Search

Related Music Theory Alchemy

The chord progression in the chorus of Muse’s “New Born” is an interesting mix of diatonic, borrowed, and modal interchange chords, displaying a strong connection to rock music with its use of suspended chords and chromatic passing tones. The progression demonstrates the band’s compositional skill and creativity.

The chord progression in Muse’s Hysteria (verse 2) is a fairly unique progression that revolves around a minor tonality with some hints of E7 acting as a secondary dominant. It seems to have an ambiguous key center, fluctuating between E minor and A minor. The progression is repeated, providing a sense of tension and familiarity throughout the verse.

“Rocket Man” by Elton John, released in 1972, is a melodic and harmonically sophisticated example of his pop/rock style. The piece is in the key of G, and the chord progression of Verse 2 introduces some harmonies that exploit john’s expertise in using extended and altered chords, which lend colorfulness and a feel of departure and return. The use of slash chords like G/B and D/F# creates a descending bass line that is very characteristic of pop and rock music, creating a sense of melodic movement within the chords themselves. Verse 2 is navigated skillfully between simplistic and complex harmonies.

“Sorry Seems to Be The Hardest Word” is in the key of E minor and shifts to the relative major (G major) at various points, it demonstrates Elton John’s mastery of the line between major and minor keys. It’s a melancholic song with a moderate tempo. The use of both minor and major chords in Elton John’s progression signifies the tension and release in the song’s melody and lyrics.

The progression from B to A to E is a common progression in pop and rock music. This progression utilizes diatonic and non-diatonic chords, meaning that the chords all belong to the same key and it suggests the use of borrowed chords. A Perfect Circle tends to use a lot of downward motion in their chord progressions, moving from higher to lower pitches, which can give their music a distinct ‘heavy’ feel.

Muse – New Born – Verse 2

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G

Chord Progression Analysis

E minor (i) – B major (‘V/vi’) – E minor (i) – B major (‘V/vi’) – E minor (i) – C major (VI) – G major (III) – B major (‘V/vi’)
E minor (i) – B major (‘V/vi’) – E minor (i) – B major (‘V/vi’) – E minor (i) – C major (VI) – G major (III) – B major (‘V/vi’)
E minor (i) – B major (‘V/vi’) – E minor (i) – B major (‘V/vi’) – E minor (i) – C major (VI) – G major (III) – B major (‘V/vi’)
E minor (i) – B major (‘V/vi’) – E minor (i) – B major (‘V/vi’) – E minor (i) – C major (VI) – G major (III)

“`
B major (‘V/vi’)
“`

Similar Chord Progressions

1. Radiohead – “Paranoid Android”
E minor (i) – A major (‘IV/iv’) – E minor (i) – B major (‘V/vi’)
2. The Beatles – “While My Guitar Gently Weeps”
A minor (i) – A major (‘III/III’) – A minor (i) – G major (VII)
3. Nirvana – “Smells Like Teen Spirit”
F minor (i) – B major (‘V/v’) – A♭ major (VI) – D♭ major (♭II)

These examples showcase chord progressions that incorporate borrowed chords or unusual harmonic relationships, much like the progression found in Muse’s “New Born.”

Musical Analysis

The sequence begins with the i (E minor) chord and alternates between E minor and B major (‘V/vi’) four times, creating a tension between these two chords. The B major chord is borrowed from the parallel major scale, E major. It leads nicely back to the tonic (Em) as a secondary dominant. The pattern then shifts to the VI (C major) and III (G major) chords, providing a brief sense of resolution before moving back to the borrowed B major chord, introducing tension once again. This 8-chord sequence repeats four times in the verse.

Overall Analysis

The verse 2 chord progression from Muse’s “New Born” reflects their signature harmonic daring and interesting relationships, which provides this piece with a fresh and captivating sound. The progression features a blend of diatonic and non-diatonic chords, as well as key shifts and chromaticism. It utilizes major-minor modal interchange and emphasizes the Em – B relationship throughout.

Style Analysis

Muse is known for their eclectic mix of genres, including rock, classical, electronica, and even film scores. In “New Born,” their use of borrowed chords, along with the alternation between E minor and B major throughout most of the verse, reflects their penchant for unconventional, dramatic, and intense sounds. The progression not only conveys tension but also showcases the band’s creativity in exploring unusual harmonic relationships.

Chords in the Verse 2 section of New Born by Muse are:

Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G, B, Em, B, Em, B, Em, C, G