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The chord progression in the riff from Muse’s “New Born” is intriguing and creative, employing chromaticism and non-diatonic chords to create a unique and dramatic sound. The progression consists of four chords: C, A#dim7, Bsus4, and B. This progression doesn’t adhere to a single key, making it difficult to analyze in terms of functional harmony. However, it showcases Muse’s experimental tendencies, a quintessential aspect of their music style.

The outro of Muse’s “Apocalypse Please” features a mix of power chords and triadic chords, with predominant iim7 and IV triads along with some embellishing chords. The piece has a rock-based style, with the emphasis on power chords, a driving rhythm, and intense dynamics. The chord progression borrows elements from different genres, such as pop and classical, with some interesting chromatic movement.

The chord progression can be divided into three main sections (please see the details below). The first section is based around the I chord (C), the second section introduces the IV chord (F), then it returns to the I chord. The third section introduces a borrowed chord (bVII – Bb from C Mixolydian), a V chord (G), then returns to the I chord with a brief excursion back to the V chord. There is repetition in this section with the return to the I chord.

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“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song characterized by various compositional techniques including chromaticism, borrowed chords, and unexpected chord progressions. The harmonic choices show Hendrix’s innovation as a songwriter, with influences of blues, rock, and jazz. The chord progression in Verse 3 mixes diatonic and non-diatonic chords, creating a sense of tension and release throughout the progression.

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“Sexx Laws” by Beck is a unique and interesting piece that combines elements of various musical styles including funk, rock, and pop. The chord progression found in Verse 3 is quite simple yet effective, creating a sense of tension and release.

Muse – New Born – Verse 3

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Chord Progression

Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G

Chord Progression Analysis

Em (i), B (V), Em (i), B (V), Em (i), C (VI), G (III), B (V),
Em (i), B (V), Em (i), B (V), Em (i), C (VI), G (III), B (V),
Em (i), B (V), Em (i), B (V), Em (i), C (VI), G (III), B (V),
Em (i), B (V), Em (i), B (V), Em (i), C (VI), G (III)

Similar Chord Progressions

1. Radiohead – “Karma Police”
Am (i), Em (v), G (VII), D (iv), C (III), G (VII), Bm (i), Em (v)

2. The Cranberries – “Zombie”
Em (i), C (VI), G (III), D (IV)

3. Nirvana – “Come As You Are”
Em (i), G (III), F# (II), A (iv)

These songs share a similar sense of tension and release in their chord progressions, often using a combination of minor and major chords to create a sense of dynamics and urgency. While each song has its unique take on harmony and progression, they all showcase the stylistic similarities between alternative rock and progressive rock compositions.

Musical Analysis

The progression consists mainly of alternating Em (i) and B (V) chords, a common minor key movement that emphasizes the i-V relationship. This progression creates a sense of tension that drives the harmonic structure. The addition of the C (VI) and G (III) chords provides a moment of relief, creating more interest in the progression. These chords also appear in the relative major key of G, helping bring a sense of balance between the dark and brighter sides of the progression.

Overall Analysis

Muse’s “New Born” is a rock composition with progressive and alternative elements. The harmonic structure is simple, making use of common chords and progressions. In the given chord progression from Verse 3, there is a sense of tension and release between the major and minor chords, creating a sense of dynamics and urgency. The chord progression itself is repetitive, with subtle variations added to keep interest.

Style Analysis

Muse often incorporates elements of progressive rock and alternative rock in their music, and “New Born” is no exception. The simple yet effective chord progression emphasizes the distinction between major and minor chords, a hallmark of both progressive and alternative rock genres. Furthermore, the use of driving bass lines and complex drum patterns adds to the sense of depth and tension in the piece.

Chords in the Verse 3 section of New Born by Muse are:

Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G