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The chord progression in the chorus of “Endlessly” by Muse is an interesting mix of chords from related keys and chromatic alterations. The overall key of the piece is D minor, but there are some unexpected twists and turns that keep the harmonic journey unique and engaging.

The chord progression in the chorus of Muse’s “Megalomania” features a blend of major and minor chords, as well as the use of the dominant 7th chord (B7) to create tension and resolution. This progression provides a harmonic foundation for the powerful and emotional vocals, giving it an intense and memorable feel.

“Goodbye Yellow Brick Road” is a song written by Elton John that features a complex chord progression that effectively complements the haunting and nostalgic quality of the song’s lyrics. The primary key of the song is D major, while parts of the progression borrow from both the parallel minor (D minor) and the relative minor (B minor). The use of these borrowed chords adds harmonic interest and enhances the song’s evocative, wistful mood.

“Exit Music (For a Film)” by Radiohead is a song characterized by a strong sense of melancholy and dark ambiance. The harmonic movement creates tension through the use of chromaticism, borrowed chords, and non-diatonic notes. In the verse progression, there is a mixture of minor and major chords, along with added tones that enhance the complexity and mood of the music.

“Penny Lane” by The Beatles is a pop rock song released in 1967. Musically, the track displays characteristics of the “Baroque pop” style combine with psychedelic pop. The composition is multifaceted with complex chord progressions inspired by classical music, as well as elements of the British music hall style, specifically brass band influences throughout.

Muse – Endlessly – Verse 1

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Chord Progression

Asus4, Am, Asus4, Am, Bm, E7, Asus4, Am, Asus4, Am, Bm, E7

Chord Progression Analysis

`Asus4 (IVsus4) – Am (IVm) – Asus4 (IVsus4) – Am (IVm) – Bm (v) – E7 (I7) – Asus4 (IVsus4) – Am (IVm) – Asus4 (IVsus4) – Am (IVm) – Bm (v) – E7 (I7)`

_Borrowed Chords:_
`None`

Similar Chord Progressions

Though unique to Muse, the progression does bear some similarities to other works in terms of specific aspects of the progression itself.

1. Radiohead – “Exit Music (For a Film)”:
`Am (i) – E (V) – Bm (iv) – D (VI) – G (IX) – E (V) – Am (i)`

2. Coldplay – “Warning Sign”:
`Asus2 (IVsus2) – Amaj7 (IVmaj7) – E (I) – Asus2 (IVsus2) – Amaj7 (IVmaj7) – G#m (iii) – A (IV)`

These examples share some aspects of Muse’s chord progression, such as the use of suspended chords, shifting from minor to major chords, and interweaving tension and resolution. However, the overall progression in “Endlessly” still remains distinctive amongst similar artists.

Musical Analysis

The consistent alternation between the Asus4 and Am chords at the beginning of the progression creates a sense of tension and suspension through the raised 4th (which makes the Asus4), in contrast to the more stable Am chord. The subsequent movement from Am to Bm and later to E7 provides tension and resolution. The E7 resolves back to Am, which occurs at the beginning of the verse, effectively tying the progression together as a cyclical pattern.

Overall Analysis

The song in question, “Endlessly” by Muse, is a reflective and emotional piece, featuring a fairly unique chord progression. The verse’s chord progression is not commonly heard in popular music, giving it a distinct sound that sets it apart from other songs. The use of suspended chords, the shift from Am to Bm, and the resolution to the E7 chord give the piece a floating, ethereal feel.

Style Analysis

The chord progression’s dreamlike sound and suspended chords create a certain atmosphere that is characteristic of the style we see in Muse’s music, especially in their romantic, introspective songs. In general, Muse is known for their experimental approach to musical styles and chord progressions, and “Endlessly” is no exception.

Chords in the Verse 1 section of Endlessly by Muse are:

Asus4, Am, Asus4, Am, Bm, E7, Asus4, Am, Asus4, Am, Bm, E7