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Related Music Theory Alchemy

The verse 2 chord progression from Muse’s “New Born” reflects their signature harmonic daring and interesting relationships, which provides this piece with a fresh and captivating sound. The progression features a blend of diatonic and non-diatonic chords, as well as key shifts and chromaticism. It utilizes major-minor modal interchange and emphasizes the Em – B relationship throughout.

The chord progression in the chorus of “Endlessly” by Muse is an interesting mix of chords from related keys and chromatic alterations. The overall key of the piece is D minor, but there are some unexpected twists and turns that keep the harmonic journey unique and engaging.

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The piece, ‘1979’ by The Smashing Pumpkins follows an overarching structure with a mix of major and minor chords, what stand out are the rich extended chords, ‘Emaj7’ and ‘Amaj7’. The piece displays a balance between tonic chords and dominant chords, expressing a classic pop-rock style whilst frequent usage of maj7 chords adding a distinctive jazziness to the tune.

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Jimi Hendrix’s “Castles Made of Sand” is an interesting and unique composition with an innovative chord progression. The song is in the key of G major and is characterized by an engaging and complex harmonic structure that showcases Hendrix’s skill as a songwriter and performer. The chord progression, though relatively simple, creates a sense of depth and movement uncommon during that time period.

The chorus maintains a feeling of resolution and tension by alternating between the IV (F major) and V (G major) chords, while the vi (A minor) to V/vi (E major) progression provides a smooth transition back to the IV chord (F major).

In terms of borrowed chords, the E Major is a borrowed chord.
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E major (V/vi)
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Muse – New Born – Chorus 2

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Chord Progression

Em, Am, D, G, C, A#dim7, Bsus4, B, Em, Am, D, G, C, A#dim7, Bsus4, B

Chord Progression Analysis

E minor (i), A minor (iv), D major (VII), G major (III), C major (VI), A# diminished 7 (♯viio7), B suspended 4 (IVsus4), B major (IV), E minor (i), A minor (iv), D major (VII), G major (III), C major (VI), A# diminished 7 (♯viio7), B suspended 4 (IVsus4), B major (IV)

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A#dim7 = Borrowed chord (from E harmonic minor)
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Similar Chord Progressions

1. Radiohead – “Paranoid Android”:
A minor (i), D major (IV), G major (VII), F major (VI) / E minor (v), A major (I), G major (♭VII), F major (VI)

2. Coldplay – “The Scientist”:
D minor (i), B♭ major (VI), F major (III), C major (VII) / A minor (v), B♭ major (VI), G minor (iv), E♭ major (♭II)

These songs demonstrate similar use of diatonic and borrowed/modal interchange chords and share similarities in style and harmonic structure with the chord progression used in Muse’s “New Born.”

Musical Analysis

The progression begins with a typical i-iv movement in E minor, establishing the key, using A minor as a subdominant chord providing a sense of expansion. Following that, there is a D major chord, which provides a major VII chord for a mixolydian feeling. The progression then moves to a G major chord as the mediant, offering a sense of stability. The C major acts as a submediant which leads to the A# diminished 7 chord, which is borrowed from E harmonic minor, giving a strong pull towards the B chord as a dominant function.

The B suspended 4, B major, and E minor chords create a plagal cadence, giving a sense of resolution before repeating the progression again. This entire progression effectively sets up the harmonic landscape while providing melodic possibilities and rich transitions.

Overall Analysis

The chord progression in the chorus of Muse’s “New Born” is an interesting mix of diatonic, borrowed, and modal interchange chords, displaying a strong connection to rock music with its use of suspended chords and chromatic passing tones. The progression demonstrates the band’s compositional skill and creativity.

Style Analysis

Muse is known for incorporating various musical styles into their compositions and performances. In “New Born,” the chord progression demonstrates a blend of classical music theory with contemporary rock and alternative elements. The use of suspended chords and chromatic passing tones gives the piece a modern and edgy feel, while employing borrowed chords adds to the richness and depth of the harmony, reflecting Muse’s unique sound.

Chords in the Chorus 2 section of New Born by Muse are:

Em, Am, D, G, C, A#dim7, Bsus4, B, Em, Am, D, G, C, A#dim7, Bsus4, B