Search

Related Music Theory Alchemy

The chord progression for verse 3 of Led Zeppelin’s “Stairway to Heaven” utilizes multiple techniques to create a rich and emotive sound. These techniques include diatonic chords, borrowed chords, and extended harmony. The progression follows a general pattern, with a repeated structure that helps unify the verse.

This mid-section of “Kashmir” by Led Zeppelin features a mixolydian/modal feel, which is mostly characterized by the use of the bVII chord (D major). The chord progression primarily revolves around a simple G and A alternation, which manifests an ♭II chord (A Major) borrowed from the Phrygian mode. Following this alternation, the chord progression ascends through a series of major chords before resolving back to A Major.

“House of the Rising Sun” by The Animals is a traditional folk song that features a distinctive, repetitive chord progression throughout the song. The tune has a somber, haunting quality and is set in a minor key. It has been covered by numerous artists over the years, but the version by The Animals is the most famous.

“The Sound of Silence” by Simon & Garfunkel is a song from the folk-rock genre. Built on simplicity with few chords used throughout the whole song, the primary focus of the song is on the hauntingly beautiful melody and the profound lyrics. It is written in the key of Am which gives the song a melancholic and somber tone.

The song “Rocky Raccoon” by The Beatles features a intriguing chord progression typically employed in blues and folk music that creates a captivating storytelling-style musical framework. The verse using the provided chords weaves an interesting tale via major and minor fluctuations giving an emotional depth to the lyrics.

Led Zeppelin – Stairway To Heaven – Verse 5

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

Am, G, F, Am, G, F, Am, G, F, Am, G, F, Am, G, F, Am, G, F, Am, G, F, Am, G, F, Am, G, F

Chord Progression Analysis

A minor (i), G major (VII), F major (VI), A minor (i), G major (VII), F major (VI), A minor (i), G major (VII), F major (VI), A minor (i), G major (VII), F major (VI), A minor (i), G major (VII), F major (VI), A minor (i), G major (VII), F major (VI), A minor (i), G major (VII), F major (VI), A minor (i), G major (VII), F major (VI), A minor (i), G major (VII), F major (VI)

Similar Chord Progressions

1. “While My Guitar Gently Weeps” by The Beatles: A minor (i), G major (VII), F major (VI), A minor (i), G major (VII), F major (VI).
2. “House of the Rising Sun” by The Animals: A minor (i), C major (III), D major (IV), F major (VI), A minor (i), E major (V), A minor (i), C major (III), E major (V).

Please note that while these progressions are not exactly the same as in “Stairway to Heaven,” they share similarities in structure and overall tonality.

Musical Analysis

The progression in Verse 5 alternates between the i, VII, and VI chords of the natural A minor scale. The use of only three different chords in this section provides a strong sense of stability and simplicity. The VII and VI chords have a descending motion providing a melodic contour that enhances the tension and release dynamic. There are no borrowed chords in this particular progression.

Overall Analysis

“Stairway to Heaven” by Led Zeppelin is recognized for its use of modal interchange, specifically borrowing chords from the parallel minor, and its distinct way of blending rock and folk music elements. This piece is in the key of A minor and the chord progression in Verse 5 is simple but quite effective.

Style Analysis

The simplicity and repetition of the chord progression contribute to the folk-like quality of “Stairway to Heaven.” Led Zeppelin is known for incorporating elements of blues, folk, and eastern music in their compositions, which contributes to the overall mystique and appeal of the piece. The use of acoustic guitar in the intro and verses further emphasizes the melding of rock and folk styles.

Chords in the Verse 5 section of Stairway To Heaven by Led Zeppelin are:

Am, G, F, Am, G, F, Am, G, F, Am, G, F, Am, G, F, Am, G, F, Am, G, F, Am, G, F, Am, G, F