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Related Music Theory Alchemy

Muse’s “Can’t Take My Eyes Off You” is a rock interpretation of the classic 1967 pop song “Can’t Take My Eyes Off You” by Frankie Valli, which has been covered by various artists in different styles. The chord progression of the chorus is characterized by a series of diatonic chords, predominant in Western pop music. This progression follows a typical 1950’s “doowop” pattern present in countless pop and rock songs, utilizing the familiar circle of fourths movement (Dm-G-C) and establishing a straightforward harmonic rhythm.

Chord Progression Analysis with Roman Numerals (borrowed chords in code block):

D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major (I) – A major (V/vi) – D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major 7 (Imaj7) – C7 (I7) – C6 (I6) – C major (I) – Ab major (*bVI) – C major (I)

`* Ab major (bVI) is a borrowed chord from the parallel minor key (C minor).`

The chord progression in the chorus of “Endlessly” by Muse is an interesting mix of chords from related keys and chromatic alterations. The overall key of the piece is D minor, but there are some unexpected twists and turns that keep the harmonic journey unique and engaging.

The chord progression in Verse 2 of Radiohead’s “Nude” showcases a unique blend of minor and major chords within the key of E major, highlighting the band’s signature non-traditional approach to harmony. It features borrowed chords, as well as chromatic and diatonic motion between some chords.

“Maxwell’s Silver Hammer” is a song by the English rock band the Beatles from their 1969 album Abbey Road. It was written by Paul McCartney. The song is primarily in the key of D Major and exhibits a mix of major, minor, and dominant seventh chords. This verse progression manifests the distinctive Beatles’ sound which often includes chromaticism and prevalence of secondary dominants that link the chords together, giving a smooth flow and color to the harmonic progression.

“Feeling Good” by Muse is a cover of the song originally written by Anthony Newley and Leslie Bricusse for the 1964 musical “The Roar of the Greasepaint – The Smell of the Crowd”. Muse’s version is characterized by its distinct blend of jazz, rock, and pop influences, with strong orchestration and stylistically unique elements that give the song a modern edge while still paying homage to its classic roots.

Muse – Cant Take My Eyes Off You – Verse 2

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Chord Progression

C, Cmaj7, C7, F, Fm, C, D, Dm7b5, C

Chord Progression Analysis

C Major (‘I’), C Major 7 (‘IMaj7’), C Dominant 7 (‘I7’), F Major (‘IV’), F minor (‘iv’), C Major (‘I’), D Major (‘V/V’), D minor 7♭5 (‘ii7♭5’), C Major (‘I’)

Similar Chord Progressions

1. “My Funny Valentine” (Richard Rodgers and Lorenz Hart)
Chord progression: C minor (‘i’), Dm7♭5 (‘ii7♭5’), G7 (‘V7’), C minor (‘i’), E♭ Major (‘♭III’), A♭ Major (‘♭VI’), G7 (‘V7’), C minor (‘i’)

2. “Autumn Leaves” (Joseph Kosma)
Chord progression: C minor (‘i’), F7 (‘V7/♭VII’), B♭ Major 7 (‘♭VII’), E♭ Major 7 (‘♭III’), Aø7 (‘iv7♭5’), D7 (‘V7/V’), G minor (‘v’), G7 (‘V7’)

These songs demonstrate similar elements of jazz harmony and the use of extended and altered chords. They also exhibit secondary dominants and borrowed chords in their chord progressions like “Can’t Take My Eyes Off You” by Muse.

Musical Analysis

The progression starts with a C Major chord (I chord) followed by an embellishment by moving to Cmaj7, which creates a soothing transition. It then moves to the C7 (I7), which acts as a secondary dominant, leading to F Major (IV).

The next chord is F minor, a borrowed chord from the parallel minor key (C minor). This creates a moody and slightly unexpected shift, since the natural minor iv chord is relatively uncommon in major key progressions but provides a sense of contrast and emotional impact. The progression then returns to the I chord, C Major.

D Major (V/V) is a secondary dominant in the key of C, leading to the Dm7♭5 chord (ii7♭5). This ii7♭5 chord creates a smooth transition back to the I chord (C Major) and adds jazzier harmonic flavors compared to the more predictable ii chord (D minor).

Overall Analysis

The verse 2 chord progression in “Can’t Take My Eyes Off You” by Muse follows a typical jazz/pop style with the use of extended and altered chords such as Major 7th and minor 7th ♭5 chords. It also features a variation in line with the different sections of the piece.

Style Analysis

“Can’t Take My Eyes Off You” draws heavily from pop, jazz, and lounge music genres, featuring the use of extended and altered chords which create smooth and expressive transitions. Its distinct harmonic choices, such as the borrowed iv chord, provide a certain emotional complexity and unpredictability that is characteristic of these genres.

Chords in the Verse 2 section of Cant Take My Eyes Off You by Muse are:

C, Cmaj7, C7, F, Fm, C, D, Dm7b5, C