Music Theory Alchemy

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Muse’s “New Born” is a rock composition with progressive and alternative elements. The harmonic structure is simple, making use of common chords and progressions. In the given chord progression from Verse 3, there is a sense of tension and release between the major and minor chords, creating a sense of dynamics and urgency. The chord progression itself is repetitive, with subtle variations added to keep interest.

Muse’s “Can’t Take My Eyes Off You” is a rock interpretation of the classic 1967 pop song “Can’t Take My Eyes Off You” by Frankie Valli, which has been covered by various artists in different styles. The chord progression of the chorus is characterized by a series of diatonic chords, predominant in Western pop music. This progression follows a typical 1950’s “doowop” pattern present in countless pop and rock songs, utilizing the familiar circle of fourths movement (Dm-G-C) and establishing a straightforward harmonic rhythm.

Chord Progression Analysis with Roman Numerals (borrowed chords in code block):

D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major (I) – A major (V/vi) – D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major 7 (Imaj7) – C7 (I7) – C6 (I6) – C major (I) – Ab major (*bVI) – C major (I)

`* Ab major (bVI) is a borrowed chord from the parallel minor key (C minor).`

“Since I’ve Been Loving You” by Led Zeppelin is a slow blues ballad with a rich harmonic palette, featuring expressive guitar solos and a passionate, longing vocal performance. The song is characterized by its use of chromaticism, borrowed chords, and seventh chords, which contribute to its intense, bluesy atmosphere. The chord progression for Verse 2 displays a moody and introspective tone, which serves as the perfect backdrop for the plaintive lyrics and the emotional solos throughout the piece.

“Brown Sugar” by The Rolling Stones is a rock song in the key of C major. The chord progression is simple and effective, reflecting the band’s blues and rock ‘n’ roll influences. The overall structure includes three verses with the same chord progression.

This chord progression is in the key of C Major, but incorporates a variety of borrowed chords and slash chords that add complexity and color to the song. It’s a good example of how Elton John takes popularly-used chord progressions and puts his own unique spin on them.

Muse – New Born – Verse 2

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Chord Progression

Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G

Chord Progression Analysis

E minor (i) – B major (‘V/vi’) – E minor (i) – B major (‘V/vi’) – E minor (i) – C major (VI) – G major (III) – B major (‘V/vi’)
E minor (i) – B major (‘V/vi’) – E minor (i) – B major (‘V/vi’) – E minor (i) – C major (VI) – G major (III) – B major (‘V/vi’)
E minor (i) – B major (‘V/vi’) – E minor (i) – B major (‘V/vi’) – E minor (i) – C major (VI) – G major (III) – B major (‘V/vi’)
E minor (i) – B major (‘V/vi’) – E minor (i) – B major (‘V/vi’) – E minor (i) – C major (VI) – G major (III)

“`
B major (‘V/vi’)
“`

Similar Chord Progressions

1. Radiohead – “Paranoid Android”
E minor (i) – A major (‘IV/iv’) – E minor (i) – B major (‘V/vi’)
2. The Beatles – “While My Guitar Gently Weeps”
A minor (i) – A major (‘III/III’) – A minor (i) – G major (VII)
3. Nirvana – “Smells Like Teen Spirit”
F minor (i) – B major (‘V/v’) – A♭ major (VI) – D♭ major (♭II)

These examples showcase chord progressions that incorporate borrowed chords or unusual harmonic relationships, much like the progression found in Muse’s “New Born.”

Musical Analysis

The sequence begins with the i (E minor) chord and alternates between E minor and B major (‘V/vi’) four times, creating a tension between these two chords. The B major chord is borrowed from the parallel major scale, E major. It leads nicely back to the tonic (Em) as a secondary dominant. The pattern then shifts to the VI (C major) and III (G major) chords, providing a brief sense of resolution before moving back to the borrowed B major chord, introducing tension once again. This 8-chord sequence repeats four times in the verse.

Overall Analysis

The verse 2 chord progression from Muse’s “New Born” reflects their signature harmonic daring and interesting relationships, which provides this piece with a fresh and captivating sound. The progression features a blend of diatonic and non-diatonic chords, as well as key shifts and chromaticism. It utilizes major-minor modal interchange and emphasizes the Em – B relationship throughout.

Style Analysis

Muse is known for their eclectic mix of genres, including rock, classical, electronica, and even film scores. In “New Born,” their use of borrowed chords, along with the alternation between E minor and B major throughout most of the verse, reflects their penchant for unconventional, dramatic, and intense sounds. The progression not only conveys tension but also showcases the band’s creativity in exploring unusual harmonic relationships.

Chords in the Verse 2 section of New Born by Muse are:

Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G