a dark and seductive atmosphere.

The given chord progression is from the song “Every Day Is Exactly The Same” by Nine Inch Nails. The overall structure of the song consists of verses, choruses, and a bridge, each with distinct chord progressions that contribute to the song’s moody, melancholic atmosphere. The song is mostly in the key of E minor, with some borrowed chords from the parallel major key.

“Heartbreaker” by The Rolling Stones is a rock song that exhibits some fundamental rock and blues progressions and chord changes. The chorus of the song is a three-chord progression [E, G, C] that repeats four times.

“Iris” by the Goo Goo Dolls is well-known for its unique tuning and chords which adds a certain tenderness and emotional depth to the song. The song is in D Major and utilizes a repeated chord progression that is relatively simple but effective.

The chord progression in the chorus of Tyler, The Creator’s “See You Again” exhibits a combination of diatonic and chromatic movements, with the use of borrowed chords and altered dominants that create tension and release. The song is in the key of F# major.

Nine Inch Nails – Closer – Chorus

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Chord Progression

C#, F#, B, C, F#, B, C, F#, B, C, F#, B, C, F#, B, C, F#, B, C, F#, B, C, F#, B, C, C#

Chord Progression Analysis

Chorus: C# Major (bII) – F# Major (V) – B minor (i) – C Major (bII) – F# Major (V) – B minor (i) – C Major (bII) – F# Major (V) – B minor (i) – C Major (bII) – F# Major (V) – B minor (i) – C Major (bII) – F# Major (V) – B minor (i) – C Major (bII) – F# Major (V) – B minor (i) – C Major (bII) – F# Major (V) – B minor (i) – C Major (bII) – F# Major (V) – B minor (i) – C Major (bII) – C# Major (bII)

Borrowed Chords:

The C Major chord is a borrowed chord since it is from the parallel major key (B Major).

Similar Chord Progressions

1. “Hurt” by Nine Inch Nails (Trent Reznor): C Major (I) – D# diminished (viio) – E minor (iii) – A minor (vi) – G Major (V)

2. “Karma Police” by Radiohead: G Major (I) – B minor (iii) – F# minor (ii) – A Major (IV) – D Major (V)

3. “Creep” by Radiohead: G Major (I) – B Major (III) – C Major (IV) – C minor (iv)

While the chord progressions in these songs may not be identical to “Closer,” they share a similar use of borrowed chords, chromaticism, and modal mixture as a means of creating harmonic interest and tension. These qualities are typical of alternative rock and electronic music and contribute to the overall mood and atmosphere of the songs.

Musical Analysis

The chorus of “Closer” features a repeated chord progression with predominant use of the bII borrowed chord (C Major and C# Major). The progression revolves between the tonic (B minor), a dominant function (F# Major), and the bII chord, creating a sense of tension and resolution throughout the chorus. The use of borrowed chords adds a sense of color and variety to the overall harmonic structure.

Overall Analysis

“Closer” by Nine Inch Nails is a song in the key of B minor, although it freely borrows chords from the parallel major key. The song’s structure is as follows: Verse – Pre-Chorus – Chorus – Verse – Pre-Chorus – Chorus – Bridge – Chorus – Instrumental.

Style Analysis

In terms of style, “Closer” by Nine Inch Nails is an example of industrial rock with electronic elements. It is characterized by its use of synthesized sounds, gritty production, and aggressive lyrics. The incorporation of chromaticism, modal mixture, and borrowed chords is a defining feature in the harmonic vocabulary of the song, which contributes to its dark and dissonant musical atmosphere.

Chords in the Chorus section of Closer by Nine Inch Nails are:

C#, F#, B, C, F#, B, C, F#, B, C, F#, B, C, F#, B, C, F#, B, C, F#, B, C, F#, B, C, C#