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The verse 2 chord progression from Muse’s “New Born” reflects their signature harmonic daring and interesting relationships, which provides this piece with a fresh and captivating sound. The progression features a blend of diatonic and non-diatonic chords, as well as key shifts and chromaticism. It utilizes major-minor modal interchange and emphasizes the Em – B relationship throughout.

“Feeling Good” by Muse is a cover of the song originally written by Anthony Newley and Leslie Bricusse for the 1964 musical “The Roar of the Greasepaint – The Smell of the Crowd”. Muse’s version is characterized by its distinct blend of jazz, rock, and pop influences, with strong orchestration and stylistically unique elements that give the song a modern edge while still paying homage to its classic roots.

“Whole Lotta Love” by Led Zeppelin is a classic example of hard rock and blues rock, characterized by its driving rhythm, distorted guitar riff, and powerful vocal performance by Robert Plant. The harmonic structure of the song is relatively simple, with a focus on the blues-based E-D-E progression during the second chorus. Although seemingly basic, this progression contributes to the song’s raw, energetic vibe.

The chorus of the Pink Floyd song “Breathe” features a mixture of diatonic and non-diatonic chords and creates a dreamy, spaced-out mood. The combination of major and minor seventh chords, as well as dominant 7th chords with altered 9ths, contributes to this atmospheric quality.

Radiohead’s “Fake Plastic Trees” is an alternative rock ballad from their 1995 album, “The Bends.” The moody and atmospheric track is characterized by its emotive vocal delivery, contrasting dynamics, rich arrangement, and engaging chord progression. This progression, in particular, features an interesting mixture of diatonic and borrowed chords that create a sense of tension and resolution throughout the piece.

Muse – New Born – Chorus 2

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Chord Progression

Em, Am, D, G, C, A#dim7, Bsus4, B, Em, Am, D, G, C, A#dim7, Bsus4, B

Chord Progression Analysis

E minor (i), A minor (iv), D major (VII), G major (III), C major (VI), A# diminished 7 (♯viio7), B suspended 4 (IVsus4), B major (IV), E minor (i), A minor (iv), D major (VII), G major (III), C major (VI), A# diminished 7 (♯viio7), B suspended 4 (IVsus4), B major (IV)

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A#dim7 = Borrowed chord (from E harmonic minor)
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Similar Chord Progressions

1. Radiohead – “Paranoid Android”:
A minor (i), D major (IV), G major (VII), F major (VI) / E minor (v), A major (I), G major (♭VII), F major (VI)

2. Coldplay – “The Scientist”:
D minor (i), B♭ major (VI), F major (III), C major (VII) / A minor (v), B♭ major (VI), G minor (iv), E♭ major (♭II)

These songs demonstrate similar use of diatonic and borrowed/modal interchange chords and share similarities in style and harmonic structure with the chord progression used in Muse’s “New Born.”

Musical Analysis

The progression begins with a typical i-iv movement in E minor, establishing the key, using A minor as a subdominant chord providing a sense of expansion. Following that, there is a D major chord, which provides a major VII chord for a mixolydian feeling. The progression then moves to a G major chord as the mediant, offering a sense of stability. The C major acts as a submediant which leads to the A# diminished 7 chord, which is borrowed from E harmonic minor, giving a strong pull towards the B chord as a dominant function.

The B suspended 4, B major, and E minor chords create a plagal cadence, giving a sense of resolution before repeating the progression again. This entire progression effectively sets up the harmonic landscape while providing melodic possibilities and rich transitions.

Overall Analysis

The chord progression in the chorus of Muse’s “New Born” is an interesting mix of diatonic, borrowed, and modal interchange chords, displaying a strong connection to rock music with its use of suspended chords and chromatic passing tones. The progression demonstrates the band’s compositional skill and creativity.

Style Analysis

Muse is known for incorporating various musical styles into their compositions and performances. In “New Born,” the chord progression demonstrates a blend of classical music theory with contemporary rock and alternative elements. The use of suspended chords and chromatic passing tones gives the piece a modern and edgy feel, while employing borrowed chords adds to the richness and depth of the harmony, reflecting Muse’s unique sound.

Chords in the Chorus 2 section of New Born by Muse are:

Em, Am, D, G, C, A#dim7, Bsus4, B, Em, Am, D, G, C, A#dim7, Bsus4, B