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Related Music Theory Alchemy

“Hysteria” by Muse is a song with a heavy rock style, featuring a powerful bassline and distorted guitars. The chord progression mentioned is present in the first verse of the song. This progression is characterized by the use of standard tonal harmony and minor key tonality, with some slight variations that are typical in rock music.

The verse 2 chord progression from Muse’s “New Born” reflects their signature harmonic daring and interesting relationships, which provides this piece with a fresh and captivating sound. The progression features a blend of diatonic and non-diatonic chords, as well as key shifts and chromaticism. It utilizes major-minor modal interchange and emphasizes the Em – B relationship throughout.

“Say It Ain’t So” by Weezer is an alternative rock song with a sense of melancholy in the verse and a catchy, anthemic chorus. The verse chords, which you provided, create a strong sense of movement and harmonic interest by using borrowed chords and a combination of diatonic and chromatic chord progressions.

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“Cant Buy Me Love” by The Beatles is a pure example of their early rock-and-roll style influenced by blues. It uses common chord progressions in rock and blues, such as the I-IV-V progression and the use of dominant 7th chords. The song is set in C major, and makes repeated use of the I-IV (C-F) progression. A significant feature in the song is the use of the dominant 7th chords (C7 and F7), which adds some bluesy quality to the song and also serves as a transition chord to the next chord in the progression.

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“Paint It Black” plays with minor tonality, which isn’t extremely common in rock and roll music of the era. The song is in the key of E minor and uses the chords Em, B, D, G, and A. The verse has an interesting use of harmonies, incorporating the minor i, major V, minor iv, major bIII, and major IV chords.

Muse – Hysteria – Verse 2

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Chord Progression

E7, Dm, Am, E7, Dm, Am

Chord Progression Analysis

E7 (V7/vi), Dm (iv), Am (i), E7 (V7/vi), Dm (iv), Am (i)

* E7 is a borrowed chord from the E harmonic minor scale.

Similar Chord Progressions

1. Radiohead – Paranoid Android
Chord Progression: G#(b5) (V7/vi), Fm (iv), Cm (i), G#(b5) (V7/vi), Fm (iv), Cm (i)

2. Led Zeppelin – Stairway to Heaven (Verse)
Chord Progression: Em (i), D/F# (VII6), Gmaj7 (IVmaj7), D7 (VII7), C (bVI), G/B (IV6), Am (v), Am/C (v6)

Note that these chord progressions are not exact matches to Hysteria, but they share certain elements of harmonic interest and movement through the use of borrowed chords or secondary dominants.

Musical Analysis

This progression features a non-diatonic chord (E7) borrowed from the E harmonic minor scale that adds tension and unpredictability to the overall tonality of the song. The oscillation between the minor plagal cadence (Dm – Am) and interrupted cadence (Am – E7) creates a sense of instability and constantly fluctuating tonality, which complements the song’s intense and frantic atmosphere.

Overall Analysis

The chord progression in Muse’s Hysteria (verse 2) is a fairly unique progression that revolves around a minor tonality with some hints of E7 acting as a secondary dominant. It seems to have an ambiguous key center, fluctuating between E minor and A minor. The progression is repeated, providing a sense of tension and familiarity throughout the verse.

Style Analysis

Muse is known for blending rock, alternative, and electronic music with classical and orchestral elements, creating a distinctive and dramatic sound. The use of a secondary dominant and borrowed chords contribute to the emotional intensity and captivating nature of the song. This particular chord progression captures a dark and brooding nature often evident in Muse’s music.

Chords in the Verse 2 section of Hysteria by Muse are:

E7, Dm, Am, E7, Dm, Am