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Related Music Theory Alchemy

The chord progression in the bridge of Kali Uchis’ “After The Storm” consists of two alternating chords, Amaj7 and Dmaj7, played repeatedly. This progression is simple yet effective, creating a smooth and mellow atmosphere that matches well with the song’s overall neo-soul and R&B vibe. The arrangement is in the key of A Major and has a diatonic structure without any borrowed chords.

The given chord progression is the Pre-Chorus section of “After The Storm” by Kali Uchis. The chords in this progression are predominantly built on the 1st and 2nd degrees of the minor scale. The recurring use of the Eaug chord injects an interesting and stylish twist into the music.

“1979” by The Smashing Pumpkins is written in the A major key and showcases various examples of modal interchange, also known as borrowed chords. The song switches often between the major and minor modes, providing a dynamic interplay of moods. The outro particularly stands out due to its use of both major and maj7th chords, a somewhat unusual combination. Emaj7 adds color and complexity to the progression, as a borrowed chord from the E major scale.

“Everything In Its Right Place” by Radiohead is an experimental and ambient piece released in 2000 as part of their album “Kid A.” The piece defies traditional pop and rock song forms, delving more into the territory of electronic and experimental music. The outro chord progression is simple but intriguing, serving a hypnotic and unresolved quality that keeps the listener engaged.

“Set Fire To The Rain” is a song that largely follows the conventions of pop music, with its simple and repetitive chord progressions echoing those in many similar genres. The chord progression observed in the Outro is primarily a combination of minor and major chords that provide a melancholic and intense undertone to the song’s overall theme. The song is in the key of A minor and the chord progression in the Outro starts on the key’s root chord (‘Am’).

Kali Uchis – After The Storm – Outro

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Chord Progression

G#m7, A#m7, D#aug

Chord Progression Analysis

“`
G#m7 (i7),
A#m7 (ii7),
D#aug (V+)
“`

Similar Chord Progressions

1. “Remember Where You Are” by Jessie Ware
“`
Fmaj7 (I7),
G7 (II7),
Em7 (vi7),
Faug (V+)
“`

2. “Who Is It” by Michael Jackson
“`
Am7 (i7),
Bm7 (ii7),
Eaug (V+)
“`

3. “Chanel” by Frank Ocean
“`
Bmaj7 (IMaj7),
C#m7 (ii7),
F#7#5 (V7+)
“`

In each of these songs, the artists also use minor seventh and augmented chords for similar emotional effects and harmonic interest as in “After The Storm.” These chord progressions illustrate the influence of jazz harmony and neo-soul in contemporary music, showing a connection to Kali Uchis’ outro in “After The Storm.”

Musical Analysis

The progression starts with a G#m7 chord, which is the tonic minor seventh chord and conveys a stable and grounded sensation. Following this, the A#m7 serves as a neighboring supertonic, helping the music transition smoothly while maintaining the minor quality. Finally, the D#aug chord, a dominant augmented chord (V+), introduces the feeling of tension and urgency. It creates an expectation for a resolution back to the tonic, which may occur earlier in the song, but not in the outro.

Overall Analysis

The chord progression in the outro of “After The Storm” by Kali Uchis is a relatively simple and concise one, having just three chords: G#m7, A#m7, and D#aug. Considering that the key of this song is G# minor, the progression makes use of diatonic and non-diatonic chords. Moreover, incorporating an augmented chord lends a feeling of tension and anticipation that makes the outro stand out.

Style Analysis

Kali Uchis is known for mixing various genres like R&B, soul, jazz, and hip-hop in her music. The use of minor seventh chords and an augmented dominant chord in this progression is reminiscent of neo-soul and jazz harmony, which often incorporates complex chords and dissonant elements for richer textures and emotional impact.

Chords in the Outro section of After The Storm by Kali Uchis are:

G#m7, A#m7, D#aug