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Related Music Theory Alchemy

The chorus of Muse’s “Hysteria” displays a mix of chords from the key of C Major and borrowed chords from the parallel minor key (C minor). The chord progression uses a combination of functional harmony mixed with chromatic elements, embodying characteristics of both rock and classical genres.

The verse 2 chord progression in “Can’t Take My Eyes Off You” by Muse follows a typical jazz/pop style with the use of extended and altered chords such as Major 7th and minor 7th ♭5 chords. It also features a variation in line with the different sections of the piece.

The chord progression in “Breathe” by Pink Floyd is relatively simple, mostly alternating between two chords – Em and A7. However, this simplicity is quite effective in creating a relaxed, dreamy feel which is consistent with the overall theme of the song. This is a characteristic feature of Pink Floyd’s music, using simple chords and progressions to create a powerful emotional impact.

“Come Together” by The Beatles, like many other Beatles songs, is known for its unique melody and innovative chord progressions. The song is written in the key of D minor and employs frequent use of bluesy pentatonic scale patterns. The meter is 4/4 (common time). The song is characterized by the use of common chords, with the exception of the Bm and Bm/A chords which are noteworthy.

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Generally, the chord progression follows the conventional guidelines of western music, utilizing strong resolution from B (V) to E (I). However, it also employs some harmony techniques very typical in pop/rock music, such as the use of slash chords and chord inversions (A/E, F#m7/E) to add harmonic interest. In addition, it incorporates chromatic mediant relationships (E to C#m) to create a sense of progression.

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Muse – Hysteria – Verse 1

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Chord Progression

Am, E7, Dm, Am, E7, Dm, Am

Chord Progression Analysis

* A minor (i)
* E7 (V7)
* D minor (iv)
* A minor (i)
* E7 (V7)
* D minor (iv)
* A minor (i)

Similar Chord Progressions

1. Radiohead – “Karma Police”:
* A minor (i)
* A minor/Maj7 (i/Maj7)
* G (VII)
* D/F# (IV/6)
* E minor (v)
* E (V)
* A minor (i)

2. The Beatles – “While My Guitar Gently Weeps”:
* A minor (i)
* A minor/G (i/7)
* A minor/F# (i/6)
* A minor/F (i/6b)
* D (IV)
* G (VII)
* C (III)
* E (V)

In both of these similar progressions, the use of A minor as the tonic is consistent, and the chords utilized often borrow from other keys or use unexpected variations, resulting in unique harmonic progressions that generate tension and interest.

Musical Analysis

This chord progression uses the A minor as its tonic (home chord), which sets the dark and moody atmosphere of the song. The E7 is a secondary dominant (V7 of the IV, or D minor), used to increase tension and drive the progression forward. The D minor chord serves as a borrowed chord from the parallel key (A major) and provides a unique and unexpected twist, adding more depth to the harmonies.

Overall Analysis

“Hysteria” by Muse is a song with a heavy rock style, featuring a powerful bassline and distorted guitars. The chord progression mentioned is present in the first verse of the song. This progression is characterized by the use of standard tonal harmony and minor key tonality, with some slight variations that are typical in rock music.

Style Analysis

This progression has a typical rock feel, mostly because of the instrumentation, arrangement, and slightly unusual chords like the D minor borrowed chord. The repetitive pattern creates a sense of familiarity for the listener while still weaving in distinctive characteristics to maintain interest.

Chords in the Verse 1 section of Hysteria by Muse are:

Am, E7, Dm, Am, E7, Dm, Am