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Related Music Theory Alchemy

The chord progression in the verse of “Knights of Cydonia” by Muse features a mix of diatonic and borrowed chords, primarily from the G# minor and E major keys. The progression features an interesting blend of major and minor chords, chromatic movement, and modulation, contributing to the epic and powerful sound of the track.

The chord progression in the chorus of Muse’s “Megalomania” features a blend of major and minor chords, as well as the use of the dominant 7th chord (B7) to create tension and resolution. This progression provides a harmonic foundation for the powerful and emotional vocals, giving it an intense and memorable feel.

The “Glory Box” by Portishead chorus progression is based in D minor and moves between this primary D minor chord and three other chords: Dm/C, Bm7b5, and Bbmaj7. The Dm/C chord is the same as the D minor, but with a different note in the bass (C). The Bm7b5 is a half-diminished chord. The Bbmaj7 is major seventh chord.

As this song has a distinct classical rock sound, you’ll see a mixture of major and minor chords. The progression is in the key of E major. The use of seventh chords and suspended chords provides a dense harmonic texture.

The chord progression in the chorus of “Lost Cause” by Beck showcases a simple yet effective pattern utilizing major chords and a dominant seventh chord, which creates tension and resolution throughout the progression. The song is in C major, and the chords predominantly follow the diatonic harmony of the key. The style is reminiscent of folk and alternative rock, with the harmony playing a significant role in evoking a sense of melancholy in the listener.

Muse – Knights Of Cydonia – Chorus

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Chord Progression

Em, Bm, A, Em, Em, Bm, A, Em

Chord Progression Analysis

The chord progression for the chorus of “Knights of Cydonia” is as follows:
“`
– E minor (i)
– B minor (iv)
– A major (VII)
– E minor (i)
“`

This repeats twice for each chorus.

Similar Chord Progressions

The chord progression of “Knights of Cydonia” resembles a simplified version of the Andalusian Cadence, a common progression found in numerous songs across various genres. The Andalusian Cadence typically moves down step by step (i.e. Em, D, C, Bm) but Muse’s version uses the A major chord (VII) as a substitution. Here are a few songs that feature a similar progression or share harmonic justifications:

1. “Stairway to Heaven” by Led Zeppelin:
“`
– A minor (i)
– G major (VII)
– F major (VI)
– A minor (i)
“`

2. “Sultans of Swing” by Dire Straits (Verse)
“`
– D minor (i)
– C major (VII)
– Bb major (VI)
– A major (V)
“`

3. “Livin’ on a Prayer” by Bon Jovi (Verse)
“`
– E minor (i)
– C major (VI)
– D major (VII)
– E minor (i)
“`

Musical Analysis

The chord progression emphasizes the tonic E minor chord, effectively establishing a clear tonal center. The B minor and A major chords add color and harmonic motion. The switch from B minor to A major creates a contrast, lending a sense of resolution when returning back to E minor. This progression is repeated, reinforcing the overall harmonic structure of the song.

Overall Analysis

“Knights of Cydonia” by Muse features a harmonically straightforward chord progression within the rock style. This progression is primarily based in the key of E minor and centers around the Em, Bm, and A chords. Throughout the song, the driving rhythm, vocal melodies, and transitions between different sections contribute to its energetic and dramatic qualities.

Style Analysis

“Knights of Cydonia” can be classified as an alternative rock song with influences from progressive rock and electronica. Muse’s signature combination of driving guitars, piano, synthesizers, and powerful vocals create a uniquely modern yet accessible sound. The chord progression, while not particularly complex or unusual, is highly effective in supporting the song’s melody and contributes to the song’s anthemic quality.

Chords in the Chorus section of Knights Of Cydonia by Muse are:

Em, Bm, A, Em, Em, Bm, A, Em