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The chord progression in the verse of “Apocalypse Please” by Muse is mostly based on the F#m and C# chords, with a strong emphasis on the i and V7 relationship. The progression moves back and forth between these two chords without straying far from the Tonality of F# minor while maintaining a tension and release structure.

“Feeling Good” by Muse is a cover of the song originally written by Anthony Newley and Leslie Bricusse for the 1964 musical “The Roar of the Greasepaint – The Smell of the Crowd”. Muse’s version is characterized by its distinct blend of jazz, rock, and pop influences, with strong orchestration and stylistically unique elements that give the song a modern edge while still paying homage to its classic roots.

The song “Ceilings” by Lizzy McAlpine utilizes fairly simple, yet effective, chord changes that are quite common in popular music. This progression primarily takes place in the key of G major, but borrows chords from the parallel minor scale and adds extensions to the chords to add depth and color.

“Hallelujah” is a song by singer-songwriter Jeff Buckley and is a cover of a song originally written by Leonard Cohen. The song is in the key of C major and features a moderate tempo with a 6/8 time signature. This particular chord progression, taken from the second verse, consists mainly of diatonic chords found within the key, but also includes a few borrowed chords and a secondary dominant, giving the song a sense of tension and release.

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“Don’t Look Back In Anger” uses simple yet effective chord progressions common in pop/rock music. It incorporates both major and minor chords, showing some classic pop sensibilities. The song is situated in the key of C Major. Embedded within this progression are instances of borrowed chords – the E7 for instance, is a secondary dominant, often used to inject a bit of tension and to give strong resolution leading into the next chord.

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Muse – Apocalypse Please – Verse 2

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Chord Progression

F#m/C, C#, F#m/C#, C#, F#m, C#, F#m, C#

Chord Progression Analysis

F#m/C (vi6/4), C# (V), F#m/C# (vi6/5), C# (V), F#m (vi), C# (V), F#m (vi), C# (V)

Similar Chord Progressions

1. Radiohead – “Paranoid Android”:
Em7/G (v6/4), G (I), Em7/G# (v6/5), G (I), Em (v), G (I), Em (v), G (I)

2. Queen – “Bohemian Rhapsody” (verse section):
Bb6/D (IV6/4), Eb (V), Bb6/Db (IV6/5), Eb (V), Bb (IV), Eb (V), Bb (IV), Eb (V)

These examples feature chord progressions with similar harmonic structures and use of inversions. Both Radiohead and Queen have a similar tendency to incorporate classical and progressive elements into their music like Muse.

Musical Analysis

The chord progression is based in the key of A major, with F#m being the relative minor. It starts with a first inversion of F#m chord (F#m/C), which serves as a vi6/4 in A major. This is followed by a C# major chord, functioning as the dominant (V) in the key of F# minor.

The progression then moves to a second inversion of F#m (F#m/C#), also known as the vi6/5, which is a less common inversion and adds harmonic interest. This is followed by another C# major chord (V).

The rest of the progression follows a simple alternating pattern between F#m (vi) and C# (V), reinforcing the harmonic relationship between the relative minor and the dominant chords.

Overall Analysis

The given chord progression belongs to the verse 2 of the song “Apocalypse Please” by Muse. This progression reflects the band’s signature style that combines elements of rock, classical, and electronic music. The chords follow a pattern that combines both diatonic and chromatic movement, creating a dramatic and intense feel. A unique feature in this progression is the use of slash chords, which adds further harmonic interest.

Style Analysis

Muse is known for their unique blend of progressive rock, classical influences, and electronic elements. This chord progression is a prime example of their style. The use of inverted slash chords and the chromatic movement provide a sense of unpredictability and intensity, which is a signature trait in their music. The combination of diatonic and chromatic chords creates strong tension and resolution throughout the progression.

Chords in the Verse 2 section of Apocalypse Please by Muse are:

F#m/C, C#, F#m/C#, C#, F#m, C#, F#m, C#