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Related Music Theory Alchemy

The chord progression in the riff from Muse’s “New Born” is intriguing and creative, employing chromaticism and non-diatonic chords to create a unique and dramatic sound. The progression consists of four chords: C, A#dim7, Bsus4, and B. This progression doesn’t adhere to a single key, making it difficult to analyze in terms of functional harmony. However, it showcases Muse’s experimental tendencies, a quintessential aspect of their music style.

“Feeling Good” by Muse is a cover of the original song written by English composers Leslie Bricusse and Anthony Newley in 1964. The Muse version was released in 2001 and is featured on their second studio album, “Origin of Symmetry.” The song is heavily influenced by the genres of jazz, soul, and R&B, while the Muse rendition adds a more modern rock sound to the mix.

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“Time” by Pink Floyd is a progressive rock piece characterized by its reflective lyrics, syncopated rhythms, and distinctive use of chromaticism and modality. This chord progression takes place in the third verse of the song, where the harmonic structure is more complex and features borrowed chords, creating a sense of tension and resolution, reflecting the lyrics and conveying emotions of nostalgia and regret.

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Muse – New Born – Verse 3

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Chord Progression

Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G

Chord Progression Analysis

Em (i), B (V), Em (i), B (V), Em (i), C (VI), G (III), B (V),
Em (i), B (V), Em (i), B (V), Em (i), C (VI), G (III), B (V),
Em (i), B (V), Em (i), B (V), Em (i), C (VI), G (III), B (V),
Em (i), B (V), Em (i), B (V), Em (i), C (VI), G (III)

Similar Chord Progressions

1. Radiohead – “Karma Police”
Am (i), Em (v), G (VII), D (iv), C (III), G (VII), Bm (i), Em (v)

2. The Cranberries – “Zombie”
Em (i), C (VI), G (III), D (IV)

3. Nirvana – “Come As You Are”
Em (i), G (III), F# (II), A (iv)

These songs share a similar sense of tension and release in their chord progressions, often using a combination of minor and major chords to create a sense of dynamics and urgency. While each song has its unique take on harmony and progression, they all showcase the stylistic similarities between alternative rock and progressive rock compositions.

Musical Analysis

The progression consists mainly of alternating Em (i) and B (V) chords, a common minor key movement that emphasizes the i-V relationship. This progression creates a sense of tension that drives the harmonic structure. The addition of the C (VI) and G (III) chords provides a moment of relief, creating more interest in the progression. These chords also appear in the relative major key of G, helping bring a sense of balance between the dark and brighter sides of the progression.

Overall Analysis

Muse’s “New Born” is a rock composition with progressive and alternative elements. The harmonic structure is simple, making use of common chords and progressions. In the given chord progression from Verse 3, there is a sense of tension and release between the major and minor chords, creating a sense of dynamics and urgency. The chord progression itself is repetitive, with subtle variations added to keep interest.

Style Analysis

Muse often incorporates elements of progressive rock and alternative rock in their music, and “New Born” is no exception. The simple yet effective chord progression emphasizes the distinction between major and minor chords, a hallmark of both progressive and alternative rock genres. Furthermore, the use of driving bass lines and complex drum patterns adds to the sense of depth and tension in the piece.

Chords in the Verse 3 section of New Born by Muse are:

Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G