Music Theory Alchemy

Search

Related Music Theory Alchemy

The chord progression in the riff from Muse’s “New Born” is intriguing and creative, employing chromaticism and non-diatonic chords to create a unique and dramatic sound. The progression consists of four chords: C, A#dim7, Bsus4, and B. This progression doesn’t adhere to a single key, making it difficult to analyze in terms of functional harmony. However, it showcases Muse’s experimental tendencies, a quintessential aspect of their music style.

The chord progression in the chorus of Muse’s “Apocalypse Please” consists of a mix of diatonic chords and borrowed chords from the parallel major and minor keys. The progression features strong harmonic movement with a pivot modulation. Muse is known for their dramatic, often symphonic rock sound, and this progression is no exception in showing off their signature style. The progression also shares some similarities with other artists’ works in both structure and harmonic content.

The song, “Sour Times” by Portishead, is in the key of C# minor. The chord progression of the chorus that you’ve provided swings between three chords (F#m7, Emaj7, D#7) four times before ending on a C#m chord. It suggests a II – I – VII progression in the chorus, which is rare and distinctive in contemporary music genres. This choice of chord progression creates a mysterious, dark, and contemplative mood, characteristic of the trip-hop genre that Portishead propounds.

**

The piece, ‘1979’ by The Smashing Pumpkins follows an overarching structure with a mix of major and minor chords, what stand out are the rich extended chords, ‘Emaj7’ and ‘Amaj7’. The piece displays a balance between tonic chords and dominant chords, expressing a classic pop-rock style whilst frequent usage of maj7 chords adding a distinctive jazziness to the tune.

**

The chorus maintains a feeling of resolution and tension by alternating between the IV (F major) and V (G major) chords, while the vi (A minor) to V/vi (E major) progression provides a smooth transition back to the IV chord (F major).

In terms of borrowed chords, the E Major is a borrowed chord.
“`
E major (V/vi)
“`

Muse – New Born – Chorus 2

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

Em, Am, D, G, C, A#dim7, Bsus4, B, Em, Am, D, G, C, A#dim7, Bsus4, B

Chord Progression Analysis

E minor (i), A minor (iv), D major (VII), G major (III), C major (VI), A# diminished 7 (♯viio7), B suspended 4 (IVsus4), B major (IV), E minor (i), A minor (iv), D major (VII), G major (III), C major (VI), A# diminished 7 (♯viio7), B suspended 4 (IVsus4), B major (IV)

“`
A#dim7 = Borrowed chord (from E harmonic minor)
“`

Similar Chord Progressions

1. Radiohead – “Paranoid Android”:
A minor (i), D major (IV), G major (VII), F major (VI) / E minor (v), A major (I), G major (♭VII), F major (VI)

2. Coldplay – “The Scientist”:
D minor (i), B♭ major (VI), F major (III), C major (VII) / A minor (v), B♭ major (VI), G minor (iv), E♭ major (♭II)

These songs demonstrate similar use of diatonic and borrowed/modal interchange chords and share similarities in style and harmonic structure with the chord progression used in Muse’s “New Born.”

Musical Analysis

The progression begins with a typical i-iv movement in E minor, establishing the key, using A minor as a subdominant chord providing a sense of expansion. Following that, there is a D major chord, which provides a major VII chord for a mixolydian feeling. The progression then moves to a G major chord as the mediant, offering a sense of stability. The C major acts as a submediant which leads to the A# diminished 7 chord, which is borrowed from E harmonic minor, giving a strong pull towards the B chord as a dominant function.

The B suspended 4, B major, and E minor chords create a plagal cadence, giving a sense of resolution before repeating the progression again. This entire progression effectively sets up the harmonic landscape while providing melodic possibilities and rich transitions.

Overall Analysis

The chord progression in the chorus of Muse’s “New Born” is an interesting mix of diatonic, borrowed, and modal interchange chords, displaying a strong connection to rock music with its use of suspended chords and chromatic passing tones. The progression demonstrates the band’s compositional skill and creativity.

Style Analysis

Muse is known for incorporating various musical styles into their compositions and performances. In “New Born,” the chord progression demonstrates a blend of classical music theory with contemporary rock and alternative elements. The use of suspended chords and chromatic passing tones gives the piece a modern and edgy feel, while employing borrowed chords adds to the richness and depth of the harmony, reflecting Muse’s unique sound.

Chords in the Chorus 2 section of New Born by Muse are:

Em, Am, D, G, C, A#dim7, Bsus4, B, Em, Am, D, G, C, A#dim7, Bsus4, B