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Related Music Theory Alchemy

The chord progression in the verse 2 of Megalomania by Muse is predominantly in the key of E minor, with several chromatic and borrowed chords that give the progression a unique character. This progression consists of 16 chords and features an interesting mix of diatonic chords, secondary dominants, and borrowed chords that contribute to the dramatic and dark atmosphere of the piece.

The chord progression in Muse’s Hysteria (verse 2) is a fairly unique progression that revolves around a minor tonality with some hints of E7 acting as a secondary dominant. It seems to have an ambiguous key center, fluctuating between E minor and A minor. The progression is repeated, providing a sense of tension and familiarity throughout the verse.

“Start Me Up” by The Rolling Stones is a classic rock song that utilizes a common I-IV chord progression primarily in the key of D major. Like many rock songs from their era, the arrangement is simple yet effective, designed to showcase the strong rhythm and melody rather than complex harmonies.

The provided chord progression is quite simple, with a single chord (F) repeated four times. This type of progression creates a static or stable feel, with no harmonic tension to resolve. This chord progression alone isn’t enough to give a complete musical analysis, as it’s quite minimalistic, and it’s necessary to evaluate the progression in the context of the entire song. However, I can still offer some thoughts on the progression’s possible function, style notes, and similar chord progressions.

The song “Eight Days a Week” by The Beatles is an interesting example of pop music songwriting from the mid 1960’s. It showcases Paul McCartney and John Lennon’s ability to use common chord progressions and tweak them in a unique and recognizable way. It utilizes a simple progression in the verse but what makes it different is their use of 7th and borrowed chords. The key of the song is D major.

Muse – Megalomania – Verse 4

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Chord Progression

B7, Em, B7, Em, F#m, Am, B7, Em, E, Am, E, Am, B7, Em

Chord Progression Analysis

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B7 (V7) – Em (i) – B7 (V7) – Em (i) – F#m (ii) – Am (iv) – B7 (V7) – Em (i) – E (V) – Am (iv) – E (V) – Am (iv) – B7 (V7) – Em (i)

`Borrowed chord: Am (iv)`

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Similar Chord Progressions

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1. Radiohead – “Paranoid Android”
Chord Progression: Gm (i) – Eb (VI) – F (VII) – Bb (III) – Fsus4 (N/Asus4) – C (N/A)

2. Queen – “Bohemian Rhapsody” (Ballad Section)
Chord Progression: Bb (I) – Bb7 (V7/IV) – Eb (IV) – Bbm (vi) – G7 (V7/vi) – Cm (ii)

These examples showcase unexpected chord choices and harmonic twists reminiscent of Muse’s “Megalomania” progression. The artists explore non-diatonic chords, borrowed chords, and shifts in tonality, reflecting their unique and distinctive sound signatures.

Musical Analysis

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The verse begins with the tonic, Em (i), being preceded by its dominant, B7 (V7), which creates a strong sense of resolution. The alternation between B7 and Em establishes the tonal center early on. The introduction of F#m (ii) adds a slight shift in tonality, while the borrowed chord, Am (iv), serves to further enhance the harmonic landscape, providing a darker atmosphere. The progression then returns to the V7-i relationship, emphasizing the tonal center.

In the second half of the verse, the chords E (V) and Am (iv) create an interesting juxtaposition, as the E major chord would more naturally be followed by a B major chord in a typical V-I progression. This non-diatonic choice showcases Muse’s penchant for using unexpected harmonic turns. The verse ends by returning to the strong V7-i cadence, B7 to Em, reestablishing the E minor tonality.

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Overall Analysis

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The given chord progression is from the fourth verse of “Megalomania” by Muse. It reflects a mix of classical and rock influences and showcases Muse’s signature harmonic choices, featuring borrowed chords and non-diatonic elements.

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Style Analysis

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Muse is known for incorporating classical harmonic elements and rock instrumentation into their music. This chord progression in “Megalomania” demonstrates their elaborate harmonic language and incorporation of borrowed chords. The combination of unexpected chord choices, such as the borrowed Am (iv), creates a unique harmonic texture and contributes to Muse’s signature sound. The fluctuation between major and minor tonalities is a nod to classical techniques while the distorted guitar and raw vocal delivery maintain their rock identity.

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Chords in the Verse 4 section of Megalomania by Muse are:

B7, Em, B7, Em, F#m, Am, B7, Em, E, Am, E, Am, B7, Em