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Related Music Theory Alchemy

The chord progression in MGMT’s “Kids” is quite simple and based on a single chord throughout the instrumental sections, focusing mainly on creating a catchy melody and rhythm. The simplicity of the progression reflects the musical styles seen in synth-pop and electronic dance music genres.

The chord progression in the outro of MGMT’s “Weekend Wars” is a fairly simple one in terms of harmony, but it showcases some interesting movements between the chords. The progression has a major feeling and centers around the C major key. It sees a modulation to the key of F major during the Bb/F and Bb chords, and then returns to its original key. There are no borrowed chords present in this particular progression.

“After You’ve Gone” is a jazz standard composed by Django Reinhardt. The verse progression of the song uses a combination of major, minor and dominant chords with some borrowed chords and secondary dominants, which is a hallmark of early jazz and swing music. The harmonic rhythm is mainly at a pace of one or two chords per bar, with occasional faster changes. The piece has a strong sense of tonal center around the key of G major.

The chord progression in the verse of “Knights of Cydonia” by Muse features a mix of diatonic and borrowed chords, primarily from the G# minor and E major keys. The progression features an interesting blend of major and minor chords, chromatic movement, and modulation, contributing to the epic and powerful sound of the track.

“I Sat By The Ocean” by Queens of the Stone Age employs multiple chords which creates a complex and engaging harmony in the verse. The song is in the key G# major and it uses multiple borrowed chords from other keys. It’s worth noting that Queens of the Stone Age has a distinct sound that incorporates elements of stoner rock, heavy metal, and alternative rock into their material. Sizeable use of power chords that gives the song its heavy rock feel.

MGMT – Kids – Verse

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Chord Progression

F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#

Chord Progression Analysis

F# minor (vi) – D major (IV) – A major (I) – E major/G# (V)

Borrowed Chords:
There are no borrowed chords in this progression.

Similar Chord Progressions

1. Journey – “Don’t Stop Believin’” (E major)
Chord progression: C#m (vi) – A (IV) – E (I) – B (V)

2. The Chainsmokers & Coldplay – “Something Just Like This” (B major)
Chord progression: G#m (vi) – E (IV) – B (I) – F# (V)

3. Green Day – “Boulevard of Broken Dreams” (F minor)
Chord progression: Fm (vi) – Db (IV) – Ab (I) – Eb (V)

Musical Analysis

The verse of “Kids” starts with the vi (F#m) chord which produces a somber, yet somewhat ambiguous tonal characteristic due to utilizing the 1st, 3rd, and 6th scale degrees. The progression then moves to the IV (D) chord, a subdominant chord that introduces a contrasting, but still consonant, tonal color. The next chord, I (A), is the tonic chord and provides a sense of resolution and consonance. Finally, the V (E/G#) chord with the 3rd in the bass (G#) adds tension by setting up a dominant-function that resolves back to the vi (F#m) chord.

Overall Analysis

The chord progression for the verse of “Kids” by MGMT is a simple and diatonic progression in the key of A major, following the vi-IV-I-V pattern. It is common in pop music and creates a sense of tension and release throughout the progression. The chords are played using predominantly major and minor triads, with an inversion in the V chord (E/G#).

Style Analysis

This chord progression has a modern pop/rock vibe. The repetition of the vi-IV-I-V pattern creates a catchy and memorable hook that supports the melody. The use of predominantly major and minor triads provides a clean and familiar sound, while the V chord’s inversion adds interest to the progression.

Chords in the Verse section of Kids by MGMT are:

F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#