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“Feeling Good” by Muse is a cover of the song originally written by Anthony Newley and Leslie Bricusse for the 1964 musical “The Roar of the Greasepaint – The Smell of the Crowd”. Muse’s version is characterized by its distinct blend of jazz, rock, and pop influences, with strong orchestration and stylistically unique elements that give the song a modern edge while still paying homage to its classic roots.

“Knights of Cydonia” by Muse features a harmonically straightforward chord progression within the rock style. This progression is primarily based in the key of E minor and centers around the Em, Bm, and A chords. Throughout the song, the driving rhythm, vocal melodies, and transitions between different sections contribute to its energetic and dramatic qualities.

“Paint It Black” by The Rolling Stones is a famous Rock song heavily influenced by the Indian classical form of music called Raga rock. The song is written in E minor and it has a very distinctively descending minor key tonality. The chords progression in the verse sequence doesn’t follow the conventional rules of western tonal harmony as it navigates through various key centers, showcasing the bands exploration of exotic and unconventional songwriting.

“Can’t Buy Me Love,” a song by The Beatles, exhibits a style that’s emblematic of their earlier work, with a clear, upbeat tonality and an elegant yet straightforward chord progression. The tune is predominantly centred in the key of C major, but it utilizes both major and dominant 7th chords to create tension and resolution, modulating away from the home key. The particular progression you’ve given, ‘C7’, ‘F7’, ‘C’, isn’t rare and demonstrates the Beatles’ precision and understanding of pop and rock music’s creative possibilities.

The chord progression in verse 4 of “Since I’ve Been Loving You” has a striking mix of diatonic chords and chromatic chords that borrow from different modes, creating a unique and expressive progression found in the blues rock style. The progression features a predominantly minor tonality, with some tension points provided by the dominant seventh and major seventh chords.

Muse – Feeling Good – Verse 4

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Chord Progression

Gm, Gm/F, Eb, D, Gm, Gm/F, Eb, D, Gm, Gm/F, C/E, Cm/Eb

Chord Progression Analysis

G Minor (i), G Minor/F (‘i’ over VII), E-flat Major (VI), D Major (‘V/V’), G Minor (i), G Minor/F (‘i’ over VII), E-flat Major (VI), D Major (‘V/V’), G Minor (i), G Minor/F (‘i’ over VII), C Major/E (IV/VI), C Minor/E-flat (iv/VI)

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‘V/V’ borrowed chord: D Major
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Similar Chord Progressions

1. “Smells Like Teen Spirit” by Nirvana: F Minor (i), B-flat Major (IV), A-flat Major (bIII), D-flat Major (bVI)
2. “Creep” by Radiohead: G Major (‘III’), B Major (IV), C Major (V), C Minor (v)
3. “All Along The Watchtower” by Bob Dylan/Jimi Hendrix: C# Minor (i), B Major (VII), A Major (VI), B Major (VII)

The songs listed above share similarities in their use of borrowed chords, unusual chord progressions and alternation between major and minor tonalities within the same progression, creating a sense of tension and release.

Musical Analysis

In the progression, there is a consistent alternation between the tonic G Minor chord and a G Minor chord over F in the bass, which represents a borrowed chord from the parallel major, acting as a minor plagal cadence to emphasize the minor tonality. The E-flat Major chord functions as the submediant, while the D Major chord, which is a borrowed chord, acts as the secondary dominant chord leading back to the tonic.

The use of the C Major/E and C Minor/E-flat chords at the end of the progression provides a subtle shift from a major to minor quality, creating a sense of harmonic instability before resolving back to the tonic G Minor chord.

Overall Analysis

“Feeling Good” by Muse is a cover of the original song written by English composers Leslie Bricusse and Anthony Newley in 1964. The Muse version was released in 2001 and is featured on their second studio album, “Origin of Symmetry.” The song is heavily influenced by the genres of jazz, soul, and R&B, while the Muse rendition adds a more modern rock sound to the mix.

Style Analysis

“Feeling Good” is a fusion of different musical styles, drawing upon jazz, soul, R&B, and rock. Muse’s version, in particular, adds a modern rock flavor, characterized by the powerful vocals of lead singer Matt Bellamy, heavy guitar riffs, and dynamic percussion. The use of borrowed chords and the emphasis on minor tonality contributes to the unique and creative harmonic landscape of the song.

Chords in the Verse 4 section of Feeling Good by Muse are:

Gm, Gm/F, Eb, D, Gm, Gm/F, Eb, D, Gm, Gm/F, C/E, Cm/Eb