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Related Music Theory Alchemy

The chord progression in the chorus of “Kids” by MGMT is a repetitive and catchy sequence that features four chords, showcasing MGMT’s characteristic electronic pop and psychedelic rock sound. The progression is in the key of A Major, and the chords follow a vi-IV-I-V pattern.

“When You Die” by MGMT features a fairly unconventional chord progression that mixes elements of rock, pop, and classic psychedelia. The progression creates tension and intrigue through the use of extended harmonies, chromaticism, and borrowed chords. The distinctiveness of this progression contributes to the song’s unique sound.

“God Only Knows” by The Beach Boys showcases the artistic depth and compositional craft of Brian Wilson, the band’s primary songwriter. The song utilizes a complex chord progression and key changes that are unconventional for pop music of its time. The chord progression creates a sense of constant mood transitions, similar to arias in Romantic era music.

This chord progression from the verse of Tame Impala’s “Alter Ego” suggests a key of C major due to the recurring instances of Cmaj7. However, the presence of certain chords like Bm7 and Dm suggests that Kevin Parker is creatively “borrowing” chords from the parallel and associated keys (C minor, D minor) to create colorful departures from the primary tonality. The use of extended chords (7ths) and suspended chords (Bsus4) adds a sense of complexity and sophistication to the harmony. As can be seen, the chord progression mostly oscillates between Cmaj7, Bsus4, Bm7 before moving to Dm and Gm towards the end of the verse.

“Guilty as Sin?” by Taylor Swift uses a chord progression in the verse that reflects a more nuanced and reflective approach, suitable for a song with a contemplative or emotive theme. The interplay between minor and major seventh chords creates a lush, complex sound that elevates the song’s introspective and somewhat moody lyrical content.

MGMT – Kids – Verse

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Chord Progression

F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#

Chord Progression Analysis

F# minor (vi) – D major (IV) – A major (I) – E major/G# (V)

Borrowed Chords:
There are no borrowed chords in this progression.

Similar Chord Progressions

1. Journey – “Don’t Stop Believin’” (E major)
Chord progression: C#m (vi) – A (IV) – E (I) – B (V)

2. The Chainsmokers & Coldplay – “Something Just Like This” (B major)
Chord progression: G#m (vi) – E (IV) – B (I) – F# (V)

3. Green Day – “Boulevard of Broken Dreams” (F minor)
Chord progression: Fm (vi) – Db (IV) – Ab (I) – Eb (V)

Musical Analysis

The verse of “Kids” starts with the vi (F#m) chord which produces a somber, yet somewhat ambiguous tonal characteristic due to utilizing the 1st, 3rd, and 6th scale degrees. The progression then moves to the IV (D) chord, a subdominant chord that introduces a contrasting, but still consonant, tonal color. The next chord, I (A), is the tonic chord and provides a sense of resolution and consonance. Finally, the V (E/G#) chord with the 3rd in the bass (G#) adds tension by setting up a dominant-function that resolves back to the vi (F#m) chord.

Overall Analysis

The chord progression for the verse of “Kids” by MGMT is a simple and diatonic progression in the key of A major, following the vi-IV-I-V pattern. It is common in pop music and creates a sense of tension and release throughout the progression. The chords are played using predominantly major and minor triads, with an inversion in the V chord (E/G#).

Style Analysis

This chord progression has a modern pop/rock vibe. The repetition of the vi-IV-I-V pattern creates a catchy and memorable hook that supports the melody. The use of predominantly major and minor triads provides a clean and familiar sound, while the V chord’s inversion adds interest to the progression.

Chords in the Verse section of Kids by MGMT are:

F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#