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Related Music Theory Alchemy

The chord progression in the verse of “Knights of Cydonia” by Muse features a mix of diatonic and borrowed chords, primarily from the G# minor and E major keys. The progression features an interesting blend of major and minor chords, chromatic movement, and modulation, contributing to the epic and powerful sound of the track.

The chord progression of the given segment from Muse’s “Apocalypse Please” reflects the band’s signature blend of rock, electronic, and classical music. The progression is in the key of F# minor and features some chromaticism and modal mixture, which is quite common in their style of music. The harmonic rhythm is mostly consistent, and the chords utilized provide a strong sense of direction and resolution throughout the verse.

“Right Where It Belongs” by Nine Inch Nails is a song characterized by its melodic and harmonic structure. It has a unique yet familiar sound, blending pop and alternative rock elements with its rich chord progression and powerful melody.

The chord progression in the chorus of Beck’s “Think I’m In Love” is a fairly simple one that revolves around two key centers, Ab major and Eb major. The main chords used are based on the I-IV-V structure which is common in rock and pop music. It features a major I-IV relationship and an unexpected chord, F major, which adds some harmonic interest.

This chorus from The Beatles’ “The Continuing Story Of Bungalow Bill” is an example of clever use of common chord transitions with several shifts in tonality. The chord progression uses the tonic key of C Major and F minor, showing complex modulation derived from modal interchange and secondary dominant techniques.

Muse – Knights Of Cydonia – Chorus

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Chord Progression

Em, Bm, A, Em, Em, Bm, A, Em

Chord Progression Analysis

The chord progression for the chorus of “Knights of Cydonia” is as follows:
“`
– E minor (i)
– B minor (iv)
– A major (VII)
– E minor (i)
“`

This repeats twice for each chorus.

Similar Chord Progressions

The chord progression of “Knights of Cydonia” resembles a simplified version of the Andalusian Cadence, a common progression found in numerous songs across various genres. The Andalusian Cadence typically moves down step by step (i.e. Em, D, C, Bm) but Muse’s version uses the A major chord (VII) as a substitution. Here are a few songs that feature a similar progression or share harmonic justifications:

1. “Stairway to Heaven” by Led Zeppelin:
“`
– A minor (i)
– G major (VII)
– F major (VI)
– A minor (i)
“`

2. “Sultans of Swing” by Dire Straits (Verse)
“`
– D minor (i)
– C major (VII)
– Bb major (VI)
– A major (V)
“`

3. “Livin’ on a Prayer” by Bon Jovi (Verse)
“`
– E minor (i)
– C major (VI)
– D major (VII)
– E minor (i)
“`

Musical Analysis

The chord progression emphasizes the tonic E minor chord, effectively establishing a clear tonal center. The B minor and A major chords add color and harmonic motion. The switch from B minor to A major creates a contrast, lending a sense of resolution when returning back to E minor. This progression is repeated, reinforcing the overall harmonic structure of the song.

Overall Analysis

“Knights of Cydonia” by Muse features a harmonically straightforward chord progression within the rock style. This progression is primarily based in the key of E minor and centers around the Em, Bm, and A chords. Throughout the song, the driving rhythm, vocal melodies, and transitions between different sections contribute to its energetic and dramatic qualities.

Style Analysis

“Knights of Cydonia” can be classified as an alternative rock song with influences from progressive rock and electronica. Muse’s signature combination of driving guitars, piano, synthesizers, and powerful vocals create a uniquely modern yet accessible sound. The chord progression, while not particularly complex or unusual, is highly effective in supporting the song’s melody and contributes to the song’s anthemic quality.

Chords in the Chorus section of Knights Of Cydonia by Muse are:

Em, Bm, A, Em, Em, Bm, A, Em