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The song “Closer” by Nine Inch Nails is based primarily around the C minor 7 chord, giving the song its dark and moody atmosphere. The song is in the key of C minor. This chord progression is repetitive and simple, allowing other aspects of the song, such as the lyrics and production, to take center stage.

“Right Where It Belongs” by Nine Inch Nails is a song characterized by its melodic and harmonic structure. It has a unique yet familiar sound, blending pop and alternative rock elements with its rich chord progression and powerful melody.

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“Little Sister” by Queens of the Stone Age is based in the rock genre, featuring a simple melody with strong rhythmic components, built on a mix of power, suspended and major chords. The use of the C#5 and G#5/D# chords in the verses and the F#sus4-E-G#sus4 repetition in the chorus indicate an overall key signature of F# minor.

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“Sour Times” by Portishead is characterized by dark, brooding sounds and melancholic melodies that gives the song its distinct feel, largely due to the specific chord progression that is used throughout the song. Written in the key of E major, the song makes use of a diverse selection of chords that offers a wider blend of harmonic options to navigate through different moods and tonal landscapes.

The song “Hurt” by Nine Inch Nails mainly consists of a six-chord progression (Bm, G, D, A, Bm, G), repeating four times in the chorus. The sixth repetition alters the ending (Bm, G, A, B), and the key of the song is B Minor.

Nine Inch Nails – Closer – Chorus

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Chord Progression

C#, F#, B, C, F#, B, C, F#, B, C, F#, B, C, F#, B, C, F#, B, C, F#, B, C, F#, B, C, C#

Chord Progression Analysis

Chorus: C# Major (bII) – F# Major (V) – B minor (i) – C Major (bII) – F# Major (V) – B minor (i) – C Major (bII) – F# Major (V) – B minor (i) – C Major (bII) – F# Major (V) – B minor (i) – C Major (bII) – F# Major (V) – B minor (i) – C Major (bII) – F# Major (V) – B minor (i) – C Major (bII) – F# Major (V) – B minor (i) – C Major (bII) – F# Major (V) – B minor (i) – C Major (bII) – C# Major (bII)

Borrowed Chords:

The C Major chord is a borrowed chord since it is from the parallel major key (B Major).

Similar Chord Progressions

1. “Hurt” by Nine Inch Nails (Trent Reznor): C Major (I) – D# diminished (viio) – E minor (iii) – A minor (vi) – G Major (V)

2. “Karma Police” by Radiohead: G Major (I) – B minor (iii) – F# minor (ii) – A Major (IV) – D Major (V)

3. “Creep” by Radiohead: G Major (I) – B Major (III) – C Major (IV) – C minor (iv)

While the chord progressions in these songs may not be identical to “Closer,” they share a similar use of borrowed chords, chromaticism, and modal mixture as a means of creating harmonic interest and tension. These qualities are typical of alternative rock and electronic music and contribute to the overall mood and atmosphere of the songs.

Musical Analysis

The chorus of “Closer” features a repeated chord progression with predominant use of the bII borrowed chord (C Major and C# Major). The progression revolves between the tonic (B minor), a dominant function (F# Major), and the bII chord, creating a sense of tension and resolution throughout the chorus. The use of borrowed chords adds a sense of color and variety to the overall harmonic structure.

Overall Analysis

“Closer” by Nine Inch Nails is a song in the key of B minor, although it freely borrows chords from the parallel major key. The song’s structure is as follows: Verse – Pre-Chorus – Chorus – Verse – Pre-Chorus – Chorus – Bridge – Chorus – Instrumental.

Style Analysis

In terms of style, “Closer” by Nine Inch Nails is an example of industrial rock with electronic elements. It is characterized by its use of synthesized sounds, gritty production, and aggressive lyrics. The incorporation of chromaticism, modal mixture, and borrowed chords is a defining feature in the harmonic vocabulary of the song, which contributes to its dark and dissonant musical atmosphere.

Chords in the Chorus section of Closer by Nine Inch Nails are:

C#, F#, B, C, F#, B, C, F#, B, C, F#, B, C, F#, B, C, F#, B, C, F#, B, C, F#, B, C, C#