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Muse’s “Can’t Take My Eyes Off You” is a rock interpretation of the classic 1967 pop song “Can’t Take My Eyes Off You” by Frankie Valli, which has been covered by various artists in different styles. The chord progression of the chorus is characterized by a series of diatonic chords, predominant in Western pop music. This progression follows a typical 1950’s “doowop” pattern present in countless pop and rock songs, utilizing the familiar circle of fourths movement (Dm-G-C) and establishing a straightforward harmonic rhythm.

Chord Progression Analysis with Roman Numerals (borrowed chords in code block):

D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major (I) – A major (V/vi) – D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major 7 (Imaj7) – C7 (I7) – C6 (I6) – C major (I) – Ab major (*bVI) – C major (I)

`* Ab major (bVI) is a borrowed chord from the parallel minor key (C minor).`

The chord progression in the verse of “Apocalypse Please” by Muse is mostly based on the F#m and C# chords, with a strong emphasis on the i and V7 relationship. The progression moves back and forth between these two chords without straying far from the Tonality of F# minor while maintaining a tension and release structure.

Verse 2 of Grizzly Bear’s “Yet Again” presents a straightforward harmonic progression that is common in pop and indie rock music. This series of chords is mainly built around the key of A minor, and uses diatonic chords (those that naturally occur within the key) of this key. The recurring sequence (Am, G, C, F, F, Em, C, Dm) indicates a strong sense of familiarity and predictability, characteristic of many pop/rock anthologies.

“Let It Happen” by Tame Impala is characterized by its psychedelic and experimental nuances. It features an overall bright and uplifting tone despite its use of some more complex chords. The song ska common in pop music. The chord progression in question has a strong melodic sensibility demonstrating Kevin Parker’s ability to incorporate complex musical ideas into a pop format.

“The Bullet With Butterfly Wings” by The Smashing Pumpkins essentially revolves around the use of power chords, or 5th chords, to project a raw, grungy intensity. The chord progression (B5, Em, G5), extracted from the second verse of the song, is prominent throughout. The use of power chords results in a composition that doesn’t transpose to a traditional major or minor key, but fits within a modal framework.

Muse – Cant Take My Eyes Off You – Verse 2

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Chord Progression

C, Cmaj7, C7, F, Fm, C, D, Dm7b5, C

Chord Progression Analysis

C Major (‘I’), C Major 7 (‘IMaj7’), C Dominant 7 (‘I7’), F Major (‘IV’), F minor (‘iv’), C Major (‘I’), D Major (‘V/V’), D minor 7♭5 (‘ii7♭5’), C Major (‘I’)

Similar Chord Progressions

1. “My Funny Valentine” (Richard Rodgers and Lorenz Hart)
Chord progression: C minor (‘i’), Dm7♭5 (‘ii7♭5’), G7 (‘V7’), C minor (‘i’), E♭ Major (‘♭III’), A♭ Major (‘♭VI’), G7 (‘V7’), C minor (‘i’)

2. “Autumn Leaves” (Joseph Kosma)
Chord progression: C minor (‘i’), F7 (‘V7/♭VII’), B♭ Major 7 (‘♭VII’), E♭ Major 7 (‘♭III’), Aø7 (‘iv7♭5’), D7 (‘V7/V’), G minor (‘v’), G7 (‘V7’)

These songs demonstrate similar elements of jazz harmony and the use of extended and altered chords. They also exhibit secondary dominants and borrowed chords in their chord progressions like “Can’t Take My Eyes Off You” by Muse.

Musical Analysis

The progression starts with a C Major chord (I chord) followed by an embellishment by moving to Cmaj7, which creates a soothing transition. It then moves to the C7 (I7), which acts as a secondary dominant, leading to F Major (IV).

The next chord is F minor, a borrowed chord from the parallel minor key (C minor). This creates a moody and slightly unexpected shift, since the natural minor iv chord is relatively uncommon in major key progressions but provides a sense of contrast and emotional impact. The progression then returns to the I chord, C Major.

D Major (V/V) is a secondary dominant in the key of C, leading to the Dm7♭5 chord (ii7♭5). This ii7♭5 chord creates a smooth transition back to the I chord (C Major) and adds jazzier harmonic flavors compared to the more predictable ii chord (D minor).

Overall Analysis

The verse 2 chord progression in “Can’t Take My Eyes Off You” by Muse follows a typical jazz/pop style with the use of extended and altered chords such as Major 7th and minor 7th ♭5 chords. It also features a variation in line with the different sections of the piece.

Style Analysis

“Can’t Take My Eyes Off You” draws heavily from pop, jazz, and lounge music genres, featuring the use of extended and altered chords which create smooth and expressive transitions. Its distinct harmonic choices, such as the borrowed iv chord, provide a certain emotional complexity and unpredictability that is characteristic of these genres.

Chords in the Verse 2 section of Cant Take My Eyes Off You by Muse are:

C, Cmaj7, C7, F, Fm, C, D, Dm7b5, C