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Related Music Theory Alchemy

The chord progression in the riff from Muse’s “New Born” is intriguing and creative, employing chromaticism and non-diatonic chords to create a unique and dramatic sound. The progression consists of four chords: C, A#dim7, Bsus4, and B. This progression doesn’t adhere to a single key, making it difficult to analyze in terms of functional harmony. However, it showcases Muse’s experimental tendencies, a quintessential aspect of their music style.

The verse 2 chord progression in “Can’t Take My Eyes Off You” by Muse follows a typical jazz/pop style with the use of extended and altered chords such as Major 7th and minor 7th ♭5 chords. It also features a variation in line with the different sections of the piece.

“Whole Lotta Love” by Led Zeppelin is a classic example of hard rock and blues rock, characterized by its driving rhythm, distorted guitar riff, and powerful vocal performance by Robert Plant. The harmonic structure of the song is relatively simple, with a focus on the blues-based E-D-E progression during the second chorus. Although seemingly basic, this progression contributes to the song’s raw, energetic vibe.

The chorus of the Pink Floyd song “Breathe” features a mixture of diatonic and non-diatonic chords and creates a dreamy, spaced-out mood. The combination of major and minor seventh chords, as well as dominant 7th chords with altered 9ths, contributes to this atmospheric quality.

The chorus maintains a feeling of resolution and tension by alternating between the IV (F major) and V (G major) chords, while the vi (A minor) to V/vi (E major) progression provides a smooth transition back to the IV chord (F major).

In terms of borrowed chords, the E Major is a borrowed chord.
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E major (V/vi)
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Muse – New Born – Chorus 2

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Chord Progression

Em, Am, D, G, C, A#dim7, Bsus4, B, Em, Am, D, G, C, A#dim7, Bsus4, B

Chord Progression Analysis

E minor (i), A minor (iv), D major (VII), G major (III), C major (VI), A# diminished 7 (♯viio7), B suspended 4 (IVsus4), B major (IV), E minor (i), A minor (iv), D major (VII), G major (III), C major (VI), A# diminished 7 (♯viio7), B suspended 4 (IVsus4), B major (IV)

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A#dim7 = Borrowed chord (from E harmonic minor)
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Similar Chord Progressions

1. Radiohead – “Paranoid Android”:
A minor (i), D major (IV), G major (VII), F major (VI) / E minor (v), A major (I), G major (♭VII), F major (VI)

2. Coldplay – “The Scientist”:
D minor (i), B♭ major (VI), F major (III), C major (VII) / A minor (v), B♭ major (VI), G minor (iv), E♭ major (♭II)

These songs demonstrate similar use of diatonic and borrowed/modal interchange chords and share similarities in style and harmonic structure with the chord progression used in Muse’s “New Born.”

Musical Analysis

The progression begins with a typical i-iv movement in E minor, establishing the key, using A minor as a subdominant chord providing a sense of expansion. Following that, there is a D major chord, which provides a major VII chord for a mixolydian feeling. The progression then moves to a G major chord as the mediant, offering a sense of stability. The C major acts as a submediant which leads to the A# diminished 7 chord, which is borrowed from E harmonic minor, giving a strong pull towards the B chord as a dominant function.

The B suspended 4, B major, and E minor chords create a plagal cadence, giving a sense of resolution before repeating the progression again. This entire progression effectively sets up the harmonic landscape while providing melodic possibilities and rich transitions.

Overall Analysis

The chord progression in the chorus of Muse’s “New Born” is an interesting mix of diatonic, borrowed, and modal interchange chords, displaying a strong connection to rock music with its use of suspended chords and chromatic passing tones. The progression demonstrates the band’s compositional skill and creativity.

Style Analysis

Muse is known for incorporating various musical styles into their compositions and performances. In “New Born,” the chord progression demonstrates a blend of classical music theory with contemporary rock and alternative elements. The use of suspended chords and chromatic passing tones gives the piece a modern and edgy feel, while employing borrowed chords adds to the richness and depth of the harmony, reflecting Muse’s unique sound.

Chords in the Chorus 2 section of New Born by Muse are:

Em, Am, D, G, C, A#dim7, Bsus4, B, Em, Am, D, G, C, A#dim7, Bsus4, B