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Related Music Theory Alchemy

“Whole Lotta Love” by Led Zeppelin is characterized by its distinctive blues-rock style and its highly memorable, driving riff. The bulk of the song revolves around the E5 (E power) chord, with occasional transitions to the D5 chord at the beginning of each phrase, giving the song a simple yet highly effective chord progression. The song is in the key of E Mixolydian.

This mid-section of “Kashmir” by Led Zeppelin features a mixolydian/modal feel, which is mostly characterized by the use of the bVII chord (D major). The chord progression primarily revolves around a simple G and A alternation, which manifests an ♭II chord (A Major) borrowed from the Phrygian mode. Following this alternation, the chord progression ascends through a series of major chords before resolving back to A Major.

“Rocket Man” by Elton John and his long-time lyricist Bernie Taupin is a standout song in Elton John’s discography, well known for its memorable melody line and masterful chord progression that was very innovative for its time (1972). It showcases his trademark style of combining rock with various other genres such as folk.

Overall, the harmony in this song is quite rich and a clear example of Elton John’s ’70s songwriting style: using complex chords and a lot of borrowed chords from other keys that add extra color to the harmonic progression.

“Say It Ain’t So” by Weezer is a rock song, primarily falling within the alternative rock and power pop styles. The chord progression of Verse 1 is simple yet effective in creating a somber, introspective mood. It primarily utilizes diatonic chords of the C major key, with the E major chord borrowed from the parallel minor key (C minor).

Chord progression analysis with Roman numerals:
A minor (vi) – E major (V/vi) – F major (IV) – C major (I)

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Borrowed chord: E major (V/vi)
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“Wicked Game” by Chris Isaak utilizes a repetitive three-chord-per-measure progression throughout the song. It is notable for its haunting, melancholic, and mysteriously romantic sound largely because of its repeated progression and very carefully chosen blend of major and minor chords, within the key signature of B minor.

Led Zeppelin – Whole Lotta Love – Verse 1

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Chord Progression

D, E, D, E, D, E, D, E, D, E, D, E, D, E, D, E, D

Chord Progression Analysis

D Major (I) – E Major (II)
Note: This chord progression features no borrowed chords.

Similar Chord Progressions

1. Song: “Smoke on the Water” by Deep Purple.
Chord Progression: G Minor (i) – B♭ Major (III) – C Major (IV) – G Minor (i)

2. Song: “Sunshine Of Your Love” by Cream
Chord Progression: D Major (I) – A♭7 (♭V7) – G Major (IV)

Musical Analysis

The verse of “Whole Lotta Love” has a distinct rock riff-based structure. The repetitive use of D and E chords is played over a driving bass and drum rhythm, adding to the overall energy of the song. The focus of the verse is the memorable guitar riff, which consists of syncopated rhythm patterns and is emphasized by the two-chord structure. Additionally, the D-E progression is an unusual and bold choice for a rock song, as it includes a major second motion, which produces a sense of tension.

Overall Analysis

The chord progression in the verse 1 of “Whole Lotta Love” by Led Zeppelin features just two chords: D and E. This fairly simple progression, used repetitively throughout the verse, creates a strong and energetic foundation for the song. The style of the song reflects 1960s heavy rock, and the simplicity of the chord progression adds to the rawness and drive of the music.

Style Analysis

“Whole Lotta Love” is a blues-influenced hard rock song that heavily features lead singer Robert Plant’s strong vocal delivery and Jimmy Page’s power chords and guitar riffs. The chord progression and riff played in the verse represent a style that was pioneered by the British rock bands in the late 1960s. It is characterized by heavy distortion, amplified sound, and aggressive guitar work.

Chords in the Verse 1 section of Whole Lotta Love by Led Zeppelin are:

D, E, D, E, D, E, D, E, D, E, D, E, D, E, D, E, D