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Related Music Theory Alchemy

Muse’s “Can’t Take My Eyes Off You” is a rock interpretation of the classic 1967 pop song “Can’t Take My Eyes Off You” by Frankie Valli, which has been covered by various artists in different styles. The chord progression of the chorus is characterized by a series of diatonic chords, predominant in Western pop music. This progression follows a typical 1950’s “doowop” pattern present in countless pop and rock songs, utilizing the familiar circle of fourths movement (Dm-G-C) and establishing a straightforward harmonic rhythm.

Chord Progression Analysis with Roman Numerals (borrowed chords in code block):

D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major (I) – A major (V/vi) – D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major 7 (Imaj7) – C7 (I7) – C6 (I6) – C major (I) – Ab major (*bVI) – C major (I)

`* Ab major (bVI) is a borrowed chord from the parallel minor key (C minor).`

The chord progression in Muse’s “Endlessly” from Verse 2 is a mix of diatonic chords and a borrowed chord from the parallel major key. The progression has a melancholic feel, utilizing suspended chords to create tension and release. The use of both minor and major chords provides a balanced sound, giving the piece its unique character.

“Purple Haze” by Jimi Hendrix is a classic example of psychedelic rock and blues-infused music from the late 1960s. This particular chord progression, found in Verse 2, demonstrates Hendrix’s innovative approach to harmony and showcases his integration of blues and rock influences.

Chord Progression Analysis (Roman Numerals):
E7#9 (I), G (bIII), A (IV), E (I)

Borrowed Chord:
`G (bIII)` – This chord is borrowed from the parallel minor key of E minor.

“Since I’ve Been Loving You” by Led Zeppelin is a slow blues ballad with a rich harmonic palette, featuring expressive guitar solos and a passionate, longing vocal performance. The song is characterized by its use of chromaticism, borrowed chords, and seventh chords, which contribute to its intense, bluesy atmosphere. The chord progression for Verse 2 displays a moody and introspective tone, which serves as the perfect backdrop for the plaintive lyrics and the emotional solos throughout the piece.

“Glory Box” by Portishead from the album Dummy (1994) presents a haunting and somewhat melancholy ambience commonly found in their trademark trip-hop style. This song, in particular, draws from a palette of jazz-influenced harmony. The chords used, their extensions, and inversions, conjure complexity beyond basic triadic harmony. The chord progression listed appears to be in the key of D minor and employs common jazz techniques like ii-V-I progressions and usage of the half-diminished chord.

Muse – Cant Take My Eyes Off You – Verse 2

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Chord Progression

C, Cmaj7, C7, F, Fm, C, D, Dm7b5, C

Chord Progression Analysis

C Major (‘I’), C Major 7 (‘IMaj7’), C Dominant 7 (‘I7’), F Major (‘IV’), F minor (‘iv’), C Major (‘I’), D Major (‘V/V’), D minor 7♭5 (‘ii7♭5’), C Major (‘I’)

Similar Chord Progressions

1. “My Funny Valentine” (Richard Rodgers and Lorenz Hart)
Chord progression: C minor (‘i’), Dm7♭5 (‘ii7♭5’), G7 (‘V7’), C minor (‘i’), E♭ Major (‘♭III’), A♭ Major (‘♭VI’), G7 (‘V7’), C minor (‘i’)

2. “Autumn Leaves” (Joseph Kosma)
Chord progression: C minor (‘i’), F7 (‘V7/♭VII’), B♭ Major 7 (‘♭VII’), E♭ Major 7 (‘♭III’), Aø7 (‘iv7♭5’), D7 (‘V7/V’), G minor (‘v’), G7 (‘V7’)

These songs demonstrate similar elements of jazz harmony and the use of extended and altered chords. They also exhibit secondary dominants and borrowed chords in their chord progressions like “Can’t Take My Eyes Off You” by Muse.

Musical Analysis

The progression starts with a C Major chord (I chord) followed by an embellishment by moving to Cmaj7, which creates a soothing transition. It then moves to the C7 (I7), which acts as a secondary dominant, leading to F Major (IV).

The next chord is F minor, a borrowed chord from the parallel minor key (C minor). This creates a moody and slightly unexpected shift, since the natural minor iv chord is relatively uncommon in major key progressions but provides a sense of contrast and emotional impact. The progression then returns to the I chord, C Major.

D Major (V/V) is a secondary dominant in the key of C, leading to the Dm7♭5 chord (ii7♭5). This ii7♭5 chord creates a smooth transition back to the I chord (C Major) and adds jazzier harmonic flavors compared to the more predictable ii chord (D minor).

Overall Analysis

The verse 2 chord progression in “Can’t Take My Eyes Off You” by Muse follows a typical jazz/pop style with the use of extended and altered chords such as Major 7th and minor 7th ♭5 chords. It also features a variation in line with the different sections of the piece.

Style Analysis

“Can’t Take My Eyes Off You” draws heavily from pop, jazz, and lounge music genres, featuring the use of extended and altered chords which create smooth and expressive transitions. Its distinct harmonic choices, such as the borrowed iv chord, provide a certain emotional complexity and unpredictability that is characteristic of these genres.

Chords in the Verse 2 section of Cant Take My Eyes Off You by Muse are:

C, Cmaj7, C7, F, Fm, C, D, Dm7b5, C