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Muse

The chorus of Muse’s “Hysteria” displays a mix of chords from the key of C Major and borrowed chords from the parallel minor key (C minor). The chord progression uses a combination of functional harmony mixed with chromatic elements, embodying characteristics of both rock and classical genres.

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Muse

The chord progression from Muse’s “Hate This And I’ll Love You” displays a mix of diatonic and borrowed chords from the parallel minor. The progression is in the key of A major and shows an unconventional use of chords that gives the song its unique sound. It also showcases certain characteristics of Muse’s music style that includes complex chord progressions and frequent changes between major and minor harmonies.

Chord Progression Analysis and Roman Numerals:

A ('I'), Gm ('bVII'), D/F# ('IV/V'), A ('I'),
Gm ('bVII'), D ('IV'), A ('I'), Gm ('bVII'),
D/F# ('IV/V'), A ('I'), Gm ('bVII'), D/F# ('IV/V')

The borrowed chord in this progression is Gm, taken from the parallel minor, A minor:
`Gm (‘bVII’)`

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Led Zeppelin

“Since I’ve Been Loving You” by Led Zeppelin is a slow blues ballad with a rich harmonic palette, featuring expressive guitar solos and a passionate, longing vocal performance. The song is characterized by its use of chromaticism, borrowed chords, and seventh chords, which contribute to its intense, bluesy atmosphere. The chord progression for Verse 2 displays a moody and introspective tone, which serves as the perfect backdrop for the plaintive lyrics and the emotional solos throughout the piece.

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Pink Floyd

The chord progression in Verse 2 of Pink Floyd’s “Welcome to the Machine” is a complex and somewhat unconventional progression. It primarily features chords from the E natural minor scale, with some borrowed chords from the parallel E major scale. The progression creates an atmospheric and moody soundscape that is characteristic of Pink Floyd’s music, especially in their album “Wish You Were Here.” It also displays a certain level of sophistication in the harmony which underscores Pink Floyd’s musical depth.

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Pink Floyd

“Comfortably Numb” is a song by Pink Floyd from their 1979 album, The Wall. It is written in the key of D major and has a slow, dreamy tempo. The second verse of the song features a chord progression that is a blend of major and minor chords, giving the song a sense of melancholy mixed with a calming atmosphere. It also deviates from the typical pop/rock chord progressions, signifying Pink Floyd’s distinct sound and innovative use of harmony.

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Muse – Hysteria – Verse 2

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Chord Progression

E7, Dm, Am, E7, Dm, Am

Chord Progression Analysis

E7 (V7/vi), Dm (iv), Am (i), E7 (V7/vi), Dm (iv), Am (i)

* E7 is a borrowed chord from the E harmonic minor scale.

Similar Chord Progressions

1. Radiohead – Paranoid Android
Chord Progression: G#(b5) (V7/vi), Fm (iv), Cm (i), G#(b5) (V7/vi), Fm (iv), Cm (i)

2. Led Zeppelin – Stairway to Heaven (Verse)
Chord Progression: Em (i), D/F# (VII6), Gmaj7 (IVmaj7), D7 (VII7), C (bVI), G/B (IV6), Am (v), Am/C (v6)

Note that these chord progressions are not exact matches to Hysteria, but they share certain elements of harmonic interest and movement through the use of borrowed chords or secondary dominants.

Musical Analysis

This progression features a non-diatonic chord (E7) borrowed from the E harmonic minor scale that adds tension and unpredictability to the overall tonality of the song. The oscillation between the minor plagal cadence (Dm – Am) and interrupted cadence (Am – E7) creates a sense of instability and constantly fluctuating tonality, which complements the song’s intense and frantic atmosphere.

Overall Analysis

The chord progression in Muse’s Hysteria (verse 2) is a fairly unique progression that revolves around a minor tonality with some hints of E7 acting as a secondary dominant. It seems to have an ambiguous key center, fluctuating between E minor and A minor. The progression is repeated, providing a sense of tension and familiarity throughout the verse.

Style Analysis

Muse is known for blending rock, alternative, and electronic music with classical and orchestral elements, creating a distinctive and dramatic sound. The use of a secondary dominant and borrowed chords contribute to the emotional intensity and captivating nature of the song. This particular chord progression captures a dark and brooding nature often evident in Muse’s music.

Chords in the Verse 2 section of Hysteria by Muse are:

E7, Dm, Am, E7, Dm, Am

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