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Related Music Theory Alchemy

The chord progression in the verse of “Apocalypse Please” by Muse is mostly based on the F#m and C# chords, with a strong emphasis on the i and V7 relationship. The progression moves back and forth between these two chords without straying far from the Tonality of F# minor while maintaining a tension and release structure.

Muse’s “New Born” is a rock composition with progressive and alternative elements. The harmonic structure is simple, making use of common chords and progressions. In the given chord progression from Verse 3, there is a sense of tension and release between the major and minor chords, creating a sense of dynamics and urgency. The chord progression itself is repetitive, with subtle variations added to keep interest.

“Whole Lotta Love” by Led Zeppelin is characterized by its distinctive blues-rock style and its highly memorable, driving riff. The bulk of the song revolves around the E5 (E power) chord, with occasional transitions to the D5 chord at the beginning of each phrase, giving the song a simple yet highly effective chord progression. The song is in the key of E Mixolydian.

“California Kids” by Weezer is a pop rock song with influences from alternative and power pop. The chord progression in Verse 2 shows a blend of diatonic and borrowed chords, which contributes to a slight sense of tension and resolution throughout the progression. The chords in the verse also exhibit movement by step (C to C/B) and a mixture of major and minor tonalities.

The given chord progression for Tyler, The Creator’s “Gone Gone” verse 2 is primarily in the key of Bb major with a mixture of chords from other modes. The progression displays a combination of diatonic and borrowed chords, exhibiting the stylistic blending commonly found in modern music such as jazz, R&B, and hip-hop.

Muse – Apocalypse Please – Verse 2

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Chord Progression

F#m/C, C#, F#m/C#, C#, F#m, C#, F#m, C#

Chord Progression Analysis

F#m/C (vi6/4), C# (V), F#m/C# (vi6/5), C# (V), F#m (vi), C# (V), F#m (vi), C# (V)

Similar Chord Progressions

1. Radiohead – “Paranoid Android”:
Em7/G (v6/4), G (I), Em7/G# (v6/5), G (I), Em (v), G (I), Em (v), G (I)

2. Queen – “Bohemian Rhapsody” (verse section):
Bb6/D (IV6/4), Eb (V), Bb6/Db (IV6/5), Eb (V), Bb (IV), Eb (V), Bb (IV), Eb (V)

These examples feature chord progressions with similar harmonic structures and use of inversions. Both Radiohead and Queen have a similar tendency to incorporate classical and progressive elements into their music like Muse.

Musical Analysis

The chord progression is based in the key of A major, with F#m being the relative minor. It starts with a first inversion of F#m chord (F#m/C), which serves as a vi6/4 in A major. This is followed by a C# major chord, functioning as the dominant (V) in the key of F# minor.

The progression then moves to a second inversion of F#m (F#m/C#), also known as the vi6/5, which is a less common inversion and adds harmonic interest. This is followed by another C# major chord (V).

The rest of the progression follows a simple alternating pattern between F#m (vi) and C# (V), reinforcing the harmonic relationship between the relative minor and the dominant chords.

Overall Analysis

The given chord progression belongs to the verse 2 of the song “Apocalypse Please” by Muse. This progression reflects the band’s signature style that combines elements of rock, classical, and electronic music. The chords follow a pattern that combines both diatonic and chromatic movement, creating a dramatic and intense feel. A unique feature in this progression is the use of slash chords, which adds further harmonic interest.

Style Analysis

Muse is known for their unique blend of progressive rock, classical influences, and electronic elements. This chord progression is a prime example of their style. The use of inverted slash chords and the chromatic movement provide a sense of unpredictability and intensity, which is a signature trait in their music. The combination of diatonic and chromatic chords creates strong tension and resolution throughout the progression.

Chords in the Verse 2 section of Apocalypse Please by Muse are:

F#m/C, C#, F#m/C#, C#, F#m, C#, F#m, C#