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The chord progression in the verse of “Time To Pretend” by MGMT is primarily built around the key of D major. It features a simple and repetitive structure, with some variations. The chords used are mainly triads and simple extensions, with the occasional use of suspended chords (Dsus2) to create tension and release. The progression showcases the band’s ability to create an engaging and immersive soundscape, while keeping the harmony relatively simple.

The chord progression in the verse of “Congratulations” by MGMT is an interesting blend of conventional pop and classical harmonies with some use of borrowed chords. The progression features mostly diatonic chords in the key of G major, but there are moments of modal interchange and suspensions that add color and tension to the progression.

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“Closer” by Nine Inch Nails is a repetitive, hypnotic song that relies on a dark tonality and electronic elements to create its unique sound. This is achieved with the use of only two chords: Cm7 and F. Notably, a distinctive feature of this song is the lack of chordal diversity which aids in creating a minimal, industrial vibe.

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The song “Closer” by Nine Inch Nails is written in C minor key, and the overall structure of the song consists of a verse, pre-chorus, and a chorus. The progression is simple yet effective in creating a dark and moody atmosphere, consistent with the industrial rock genre that characterizes Nine Inch Nails’ music.

Pre-Chorus 1 –

“I Am The Walrus” is a composition by The Beatles that showcases a variety of chord progressions, rhythmic sensibilities, and melodic explorations that are representative of their signature sound. The song’s structure presents a complex and unorthodox harmonic design that is characteristic of The Beatles’ later experimental phase.

The pre-chorus 1 [‘A’, ‘A/G’, ‘Dadd9/F#’, ‘F’, ‘G’, ‘A’, ‘A/G’, ‘F’, ‘B7’] presents a series of descending bass notes provided by the root movement of these chords- from A to G (in ‘A/G’) to F# (in ‘Dadd9/F#’) and then repeated. This technique significantly enhances the melodic content of this progression. From a stylistic perspective, the song’s chord progression is enriched by the functional interplay of diatonic and non-diatonic elements over a changing tonal landscape.

MGMT – Time To Pretend – Pre-chorus 1

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Chord Progression

G, D, Dsus2, D, Dsus2, G, D, Dsus2, D, Dsus2

Chord Progression Analysis

G major (I), D major (V), Dsus2 (Vsus2), D major (V), Dsus2 (Vsus2), G major (I), D major (V), Dsus2 (Vsus2), D major (V), Dsus2 (Vsus2)

Similar Chord Progressions

1. Coldplay – “Viva la Vida” (Pre-Chorus): D major (V), A major (IV), Dsus2 (Vsus2), A major (IV)
2. Radiohead – “High and Dry” (Verse): G major (I), Dsus2 (Vsus2), G major (I), Dsus2 (Vsus2)

Musical Analysis

The pre-chorus features a simple, yet effective, chord progression that revolves around the I-V and I-Vsus2 relationships in the key of G major. Alternating between the tonic (G major) and dominant chords (D major and Dsus2) creates a sense of tension and resolution, adding interest to the overall harmonic structure. The use of Dsus2 as a borrowed chord adds a touch of ambiguity to the dominant, maintaining listener engagement.

The repeating pattern of the G-D-Dsus2-D-Dsus2 sequence helps establish a strong and memorable harmonic foundation for the melody. In addition, the repetition might evoke a sense of optimism or a desire to break free from constraints, further underlining the lyrics’ themes of fantasy and escapism.

Overall Analysis

“Time to Pretend” by MGMT is a psychedelic pop/rock song that incorporates elements of electronic and indie rock music. The chord progression in the pre-chorus, which we will specifically analyze, shows MGMT’s experimentation with harmonic structure, drawing influences from both traditional classical and popular music techniques.

Style Analysis

“Time to Pretend” demonstrates MGMT’s unique ability to blend various musical styles and genres. While the pre-chorus chord progression itself may not be inherently psychedelic or electronic, the synth textures, vocal delivery, and production techniques contribute to the characteristic sound of the track. This particular chord progression showcases a blend of the more traditional I-V relationship in classical music with the popular and contemporary sensibilities present in the use of suspended chords.

Chords in the Pre-Chorus 1 section of Time To Pretend by MGMT are:

G, D, Dsus2, D, Dsus2, G, D, Dsus2, D, Dsus2