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“Ceilings” by Lizzy McAlpine, draws its magic from a mix of interesting chord progressions and different rhythms. The use of added notes in several chords (Cadd9, Emadd9) introduces additional color into the mix, creating a rich and thoughtful atmosphere. The tonality of the song is in G Major, despite the liberal use of the Cadd9 in the progression. We’ll use this tonality for the Roman numerals.

The song “Ceilings” by Lizzy McAlpine is in the key of G Major, employing a mixture of major, minor, and additive chords to create a progression that lends itself to a pop/folk atmosphere. The song is largely composed of diatonic chords in the key of G Major, with an occasional use of a B7, which can be seen as a secondary dominant to Em.

The chord progression of “I Want To Hold Your Hand” by The Beatles is particularly interesting for its use of key changes and borrowed chords. It reflects both the catchy driving pop rock melody signature of early Beatles and the sophistication of harmonic innovation, which defines their later work.

The song “Closer” by Nine Inch Nails is based primarily around the C minor 7 chord, giving the song its dark and moody atmosphere. The song is in the key of C minor. This chord progression is repetitive and simple, allowing other aspects of the song, such as the lyrics and production, to take center stage.

“Just The Two Of Us” by Grover Washington Jr. is a soulful song with a distinct R&B and smooth jazz style. The song is in the key of E minor during the verses, but frequently borrows chords from the parallel major, E major, delivering a rich harmony that is both pleasing and surprising to the ear.

Lizzy McAlpine – Ceilings – Verse 2

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Chord Progression

[‘Cadd9’, ‘Em’, ‘Cadd9’, ‘G’, ‘D’, ‘Cadd9’, ‘Em’, ‘D’, ‘Cadd9’, ‘Em’, ‘Cadd9’, ‘G’, ‘D’, ‘Cadd9’, ‘B7’, ‘C’, ‘D’]

Chord Progression Analysis

“`
Cadd9 (‘IV add9’),
Em (‘vi’),
Cadd9 (‘IV add9’),
G (‘I’),
D (‘V’),
Cadd9 (‘IV add9’),
Em (‘vi’),
D (‘V’),
Cadd9 (‘IV add9’),
Em (‘vi’),
Cadd9 (‘IV add9’),
G (‘I’),
D (‘V’),
Cadd9 (‘IV add9’),
B7 (‘III7’ – borrowed from the parallel minor),
C (‘IV’),
D (‘V’).
“`

Similar Chord Progressions

1. I Will Follow You Into the Dark (Death Cab for Cutie)

Chord progression: [F(‘IV’), C(‘I’), Am(‘vi’), F(‘IV’), C(‘I’), C(‘I’), G(‘V’)]

2. Let it Be (The Beatles)

Chord progression: [C(‘I’), G(‘V’), Am(‘vi’), F(‘IV’), C(‘I’), G(‘V’), F(‘IV’), C(‘I’)]

Note: These are comparable instances of the IV – I – vi – V progression appearing in major key songs. However, they do not necessarily implement the same cascading pattern or the exact extended and borrowed chords found in Lizzy McAlpine’s “Ceilings”.

Musical Analysis

The recurring sequence of Cadd9, Em, Cadd9, G, D adds a level of texture and harmonic variety often found in indie folk songs. Its engaging arrangement of IV – vi – IV – I – V is fairly common in popular music as it balances tension and release well.

The B7 chord, which is borrowed from the parallel minor, introduces an interesting tension to the progression – a feature common in pop and folk music.

Overall Analysis

The song “Ceilings” by Lizzy McAlpine utilizes fairly simple, yet effective, chord changes that are quite common in popular music. This progression primarily takes place in the key of G major, but borrows chords from the parallel minor scale and adds extensions to the chords to add depth and color.

Style Analysis

The predominant use of open voicing and added ninth chords characterize the performative style of indie folk music. Lizzy McAlpine’s compositions often use extensions of simple triadic chords for more complex harmonies and tonal color. This, combined with her thoughtful lyrics and emotive vocal delivery, contributes to her overall narrative and reflective style.

Chords in the Verse 2 section of Ceilings by Lizzy McAlpine are:

[‘Cadd9’, ‘Em’, ‘Cadd9’, ‘G’, ‘D’, ‘Cadd9’, ‘Em’, ‘D’, ‘Cadd9’, ‘Em’, ‘Cadd9’, ‘G’, ‘D’, ‘Cadd9’, ‘B7’, ‘C’, ‘D’]