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Related Music Theory Alchemy

The chord progression in MGMT’s “Kids” is quite simple and based on a single chord throughout the instrumental sections, focusing mainly on creating a catchy melody and rhythm. The simplicity of the progression reflects the musical styles seen in synth-pop and electronic dance music genres.

“Electric Feel” by MGMT is characterized by its repetitive, catchy chord progression and usage of both major and minor chords which create a unique, surreal atmosphere. The song includes elements of psychedelic pop, funk, and electronic music.

“Knives Out” by Radiohead features a chord progression that combines elements of rock and jazz with a touch of chromaticism. The harmony is based in the key of C minor, but it also borrows chords from the parallel major key, creating an interesting mix of major and minor tonalities. The overall feel of the piece is melancholic and introspective, with various chord relationships contributing to this mood.

“Buddy Holly” by Weezer is a power-pop/alternative rock song from their debut studio album “Weezer” (also known as the Blue Album) released in 1994. The verse chord progression features diatonic chords from the A major key, along with some inversions and techniques borrowed from other musical styles such as blues and rock.

“Something I Can Never Have” by Nine Inch Nails features a haunting and melancholic chord progression typical of the alternative rock and industrial rock genres. The tonality of the piece centers around the key of C major, with occasional borrowed chords and chromaticism adding emotional color and tension. The verse and chorus sections both feature a similar pattern of repeating chords as well as a descending bass line connecting the chords, giving the piece cohesion.

MGMT – Kids – Verse

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Chord Progression

F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#

Chord Progression Analysis

F# minor (vi) – D major (IV) – A major (I) – E major/G# (V)

Borrowed Chords:
There are no borrowed chords in this progression.

Similar Chord Progressions

1. Journey – “Don’t Stop Believin’” (E major)
Chord progression: C#m (vi) – A (IV) – E (I) – B (V)

2. The Chainsmokers & Coldplay – “Something Just Like This” (B major)
Chord progression: G#m (vi) – E (IV) – B (I) – F# (V)

3. Green Day – “Boulevard of Broken Dreams” (F minor)
Chord progression: Fm (vi) – Db (IV) – Ab (I) – Eb (V)

Musical Analysis

The verse of “Kids” starts with the vi (F#m) chord which produces a somber, yet somewhat ambiguous tonal characteristic due to utilizing the 1st, 3rd, and 6th scale degrees. The progression then moves to the IV (D) chord, a subdominant chord that introduces a contrasting, but still consonant, tonal color. The next chord, I (A), is the tonic chord and provides a sense of resolution and consonance. Finally, the V (E/G#) chord with the 3rd in the bass (G#) adds tension by setting up a dominant-function that resolves back to the vi (F#m) chord.

Overall Analysis

The chord progression for the verse of “Kids” by MGMT is a simple and diatonic progression in the key of A major, following the vi-IV-I-V pattern. It is common in pop music and creates a sense of tension and release throughout the progression. The chords are played using predominantly major and minor triads, with an inversion in the V chord (E/G#).

Style Analysis

This chord progression has a modern pop/rock vibe. The repetition of the vi-IV-I-V pattern creates a catchy and memorable hook that supports the melody. The use of predominantly major and minor triads provides a clean and familiar sound, while the V chord’s inversion adds interest to the progression.

Chords in the Verse section of Kids by MGMT are:

F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#