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The chord progression in the riff from Muse’s “New Born” is intriguing and creative, employing chromaticism and non-diatonic chords to create a unique and dramatic sound. The progression consists of four chords: C, A#dim7, Bsus4, and B. This progression doesn’t adhere to a single key, making it difficult to analyze in terms of functional harmony. However, it showcases Muse’s experimental tendencies, a quintessential aspect of their music style.

The chord progression in Muse’s “Endlessly” from Verse 2 is a mix of diatonic chords and a borrowed chord from the parallel major key. The progression has a melancholic feel, utilizing suspended chords to create tension and release. The use of both minor and major chords provides a balanced sound, giving the piece its unique character.

Let It Happen’ by Tame Impala employs an accessible and effective chord progression, usual in pop/rock music, yet has unusualness due to the usage of the G#sus4 chord, providing a unique tonal flavor and emotional quality. There is a striking use of harmonic contrast and a continuous return and release of tension throughout the song. This creates an immersive cyclical quality, complementing the song’s theme of embracing inevitable moments and experiences.

The chord progression for verse 3 of Led Zeppelin’s “Stairway to Heaven” utilizes multiple techniques to create a rich and emotive sound. These techniques include diatonic chords, borrowed chords, and extended harmony. The progression follows a general pattern, with a repeated structure that helps unify the verse.

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“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song characterized by various compositional techniques including chromaticism, borrowed chords, and unexpected chord progressions. The harmonic choices show Hendrix’s innovation as a songwriter, with influences of blues, rock, and jazz. The chord progression in Verse 3 mixes diatonic and non-diatonic chords, creating a sense of tension and release throughout the progression.

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Muse – New Born – Verse 3

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Chord Progression

Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G

Chord Progression Analysis

Em (i), B (V), Em (i), B (V), Em (i), C (VI), G (III), B (V),
Em (i), B (V), Em (i), B (V), Em (i), C (VI), G (III), B (V),
Em (i), B (V), Em (i), B (V), Em (i), C (VI), G (III), B (V),
Em (i), B (V), Em (i), B (V), Em (i), C (VI), G (III)

Similar Chord Progressions

1. Radiohead – “Karma Police”
Am (i), Em (v), G (VII), D (iv), C (III), G (VII), Bm (i), Em (v)

2. The Cranberries – “Zombie”
Em (i), C (VI), G (III), D (IV)

3. Nirvana – “Come As You Are”
Em (i), G (III), F# (II), A (iv)

These songs share a similar sense of tension and release in their chord progressions, often using a combination of minor and major chords to create a sense of dynamics and urgency. While each song has its unique take on harmony and progression, they all showcase the stylistic similarities between alternative rock and progressive rock compositions.

Musical Analysis

The progression consists mainly of alternating Em (i) and B (V) chords, a common minor key movement that emphasizes the i-V relationship. This progression creates a sense of tension that drives the harmonic structure. The addition of the C (VI) and G (III) chords provides a moment of relief, creating more interest in the progression. These chords also appear in the relative major key of G, helping bring a sense of balance between the dark and brighter sides of the progression.

Overall Analysis

Muse’s “New Born” is a rock composition with progressive and alternative elements. The harmonic structure is simple, making use of common chords and progressions. In the given chord progression from Verse 3, there is a sense of tension and release between the major and minor chords, creating a sense of dynamics and urgency. The chord progression itself is repetitive, with subtle variations added to keep interest.

Style Analysis

Muse often incorporates elements of progressive rock and alternative rock in their music, and “New Born” is no exception. The simple yet effective chord progression emphasizes the distinction between major and minor chords, a hallmark of both progressive and alternative rock genres. Furthermore, the use of driving bass lines and complex drum patterns adds to the sense of depth and tension in the piece.

Chords in the Verse 3 section of New Born by Muse are:

Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G