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Related Music Theory Alchemy

The chord progression in Muse’s “Feeling Good” is in the key of G minor and showcases an interesting and creative use of borrowed chords and inversions. The progression follows a cyclical pattern that creates tension and release throughout the verse. The style is reminiscent of soul and jazz influences with a hint of rock elements, which is a common characteristic in Muse’s music.

Muse’s “Can’t Take My Eyes Off You” is a rock interpretation of the classic 1967 pop song “Can’t Take My Eyes Off You” by Frankie Valli, which has been covered by various artists in different styles. The chord progression of the chorus is characterized by a series of diatonic chords, predominant in Western pop music. This progression follows a typical 1950’s “doowop” pattern present in countless pop and rock songs, utilizing the familiar circle of fourths movement (Dm-G-C) and establishing a straightforward harmonic rhythm.

Chord Progression Analysis with Roman Numerals (borrowed chords in code block):

D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major (I) – A major (V/vi) – D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major 7 (Imaj7) – C7 (I7) – C6 (I6) – C major (I) – Ab major (*bVI) – C major (I)

`* Ab major (bVI) is a borrowed chord from the parallel minor key (C minor).`

The provided chord progression is quite simple, with a single chord (F) repeated four times. This type of progression creates a static or stable feel, with no harmonic tension to resolve. This chord progression alone isn’t enough to give a complete musical analysis, as it’s quite minimalistic, and it’s necessary to evaluate the progression in the context of the entire song. However, I can still offer some thoughts on the progression’s possible function, style notes, and similar chord progressions.

“Rocky Raccoon” by The Beatles is noted for its eclectic blend of folk, country, and popular music styles. The song is written in G major and follows a fairly straightforward progression but with a couple of important twists.

The

“Love of My Life” by Queen exhibits a very romantic and classical style, resonant of popular ballads primarily from the classical and romantic periods. The song beautifully plays with complex harmonies, frequent key changes and borrowings from parallel keys (modal mixture), which together yield a dramatic and emotional expression. Many of the chords used, including diminished chords, fully diminished seventh, major-minor seventh chords, and usage of secondary dominants are reminiscent of 19th-century Romantic music.

Muse – Feeling Good – Verse 4

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Chord Progression

Gm, Gm/F, Eb, D, Gm, Gm/F, Eb, D, Gm, Gm/F, C/E, Cm/Eb

Chord Progression Analysis

G Minor (i), G Minor/F (‘i’ over VII), E-flat Major (VI), D Major (‘V/V’), G Minor (i), G Minor/F (‘i’ over VII), E-flat Major (VI), D Major (‘V/V’), G Minor (i), G Minor/F (‘i’ over VII), C Major/E (IV/VI), C Minor/E-flat (iv/VI)

“`
‘V/V’ borrowed chord: D Major
“`

Similar Chord Progressions

1. “Smells Like Teen Spirit” by Nirvana: F Minor (i), B-flat Major (IV), A-flat Major (bIII), D-flat Major (bVI)
2. “Creep” by Radiohead: G Major (‘III’), B Major (IV), C Major (V), C Minor (v)
3. “All Along The Watchtower” by Bob Dylan/Jimi Hendrix: C# Minor (i), B Major (VII), A Major (VI), B Major (VII)

The songs listed above share similarities in their use of borrowed chords, unusual chord progressions and alternation between major and minor tonalities within the same progression, creating a sense of tension and release.

Musical Analysis

In the progression, there is a consistent alternation between the tonic G Minor chord and a G Minor chord over F in the bass, which represents a borrowed chord from the parallel major, acting as a minor plagal cadence to emphasize the minor tonality. The E-flat Major chord functions as the submediant, while the D Major chord, which is a borrowed chord, acts as the secondary dominant chord leading back to the tonic.

The use of the C Major/E and C Minor/E-flat chords at the end of the progression provides a subtle shift from a major to minor quality, creating a sense of harmonic instability before resolving back to the tonic G Minor chord.

Overall Analysis

“Feeling Good” by Muse is a cover of the original song written by English composers Leslie Bricusse and Anthony Newley in 1964. The Muse version was released in 2001 and is featured on their second studio album, “Origin of Symmetry.” The song is heavily influenced by the genres of jazz, soul, and R&B, while the Muse rendition adds a more modern rock sound to the mix.

Style Analysis

“Feeling Good” is a fusion of different musical styles, drawing upon jazz, soul, R&B, and rock. Muse’s version, in particular, adds a modern rock flavor, characterized by the powerful vocals of lead singer Matt Bellamy, heavy guitar riffs, and dynamic percussion. The use of borrowed chords and the emphasis on minor tonality contributes to the unique and creative harmonic landscape of the song.

Chords in the Verse 4 section of Feeling Good by Muse are:

Gm, Gm/F, Eb, D, Gm, Gm/F, Eb, D, Gm, Gm/F, C/E, Cm/Eb