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“Hysteria” by Muse is a song with a heavy rock style, featuring a powerful bassline and distorted guitars. The chord progression mentioned is present in the first verse of the song. This progression is characterized by the use of standard tonal harmony and minor key tonality, with some slight variations that are typical in rock music.

The chord progression in the riff from Muse’s “New Born” is intriguing and creative, employing chromaticism and non-diatonic chords to create a unique and dramatic sound. The progression consists of four chords: C, A#dim7, Bsus4, and B. This progression doesn’t adhere to a single key, making it difficult to analyze in terms of functional harmony. However, it showcases Muse’s experimental tendencies, a quintessential aspect of their music style.

The piece “When I Was Your Man” by Bruno Mars showcases a common pop ballad structure that follows a typical 4-chord progression with common tone substitution as well as some chords borrowed from the relative minor. Its simplicity is one of its strengths as it allows the focus to fall on Bruno’s vocals and the lyrics, which matches the direct, emotional content of the song effectively.

The given chord progression is found in Verse 2 of Tyler, The Creator’s song “Are We Still Friends.” The song is in the key of E major, and the progression features a mix of major, minor, and dominant seventh chords. The distinctive chromatic movement and the use of borrowed chords make for a memorable and unique progression. The combination of these elements results in a lush and emotionally charged progression which contributes greatly to the overall feel of the song.

“Your Song” is characterized by a varied and complex chord progression that helps to emphasize the emotional complexity of the lyrics. This is apparent in the progression used in Verse 2, which employs several techniques used frequently by Elton John. These include the use of secondary dominants, borrowed chords, modal mixture, and chromatic bass movements to add emotional color and reinforce the feeling of tension and resolution in the song’s narrative.

Muse – Hysteria – Verse 2

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Chord Progression

E7, Dm, Am, E7, Dm, Am

Chord Progression Analysis

E7 (V7/vi), Dm (iv), Am (i), E7 (V7/vi), Dm (iv), Am (i)

* E7 is a borrowed chord from the E harmonic minor scale.

Similar Chord Progressions

1. Radiohead – Paranoid Android
Chord Progression: G#(b5) (V7/vi), Fm (iv), Cm (i), G#(b5) (V7/vi), Fm (iv), Cm (i)

2. Led Zeppelin – Stairway to Heaven (Verse)
Chord Progression: Em (i), D/F# (VII6), Gmaj7 (IVmaj7), D7 (VII7), C (bVI), G/B (IV6), Am (v), Am/C (v6)

Note that these chord progressions are not exact matches to Hysteria, but they share certain elements of harmonic interest and movement through the use of borrowed chords or secondary dominants.

Musical Analysis

This progression features a non-diatonic chord (E7) borrowed from the E harmonic minor scale that adds tension and unpredictability to the overall tonality of the song. The oscillation between the minor plagal cadence (Dm – Am) and interrupted cadence (Am – E7) creates a sense of instability and constantly fluctuating tonality, which complements the song’s intense and frantic atmosphere.

Overall Analysis

The chord progression in Muse’s Hysteria (verse 2) is a fairly unique progression that revolves around a minor tonality with some hints of E7 acting as a secondary dominant. It seems to have an ambiguous key center, fluctuating between E minor and A minor. The progression is repeated, providing a sense of tension and familiarity throughout the verse.

Style Analysis

Muse is known for blending rock, alternative, and electronic music with classical and orchestral elements, creating a distinctive and dramatic sound. The use of a secondary dominant and borrowed chords contribute to the emotional intensity and captivating nature of the song. This particular chord progression captures a dark and brooding nature often evident in Muse’s music.

Chords in the Verse 2 section of Hysteria by Muse are:

E7, Dm, Am, E7, Dm, Am