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“Somewhere Only We Know” composed by Keane, is a pop-ballad that is based in the key of A Minor. It makes use of both diatonic and borrowed chords in a modern pop style progression that creates an oscillating feel, with repetition for familiarity and simple melody drawn from the underlying chords.

“Somewhere Only We Know” by Keane is a pop/rock song written in the key of A Major, although the chord progression given seems to be transposed to the key of C Major. It is characterized by its use of repeated motifs and sequenced chord progressions to create a sense of familiarity and typical of the pop genre.

The outro of Jeff Buckley’s “Hallelujah” features a chord progression in the key of C Major. It includes common chords from the key, as well as some borrowed chords from the parallel minor key (C minor), which adds a level of tension and emotion to the progression. The outro has a cyclical nature, with the chords leading smoothly back into the beginning and building a sense of conclusion.

The outro of ‘Hey Jude’ by The Beatles is a prime example of a repeated chord progression, specifically a repeated loop of D-C-G-D. This progression is repeated throughout the last significant section of the song, often referred to as the “na na na” section, essentially becoming a kind of mantra or chant that brings the song to a sustained and palpable resolution.

“Island in the Sun” by Weezer is in the key of G major and features a simple yet catchy chord progression in its outro. The progression is characterized by its bright, uplifting sound and follows a common pop/rock formula. It also has a nostalgic, summery feel, making it a perfect fit for the song’s title and theme.

Keane – Somewhere Only We Know – Outro

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Chord Progression

[‘Dm’, ‘C’, ‘G’, ‘Dm’, ‘Em’, ‘C’, ‘Dm’, ‘Em’, ‘Dm’, ‘Em’, ‘Dm’, ‘C’]

Chord Progression Analysis

`Dm – C – G – Dm – Em – C – Dm – Em – Dm – Em – Dm – C`

`D minor (ii) – C Major (I) – G Major (V) – D minor (ii) – E minor (iii) – C Major (I) – D minor (ii) – E minor (iii) – D minor (ii) – E minor (iii) – D minor (ii) – C Major (I)`

As far as borrowed chords are concerned, there are none in this progression; all chords belong to the key of C Major.

Similar Chord Progressions

1. Beatles – “Let It Be”:
`C Major (I) – G Major (V) – A minor (vi) – F Major (IV) – C Major (I) – G Major (V) – F Major (IV) – C Major (I)`
2. Elton John – “Your Song”:
`E flat Major (I) – B flat Major (V) – A flat Major (IV) – E flat Major (I) – F minor (ii) – G minor (iii) – A flat Major (IV) – E flat Major (I)`
3. Oasis – “Wonderwall”:
`C Major (I) – E minor (vi) – G Major (V) – D Major (II) – C Major (I) – E minor (vi) – G Major (V) – D Major (II)`

These songs share a similar style of focusing the melody and structure around simple chord progressions, giving room for the lyrics and melody to breathe and take the spotlight. They also have slightly unconventional sequences, giving each song its own unique character.

Musical Analysis

The chord progression is cyclic in nature and provides an interesting harmonic bedrock. The repetitive alternation between ii-I/V chords lends an emotional tinge to the song. The song also uses the iii chord (Em), adding a different color to the otherwise familiar pattern and giving the song a bit of tension that is released when the chord progression moves back to the I chord (C Major).

Overall Analysis

“Somewhere Only We Know” by Keane is a softly and tenderly written song that rests primarily on the key of C Major. However, it uses a fair amount of borrowed chords from the parallel minor key, giving it a warm, melancholic tone, which is typical of many pop ballads.

Style Analysis

The band Keane is known for their piano-driven pop/rock sound, and “Somewhere Only We Know” is a clear exemplification of that. In its chord progression, the song employs a brand of simplicity, repetitive cycling, and a sprinkle of unconventional chord usage (iii = Em) that make up their distinctive style of modern rock/pop music.

Chords in the Outro section of Somewhere Only We Know by Keane are:

[‘Dm’, ‘C’, ‘G’, ‘Dm’, ‘Em’, ‘C’, ‘Dm’, ‘Em’, ‘Dm’, ‘Em’, ‘Dm’, ‘C’]