Music Theory Alchemy

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The chord progression in the chorus of “Endlessly” by Muse is an interesting mix of chords from related keys and chromatic alterations. The overall key of the piece is D minor, but there are some unexpected twists and turns that keep the harmonic journey unique and engaging.

The chord progression in the verse of “Knights of Cydonia” by Muse features a mix of diatonic and borrowed chords, primarily from the G# minor and E major keys. The progression features an interesting blend of major and minor chords, chromatic movement, and modulation, contributing to the epic and powerful sound of the track.

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“Zombie” by The Cranberries features a relatively commonly used chord progression in pop/rock music, often referred to as a ‘vi-IV-I-V’ progression. This chord progression, in this particular case, is in the key of G Major and is made up of four chords: Em, C, G, and D/F#.

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“Girl” is a song by The Beatles from their 1965 album “Rubber Soul”. The song is written in the key of E minor and it showcases the band’s ability to incorporate non-diatsubject resorting to non-diatonic progressions and utilizes various seventh chords to establish a more sophisticated and jazzy soundid progression. It’s important to note their use of the Dorian mode, which adds to the melodic and harmonic sophistication of the song. Moreover, the song exhibits the lyrical and songwriting depth of The Beatles.

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“Hysteria” by Muse is a song with a heavy rock style, featuring a powerful bassline and distorted guitars. The chord progression mentioned is present in the first verse of the song. This progression is characterized by the use of standard tonal harmony and minor key tonality, with some slight variations that are typical in rock music.

Muse – Endlessly – Verse 1

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Chord Progression

Asus4, Am, Asus4, Am, Bm, E7, Asus4, Am, Asus4, Am, Bm, E7

Chord Progression Analysis

`Asus4 (IVsus4) – Am (IVm) – Asus4 (IVsus4) – Am (IVm) – Bm (v) – E7 (I7) – Asus4 (IVsus4) – Am (IVm) – Asus4 (IVsus4) – Am (IVm) – Bm (v) – E7 (I7)`

_Borrowed Chords:_
`None`

Similar Chord Progressions

Though unique to Muse, the progression does bear some similarities to other works in terms of specific aspects of the progression itself.

1. Radiohead – “Exit Music (For a Film)”:
`Am (i) – E (V) – Bm (iv) – D (VI) – G (IX) – E (V) – Am (i)`

2. Coldplay – “Warning Sign”:
`Asus2 (IVsus2) – Amaj7 (IVmaj7) – E (I) – Asus2 (IVsus2) – Amaj7 (IVmaj7) – G#m (iii) – A (IV)`

These examples share some aspects of Muse’s chord progression, such as the use of suspended chords, shifting from minor to major chords, and interweaving tension and resolution. However, the overall progression in “Endlessly” still remains distinctive amongst similar artists.

Musical Analysis

The consistent alternation between the Asus4 and Am chords at the beginning of the progression creates a sense of tension and suspension through the raised 4th (which makes the Asus4), in contrast to the more stable Am chord. The subsequent movement from Am to Bm and later to E7 provides tension and resolution. The E7 resolves back to Am, which occurs at the beginning of the verse, effectively tying the progression together as a cyclical pattern.

Overall Analysis

The song in question, “Endlessly” by Muse, is a reflective and emotional piece, featuring a fairly unique chord progression. The verse’s chord progression is not commonly heard in popular music, giving it a distinct sound that sets it apart from other songs. The use of suspended chords, the shift from Am to Bm, and the resolution to the E7 chord give the piece a floating, ethereal feel.

Style Analysis

The chord progression’s dreamlike sound and suspended chords create a certain atmosphere that is characteristic of the style we see in Muse’s music, especially in their romantic, introspective songs. In general, Muse is known for their experimental approach to musical styles and chord progressions, and “Endlessly” is no exception.

Chords in the Verse 1 section of Endlessly by Muse are:

Asus4, Am, Asus4, Am, Bm, E7, Asus4, Am, Asus4, Am, Bm, E7