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Related Music Theory Alchemy

The chord progression in the verse of “Apocalypse Please” by Muse is mostly based on the F#m and C# chords, with a strong emphasis on the i and V7 relationship. The progression moves back and forth between these two chords without straying far from the Tonality of F# minor while maintaining a tension and release structure.

The verse of “Megalomania” by Muse is characterized by distinctive harmonic progressions, dynamic contrasts, and notable melodic lines that are typical of the band’s alternative rock style. Throughout this verse, Muse uses common harmonic devices such as secondary dominants, diatonic and chromatic mediants, borrowed chords from parallel keys, and deceptive cadences to create a sense of tension and forward momentum.

The chord progression in the verse 2 of Beck’s “Morning” is an example of a common progression in popular music, involving the I, IV, iii, and ii chords. The harmony is mostly diatonic, staying within the key of E major. The progression features regular 4-chord phrases and a smooth, consonant flow between chords.

The given chord progression is found in Verse 2 of Tyler, The Creator’s song “Are We Still Friends.” The song is in the key of E major, and the progression features a mix of major, minor, and dominant seventh chords. The distinctive chromatic movement and the use of borrowed chords make for a memorable and unique progression. The combination of these elements results in a lush and emotionally charged progression which contributes greatly to the overall feel of the song.

The piece “3’s and 7’s” by Queens of The Stone Age illustrates a fascinating blend of minor and major tonality, accented dissonances, and unexpected harmonic turns, which is characteristic of the band’s stoner rock and alternative metal style. The verse 2 chord progression is in A# minor and it sticks to a fairly repetitive three-chord progression of A#m – G# – F.

Muse – Apocalypse Please – Verse 2

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Chord Progression

F#m/C, C#, F#m/C#, C#, F#m, C#, F#m, C#

Chord Progression Analysis

F#m/C (vi6/4), C# (V), F#m/C# (vi6/5), C# (V), F#m (vi), C# (V), F#m (vi), C# (V)

Similar Chord Progressions

1. Radiohead – “Paranoid Android”:
Em7/G (v6/4), G (I), Em7/G# (v6/5), G (I), Em (v), G (I), Em (v), G (I)

2. Queen – “Bohemian Rhapsody” (verse section):
Bb6/D (IV6/4), Eb (V), Bb6/Db (IV6/5), Eb (V), Bb (IV), Eb (V), Bb (IV), Eb (V)

These examples feature chord progressions with similar harmonic structures and use of inversions. Both Radiohead and Queen have a similar tendency to incorporate classical and progressive elements into their music like Muse.

Musical Analysis

The chord progression is based in the key of A major, with F#m being the relative minor. It starts with a first inversion of F#m chord (F#m/C), which serves as a vi6/4 in A major. This is followed by a C# major chord, functioning as the dominant (V) in the key of F# minor.

The progression then moves to a second inversion of F#m (F#m/C#), also known as the vi6/5, which is a less common inversion and adds harmonic interest. This is followed by another C# major chord (V).

The rest of the progression follows a simple alternating pattern between F#m (vi) and C# (V), reinforcing the harmonic relationship between the relative minor and the dominant chords.

Overall Analysis

The given chord progression belongs to the verse 2 of the song “Apocalypse Please” by Muse. This progression reflects the band’s signature style that combines elements of rock, classical, and electronic music. The chords follow a pattern that combines both diatonic and chromatic movement, creating a dramatic and intense feel. A unique feature in this progression is the use of slash chords, which adds further harmonic interest.

Style Analysis

Muse is known for their unique blend of progressive rock, classical influences, and electronic elements. This chord progression is a prime example of their style. The use of inverted slash chords and the chromatic movement provide a sense of unpredictability and intensity, which is a signature trait in their music. The combination of diatonic and chromatic chords creates strong tension and resolution throughout the progression.

Chords in the Verse 2 section of Apocalypse Please by Muse are:

F#m/C, C#, F#m/C#, C#, F#m, C#, F#m, C#