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“Whole Lotta Love” by Led Zeppelin is a classic rock song that was released in 1969. The song features a signature riff that has become an iconic part of rock and roll history. The chorus of the song features a chord progression based on the alternating pattern of E and D Major chords, creating a groove that is both driving and catchy.

The Bridge 1 of “Stairway to Heaven” by Led Zeppelin is a beautiful and intriguing chord progression that combines diatonic chords, borrowed chords, and chromatic passing tones. This progression is part of a longer musical composition which has gained immense popularity since its release in 1971 as part of their fourth album, and has become one of the most iconic songs in rock music history.

The chorus of the Pink Floyd song “Breathe” features a mixture of diatonic and non-diatonic chords and creates a dreamy, spaced-out mood. The combination of major and minor seventh chords, as well as dominant 7th chords with altered 9ths, contributes to this atmospheric quality.

Jimi Hendrix’s “Castles Made of Sand” is an interesting and unique composition with an innovative chord progression. The song is in the key of G major and is characterized by an engaging and complex harmonic structure that showcases Hendrix’s skill as a songwriter and performer. The chord progression, though relatively simple, creates a sense of depth and movement uncommon during that time period.

The chorus maintains a feeling of resolution and tension by alternating between the IV (F major) and V (G major) chords, while the vi (A minor) to V/vi (E major) progression provides a smooth transition back to the IV chord (F major).

In terms of borrowed chords, the E Major is a borrowed chord.
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E major (V/vi)
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Led Zeppelin – Whole Lotta Love – Chorus 2

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Chord Progression

E, D, E, D, E, D, E, D, E

Chord Progression Analysis

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E Major (I)
D Major (bVII)
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The borrowed chord in this progression is the D Major chord (bVII), which comes from the E Mixolydian mode, a mode often used in blues and rock music.

Similar Chord Progressions

1. AC/DC – “Back In Black”:
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E Major (I)
D Major (bVII)
A Major (IV)
E Major (I)
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2. Creedence Clearwater Revival – “Fortunate Son”:
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G Major (I)
F Major (bVII)
G Major (I)
C Major (IV)
G Major (I)
F Major (bVII)
G Major (I)
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3. The Beatles – “Day Tripper”:
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E Major (I)
D Major (bVII)
A Major (IV)
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In summary, “Whole Lotta Love” by Led Zeppelin features a blues-based E-D-E chord progression, with its simplicity and hypnotic drive emblematic of the hard rock and blues rock styles pioneered by the band. Similar chord progressions can be found in songs by other influential rock artists, such as AC/DC, Creedence Clearwater Revival, and The Beatles.

Musical Analysis

The second chorus of “Whole Lotta Love” consists of alternating E and D major chords. The E major chord, being the tonic, establishes the key and provides stability, while the D major chord adds tension and release as it resolves back to the E major chord. This simple, repetitive progression creates a hypnotic, driving effect that is characteristic of rock and blues styles.

Overall Analysis

“Whole Lotta Love” by Led Zeppelin is a classic example of hard rock and blues rock, characterized by its driving rhythm, distorted guitar riff, and powerful vocal performance by Robert Plant. The harmonic structure of the song is relatively simple, with a focus on the blues-based E-D-E progression during the second chorus. Although seemingly basic, this progression contributes to the song’s raw, energetic vibe.

Style Analysis

In the 1960s and 70s, Led Zeppelin pioneered the hard rock and blues rock genres, drawing inspiration from American blues artists and transforming it into their unique sound. “Whole Lotta Love” exemplifies this style, with its intense energy, aggressive guitar riffs, and Plant’s emotive vocals. The simplicity of the chord progression allows for a focus on the melodic and rhythmic elements of the song, reflecting Led Zeppelin’s innovative approach to composition.

Chords in the Chorus 2 section of Whole Lotta Love by Led Zeppelin are:

E, D, E, D, E, D, E, D, E