Music Theory Alchemy

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The chord progression in the chorus of Muse’s “Megalomania” features a blend of major and minor chords, as well as the use of the dominant 7th chord (B7) to create tension and resolution. This progression provides a harmonic foundation for the powerful and emotional vocals, giving it an intense and memorable feel.

The chord progression from Muse’s “Hate This And I’ll Love You” displays a mix of diatonic and borrowed chords from the parallel minor. The progression is in the key of A major and shows an unconventional use of chords that gives the song its unique sound. It also showcases certain characteristics of Muse’s music style that includes complex chord progressions and frequent changes between major and minor harmonies.

Chord Progression Analysis and Roman Numerals:

A ('I'), Gm ('bVII'), D/F# ('IV/V'), A ('I'),
Gm ('bVII'), D ('IV'), A ('I'), Gm ('bVII'),
D/F# ('IV/V'), A ('I'), Gm ('bVII'), D/F# ('IV/V')

The borrowed chord in this progression is Gm, taken from the parallel minor, A minor:
`Gm (‘bVII’)`

“The Long And Winding Road” is in the key of D major. The chords are quite typical of pop music, however, The Beatles use of extensions and suspensions provide a unique complexity to the progression. The song dabbles in modal interchange as it borrows chords from parallel minor, a popular Beatles technique.

The song “Hallelujah” written by Leonard Cohen and popularly covered by Jeff Buckley is a solemn ballad consisting of poetic lyrics set to a haunting melody. This particular chord progression in Verse 4 highlights the song’s delicate balance between tension and resolution. The tonality revolves around C major, with deviations into other tonal areas, which adds complexity and emotional impact.

“Start Me Up” by The Rolling Stones is a classic rock song that utilizes a common I-IV chord progression primarily in the key of D major. Like many rock songs from their era, the arrangement is simple yet effective, designed to showcase the strong rhythm and melody rather than complex harmonies.

Muse – Megalomania – Verse 4

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Chord Progression

B7, Em, B7, Em, F#m, Am, B7, Em, E, Am, E, Am, B7, Em

Chord Progression Analysis

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B7 (V7) – Em (i) – B7 (V7) – Em (i) – F#m (ii) – Am (iv) – B7 (V7) – Em (i) – E (V) – Am (iv) – E (V) – Am (iv) – B7 (V7) – Em (i)

`Borrowed chord: Am (iv)`

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Similar Chord Progressions

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1. Radiohead – “Paranoid Android”
Chord Progression: Gm (i) – Eb (VI) – F (VII) – Bb (III) – Fsus4 (N/Asus4) – C (N/A)

2. Queen – “Bohemian Rhapsody” (Ballad Section)
Chord Progression: Bb (I) – Bb7 (V7/IV) – Eb (IV) – Bbm (vi) – G7 (V7/vi) – Cm (ii)

These examples showcase unexpected chord choices and harmonic twists reminiscent of Muse’s “Megalomania” progression. The artists explore non-diatonic chords, borrowed chords, and shifts in tonality, reflecting their unique and distinctive sound signatures.

Musical Analysis

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The verse begins with the tonic, Em (i), being preceded by its dominant, B7 (V7), which creates a strong sense of resolution. The alternation between B7 and Em establishes the tonal center early on. The introduction of F#m (ii) adds a slight shift in tonality, while the borrowed chord, Am (iv), serves to further enhance the harmonic landscape, providing a darker atmosphere. The progression then returns to the V7-i relationship, emphasizing the tonal center.

In the second half of the verse, the chords E (V) and Am (iv) create an interesting juxtaposition, as the E major chord would more naturally be followed by a B major chord in a typical V-I progression. This non-diatonic choice showcases Muse’s penchant for using unexpected harmonic turns. The verse ends by returning to the strong V7-i cadence, B7 to Em, reestablishing the E minor tonality.

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Overall Analysis

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The given chord progression is from the fourth verse of “Megalomania” by Muse. It reflects a mix of classical and rock influences and showcases Muse’s signature harmonic choices, featuring borrowed chords and non-diatonic elements.

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Style Analysis

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Muse is known for incorporating classical harmonic elements and rock instrumentation into their music. This chord progression in “Megalomania” demonstrates their elaborate harmonic language and incorporation of borrowed chords. The combination of unexpected chord choices, such as the borrowed Am (iv), creates a unique harmonic texture and contributes to Muse’s signature sound. The fluctuation between major and minor tonalities is a nod to classical techniques while the distorted guitar and raw vocal delivery maintain their rock identity.

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Chords in the Verse 4 section of Megalomania by Muse are:

B7, Em, B7, Em, F#m, Am, B7, Em, E, Am, E, Am, B7, Em