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“Ceilings” by Lizzy McAlpine, draws its magic from a mix of interesting chord progressions and different rhythms. The use of added notes in several chords (Cadd9, Emadd9) introduces additional color into the mix, creating a rich and thoughtful atmosphere. The tonality of the song is in G Major, despite the liberal use of the Cadd9 in the progression. We’ll use this tonality for the Roman numerals.

The song “Ceilings” by Lizzy McAlpine is in the key of G Major, employing a mixture of major, minor, and additive chords to create a progression that lends itself to a pop/folk atmosphere. The song is largely composed of diatonic chords in the key of G Major, with an occasional use of a B7, which can be seen as a secondary dominant to Em.

“Purple Haze” by Jimi Hendrix is a classic example of psychedelic rock and blues-infused music from the late 1960s. This particular chord progression, found in Verse 2, demonstrates Hendrix’s innovative approach to harmony and showcases his integration of blues and rock influences.

Chord Progression Analysis (Roman Numerals):
E7#9 (I), G (bIII), A (IV), E (I)

Borrowed Chord:
`G (bIII)` – This chord is borrowed from the parallel minor key of E minor.

“Stairway to Heaven” by Led Zeppelin is a classic and iconic rock song released in 1971, as part of their fourth studio album, Led Zeppelin IV. The song is considered one of the greatest rock songs of all time, featuring an intricate chord progression, a memorable melody, and folk-inspired acoustic guitar work. The verse you provided is the second verse of the song, which shares a similar, but not identical chord progression to the other verses. The song is in the key of A minor, and the chord progression showcases a mix of diatonic and borrowed chords, along with a couple of chromatic alterations.

“Feeling Good” by Muse is a cover of the song originally written by Anthony Newley and Leslie Bricusse for the 1964 musical “The Roar of the Greasepaint – The Smell of the Crowd”. Muse’s version is characterized by its distinct blend of jazz, rock, and pop influences, with strong orchestration and stylistically unique elements that give the song a modern edge while still paying homage to its classic roots.

Lizzy McAlpine – Ceilings – Verse 2

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Chord Progression

[‘Cadd9’, ‘Em’, ‘Cadd9’, ‘G’, ‘D’, ‘Cadd9’, ‘Em’, ‘D’, ‘Cadd9’, ‘Em’, ‘Cadd9’, ‘G’, ‘D’, ‘Cadd9’, ‘B7’, ‘C’, ‘D’]

Chord Progression Analysis

“`
Cadd9 (‘IV add9’),
Em (‘vi’),
Cadd9 (‘IV add9’),
G (‘I’),
D (‘V’),
Cadd9 (‘IV add9’),
Em (‘vi’),
D (‘V’),
Cadd9 (‘IV add9’),
Em (‘vi’),
Cadd9 (‘IV add9’),
G (‘I’),
D (‘V’),
Cadd9 (‘IV add9’),
B7 (‘III7’ – borrowed from the parallel minor),
C (‘IV’),
D (‘V’).
“`

Similar Chord Progressions

1. I Will Follow You Into the Dark (Death Cab for Cutie)

Chord progression: [F(‘IV’), C(‘I’), Am(‘vi’), F(‘IV’), C(‘I’), C(‘I’), G(‘V’)]

2. Let it Be (The Beatles)

Chord progression: [C(‘I’), G(‘V’), Am(‘vi’), F(‘IV’), C(‘I’), G(‘V’), F(‘IV’), C(‘I’)]

Note: These are comparable instances of the IV – I – vi – V progression appearing in major key songs. However, they do not necessarily implement the same cascading pattern or the exact extended and borrowed chords found in Lizzy McAlpine’s “Ceilings”.

Musical Analysis

The recurring sequence of Cadd9, Em, Cadd9, G, D adds a level of texture and harmonic variety often found in indie folk songs. Its engaging arrangement of IV – vi – IV – I – V is fairly common in popular music as it balances tension and release well.

The B7 chord, which is borrowed from the parallel minor, introduces an interesting tension to the progression – a feature common in pop and folk music.

Overall Analysis

The song “Ceilings” by Lizzy McAlpine utilizes fairly simple, yet effective, chord changes that are quite common in popular music. This progression primarily takes place in the key of G major, but borrows chords from the parallel minor scale and adds extensions to the chords to add depth and color.

Style Analysis

The predominant use of open voicing and added ninth chords characterize the performative style of indie folk music. Lizzy McAlpine’s compositions often use extensions of simple triadic chords for more complex harmonies and tonal color. This, combined with her thoughtful lyrics and emotive vocal delivery, contributes to her overall narrative and reflective style.

Chords in the Verse 2 section of Ceilings by Lizzy McAlpine are:

[‘Cadd9’, ‘Em’, ‘Cadd9’, ‘G’, ‘D’, ‘Cadd9’, ‘Em’, ‘D’, ‘Cadd9’, ‘Em’, ‘Cadd9’, ‘G’, ‘D’, ‘Cadd9’, ‘B7’, ‘C’, ‘D’]