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Related Music Theory Alchemy

This mid-section of “Kashmir” by Led Zeppelin features a mixolydian/modal feel, which is mostly characterized by the use of the bVII chord (D major). The chord progression primarily revolves around a simple G and A alternation, which manifests an ♭II chord (A Major) borrowed from the Phrygian mode. Following this alternation, the chord progression ascends through a series of major chords before resolving back to A Major.

The chord progression in verse 4 of “Since I’ve Been Loving You” has a striking mix of diatonic chords and chromatic chords that borrow from different modes, creating a unique and expressive progression found in the blues rock style. The progression features a predominantly minor tonality, with some tension points provided by the dominant seventh and major seventh chords.

The given chord progression for the interlude of “Gone Gone” by Tyler, The Creator appears to deviate from common patterns found in popular music. The progression consists of eight unique chords, which could create an interesting and complex sound.

The interlude piece from Weezer’s “Say It Ain’t So” features an eight-chord progression in the key of C major, with prevalent use of Roman numeral notation and borrowed chords from parallel minor scales. This progression is typical in rock and pop music, representing Weezer’s alternative rock style.

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This is a simple and common chord progression often known as “four chords” used often in pop and rock music. The song is in G Major and the progression has a I-V-vi-IV pattern.

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Led Zeppelin – Kashmir – Interlude

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Chord Progression

A, A

Chord Progression Analysis

A Major (I) – A Major (I)

Similar Chord Progressions

1. The Beatles – “Tomorrow Never Knows”
C Major (I) – C Major (I)
2. Radiohead – “Creep”
G Major (I) – G Major (I)
3. The Doors – “The End”
E Minor (i) – E Minor (i)

These songs feature similar repeated chord progressions, though the specific chords and overall styles of the music may vary significantly.

Musical Analysis

The interlude features a very simple chord progression, consisting only of the A Major chord repeated twice. This repetition serves to emphasize the tonal center of the piece and creates a sense of stability and resolution. As there are no borrowed chords in this interlude, it is a clear example of harmony derived from the major mode.

Overall Analysis

“Kashmir” by Led Zeppelin is a classic rock song that is well-known for its distinctive and mysterious sound. This interlude, in particular, creates a sense of tension and resolution through its simple but effective chord progression. The overall harmonic structure is built on a modal mixture, drawing from both the major and minor modes, which contributes to its unique atmosphere.

Style Analysis

“Kashmir” incorporates elements of both rock and world music, with the latter being most evident in the use of exotic-sounding scales and non-Western instrumentation. The repetition of the A Major chord in this interlude can be seen as a reflection of the drone-like quality often found in Indian classical music. Furthermore, the combination of simple harmonic structure and the unique timbres of the instruments used contribute to its overall sense of mystique, which is a hallmark of Led Zeppelin’s style.

Chords in the Interlude section of Kashmir by Led Zeppelin are:

A, A