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The chord progression in the verse 1 of “Whole Lotta Love” by Led Zeppelin features just two chords: D and E. This fairly simple progression, used repetitively throughout the verse, creates a strong and energetic foundation for the song. The style of the song reflects 1960s heavy rock, and the simplicity of the chord progression adds to the rawness and drive of the music.

“Dazed and Confused” by Led Zeppelin is an iconic rock song that features a descending bass line and bluesy chord progressions. The outro takes on a more aggressive tone and the chords are power chords, which give the song a heavy sound. These power chords, mixed with the syncopated rhythm and the blues-rock influences, contribute to the song’s unique character.

The chorus maintains a feeling of resolution and tension by alternating between the IV (F major) and V (G major) chords, while the vi (A minor) to V/vi (E major) progression provides a smooth transition back to the IV chord (F major).

In terms of borrowed chords, the E Major is a borrowed chord.
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E major (V/vi)
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The piece, ‘1979’ by The Smashing Pumpkins follows an overarching structure with a mix of major and minor chords, what stand out are the rich extended chords, ‘Emaj7’ and ‘Amaj7’. The piece displays a balance between tonic chords and dominant chords, expressing a classic pop-rock style whilst frequent usage of maj7 chords adding a distinctive jazziness to the tune.

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The song ‘Zombie’ by The Cranberries is in the key of E minor. Its defining characteristics include plaintive repeated melodies, an intense grunge-inspired arrangement, and Dolores O’Riordan’s iconic vocal embellishments. The song employs a common rock/pop chord progression with added tension by using the D/F# chord.

Led Zeppelin – Whole Lotta Love – Chorus 2

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Chord Progression

E, D, E, D, E, D, E, D, E

Chord Progression Analysis

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E Major (I)
D Major (bVII)
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The borrowed chord in this progression is the D Major chord (bVII), which comes from the E Mixolydian mode, a mode often used in blues and rock music.

Similar Chord Progressions

1. AC/DC – “Back In Black”:
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E Major (I)
D Major (bVII)
A Major (IV)
E Major (I)
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2. Creedence Clearwater Revival – “Fortunate Son”:
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G Major (I)
F Major (bVII)
G Major (I)
C Major (IV)
G Major (I)
F Major (bVII)
G Major (I)
“`

3. The Beatles – “Day Tripper”:
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E Major (I)
D Major (bVII)
A Major (IV)
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In summary, “Whole Lotta Love” by Led Zeppelin features a blues-based E-D-E chord progression, with its simplicity and hypnotic drive emblematic of the hard rock and blues rock styles pioneered by the band. Similar chord progressions can be found in songs by other influential rock artists, such as AC/DC, Creedence Clearwater Revival, and The Beatles.

Musical Analysis

The second chorus of “Whole Lotta Love” consists of alternating E and D major chords. The E major chord, being the tonic, establishes the key and provides stability, while the D major chord adds tension and release as it resolves back to the E major chord. This simple, repetitive progression creates a hypnotic, driving effect that is characteristic of rock and blues styles.

Overall Analysis

“Whole Lotta Love” by Led Zeppelin is a classic example of hard rock and blues rock, characterized by its driving rhythm, distorted guitar riff, and powerful vocal performance by Robert Plant. The harmonic structure of the song is relatively simple, with a focus on the blues-based E-D-E progression during the second chorus. Although seemingly basic, this progression contributes to the song’s raw, energetic vibe.

Style Analysis

In the 1960s and 70s, Led Zeppelin pioneered the hard rock and blues rock genres, drawing inspiration from American blues artists and transforming it into their unique sound. “Whole Lotta Love” exemplifies this style, with its intense energy, aggressive guitar riffs, and Plant’s emotive vocals. The simplicity of the chord progression allows for a focus on the melodic and rhythmic elements of the song, reflecting Led Zeppelin’s innovative approach to composition.

Chords in the Chorus 2 section of Whole Lotta Love by Led Zeppelin are:

E, D, E, D, E, D, E, D, E