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The chord progression in the verse of “Knights of Cydonia” by Muse features a mix of diatonic and borrowed chords, primarily from the G# minor and E major keys. The progression features an interesting blend of major and minor chords, chromatic movement, and modulation, contributing to the epic and powerful sound of the track.

The given chord progression belongs to the verse 2 of the song “Apocalypse Please” by Muse. This progression reflects the band’s signature style that combines elements of rock, classical, and electronic music. The chords follow a pattern that combines both diatonic and chromatic movement, creating a dramatic and intense feel. A unique feature in this progression is the use of slash chords, which adds further harmonic interest.

The chorus of Radiohead’s “Paranoid Android” features an unconventional and diverse chord progression, drawing from various scale degrees. This progression contributes to the song’s complex, shifting quality, moving through several tonal centers.

“Maxwell’s Silver Hammer,” composed by Paul McCartney, is a pop song that sits in the key of D Major throughout. However, it does borrow chords from the parallel minor. This technique, known as modal interchange or borrowed chords, is common in popular music and especially in classical compositions by iconic bands like The Beatles.

“Beast of Burden” by The Rolling Stones uses a common rock arrangement with a focus on the V, I, and vi chords. The distinguishing factor for this particular progression is its consistent use of inverted chords to create more linear, and stepwise, bass lines.

Muse – Knights Of Cydonia – Chorus

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Chord Progression

Em, Bm, A, Em, Em, Bm, A, Em

Chord Progression Analysis

The chord progression for the chorus of “Knights of Cydonia” is as follows:
“`
– E minor (i)
– B minor (iv)
– A major (VII)
– E minor (i)
“`

This repeats twice for each chorus.

Similar Chord Progressions

The chord progression of “Knights of Cydonia” resembles a simplified version of the Andalusian Cadence, a common progression found in numerous songs across various genres. The Andalusian Cadence typically moves down step by step (i.e. Em, D, C, Bm) but Muse’s version uses the A major chord (VII) as a substitution. Here are a few songs that feature a similar progression or share harmonic justifications:

1. “Stairway to Heaven” by Led Zeppelin:
“`
– A minor (i)
– G major (VII)
– F major (VI)
– A minor (i)
“`

2. “Sultans of Swing” by Dire Straits (Verse)
“`
– D minor (i)
– C major (VII)
– Bb major (VI)
– A major (V)
“`

3. “Livin’ on a Prayer” by Bon Jovi (Verse)
“`
– E minor (i)
– C major (VI)
– D major (VII)
– E minor (i)
“`

Musical Analysis

The chord progression emphasizes the tonic E minor chord, effectively establishing a clear tonal center. The B minor and A major chords add color and harmonic motion. The switch from B minor to A major creates a contrast, lending a sense of resolution when returning back to E minor. This progression is repeated, reinforcing the overall harmonic structure of the song.

Overall Analysis

“Knights of Cydonia” by Muse features a harmonically straightforward chord progression within the rock style. This progression is primarily based in the key of E minor and centers around the Em, Bm, and A chords. Throughout the song, the driving rhythm, vocal melodies, and transitions between different sections contribute to its energetic and dramatic qualities.

Style Analysis

“Knights of Cydonia” can be classified as an alternative rock song with influences from progressive rock and electronica. Muse’s signature combination of driving guitars, piano, synthesizers, and powerful vocals create a uniquely modern yet accessible sound. The chord progression, while not particularly complex or unusual, is highly effective in supporting the song’s melody and contributes to the song’s anthemic quality.

Chords in the Chorus section of Knights Of Cydonia by Muse are:

Em, Bm, A, Em, Em, Bm, A, Em