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The chord progression in Muse’s “Feeling Good” is in the key of G minor and showcases an interesting and creative use of borrowed chords and inversions. The progression follows a cyclical pattern that creates tension and release throughout the verse. The style is reminiscent of soul and jazz influences with a hint of rock elements, which is a common characteristic in Muse’s music.

The chord progression in the verse of “Knights of Cydonia” by Muse features a mix of diatonic and borrowed chords, primarily from the G# minor and E major keys. The progression features an interesting blend of major and minor chords, chromatic movement, and modulation, contributing to the epic and powerful sound of the track.

The Wind Cries Mary by Jimi Hendrix is a rock ballad with elements of blues, featuring a unique and expressive chord progression. The song is in the key of F major and the verse progression consists of 25 chords. The progression is largely diatonic, but includes chromatic lines and borrowed chords, which give the piece a rather unpredictable yet emotive quality.

“House of the Rising Sun” by The Animals is a traditional folk song arranged by the British rock band in 1964. The song is known for its distinct and haunting minor sound, which has become one of the most famous examples of a minor key in popular music. The chord progression features a mix of diatonic and non-diatonic chords that add variety and interest to the music.

“Something” written by George Harrison from The Beatles majorly follows the key of C major and includes a few borrowed chords. There is a usage of secondary dominants and seventh chords which lend a harmonic complexity to the song. During the course of the song, the chords shift from the major scale to the parallel minor scale.

Muse – Feeling Good – Verse 4

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Chord Progression

Gm, Gm/F, Eb, D, Gm, Gm/F, Eb, D, Gm, Gm/F, C/E, Cm/Eb

Chord Progression Analysis

G Minor (i), G Minor/F (‘i’ over VII), E-flat Major (VI), D Major (‘V/V’), G Minor (i), G Minor/F (‘i’ over VII), E-flat Major (VI), D Major (‘V/V’), G Minor (i), G Minor/F (‘i’ over VII), C Major/E (IV/VI), C Minor/E-flat (iv/VI)

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‘V/V’ borrowed chord: D Major
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Similar Chord Progressions

1. “Smells Like Teen Spirit” by Nirvana: F Minor (i), B-flat Major (IV), A-flat Major (bIII), D-flat Major (bVI)
2. “Creep” by Radiohead: G Major (‘III’), B Major (IV), C Major (V), C Minor (v)
3. “All Along The Watchtower” by Bob Dylan/Jimi Hendrix: C# Minor (i), B Major (VII), A Major (VI), B Major (VII)

The songs listed above share similarities in their use of borrowed chords, unusual chord progressions and alternation between major and minor tonalities within the same progression, creating a sense of tension and release.

Musical Analysis

In the progression, there is a consistent alternation between the tonic G Minor chord and a G Minor chord over F in the bass, which represents a borrowed chord from the parallel major, acting as a minor plagal cadence to emphasize the minor tonality. The E-flat Major chord functions as the submediant, while the D Major chord, which is a borrowed chord, acts as the secondary dominant chord leading back to the tonic.

The use of the C Major/E and C Minor/E-flat chords at the end of the progression provides a subtle shift from a major to minor quality, creating a sense of harmonic instability before resolving back to the tonic G Minor chord.

Overall Analysis

“Feeling Good” by Muse is a cover of the original song written by English composers Leslie Bricusse and Anthony Newley in 1964. The Muse version was released in 2001 and is featured on their second studio album, “Origin of Symmetry.” The song is heavily influenced by the genres of jazz, soul, and R&B, while the Muse rendition adds a more modern rock sound to the mix.

Style Analysis

“Feeling Good” is a fusion of different musical styles, drawing upon jazz, soul, R&B, and rock. Muse’s version, in particular, adds a modern rock flavor, characterized by the powerful vocals of lead singer Matt Bellamy, heavy guitar riffs, and dynamic percussion. The use of borrowed chords and the emphasis on minor tonality contributes to the unique and creative harmonic landscape of the song.

Chords in the Verse 4 section of Feeling Good by Muse are:

Gm, Gm/F, Eb, D, Gm, Gm/F, Eb, D, Gm, Gm/F, C/E, Cm/Eb