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The chord progression in the intro of “After the Storm” by Kali Uchis showcases a mix of diatonic and chromatic movements, borrowing elements from jazz and R&B. The use of 7th chords and an augmented chord suggests a harmonically rich and colorful tonality, creating an intriguing atmosphere that captures the listener’s attention.

The chord progression in the chorus of Kali Uchis’ “After The Storm” features a repeating progression of Am7, Bm7, and Eaug that occurs three times, with slight variations in harmony and tonality. It is a unique and interesting progression that creates tension through the use of both minor 7th and augmented chords. The overall style evokes a dreamy, jazzy atmosphere with elements of R&B and soul.

“Somewhere Only We Know” by Keane is a softly and tenderly written song that rests primarily on the key of C Major. However, it uses a fair amount of borrowed chords from the parallel minor key, giving it a warm, melancholic tone, which is typical of many pop ballads.

“Think I’m In Love” by Beck is a pop-infused indie rock piece that features an easy-going, catchy melody and a simple yet effective chord progression. The use of repetitive chords throughout the Outro creates a sense of stability and familiarity. The Outro builds upon the tonal center of F Major established earlier in the song and prolongs the tonic, adding to the song’s overall sense of closure and resolution.

The chord progression in the outro of Beck’s “Say Goodbye” is an interesting combination of diatonic and chromatic elements. The use of the borrowed chord A# major in the mostly diatonic setting adds an unexpected twist to the progression, creating a unique and expressive harmonic landscape.

Kali Uchis – After The Storm – Outro

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Chord Progression

G#m7, A#m7, D#aug

Chord Progression Analysis

“`
G#m7 (i7),
A#m7 (ii7),
D#aug (V+)
“`

Similar Chord Progressions

1. “Remember Where You Are” by Jessie Ware
“`
Fmaj7 (I7),
G7 (II7),
Em7 (vi7),
Faug (V+)
“`

2. “Who Is It” by Michael Jackson
“`
Am7 (i7),
Bm7 (ii7),
Eaug (V+)
“`

3. “Chanel” by Frank Ocean
“`
Bmaj7 (IMaj7),
C#m7 (ii7),
F#7#5 (V7+)
“`

In each of these songs, the artists also use minor seventh and augmented chords for similar emotional effects and harmonic interest as in “After The Storm.” These chord progressions illustrate the influence of jazz harmony and neo-soul in contemporary music, showing a connection to Kali Uchis’ outro in “After The Storm.”

Musical Analysis

The progression starts with a G#m7 chord, which is the tonic minor seventh chord and conveys a stable and grounded sensation. Following this, the A#m7 serves as a neighboring supertonic, helping the music transition smoothly while maintaining the minor quality. Finally, the D#aug chord, a dominant augmented chord (V+), introduces the feeling of tension and urgency. It creates an expectation for a resolution back to the tonic, which may occur earlier in the song, but not in the outro.

Overall Analysis

The chord progression in the outro of “After The Storm” by Kali Uchis is a relatively simple and concise one, having just three chords: G#m7, A#m7, and D#aug. Considering that the key of this song is G# minor, the progression makes use of diatonic and non-diatonic chords. Moreover, incorporating an augmented chord lends a feeling of tension and anticipation that makes the outro stand out.

Style Analysis

Kali Uchis is known for mixing various genres like R&B, soul, jazz, and hip-hop in her music. The use of minor seventh chords and an augmented dominant chord in this progression is reminiscent of neo-soul and jazz harmony, which often incorporates complex chords and dissonant elements for richer textures and emotional impact.

Chords in the Outro section of After The Storm by Kali Uchis are:

G#m7, A#m7, D#aug