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Related Music Theory Alchemy

“Hurt”, written by Nine Inch Nails, exudes melancholy and despair through a slow progression that weaves intricate melodies between the chords. The tonality is primarily in B minor, but introduces D, E, A, and G chords throughout, indicating some mode mixture or borrowed chord use.

The chorus maintains a feeling of resolution and tension by alternating between the IV (F major) and V (G major) chords, while the vi (A minor) to V/vi (E major) progression provides a smooth transition back to the IV chord (F major).

In terms of borrowed chords, the E Major is a borrowed chord.
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E major (V/vi)
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“Whole Lotta Love” by Led Zeppelin is a classic example of hard rock and blues rock, characterized by its driving rhythm, distorted guitar riff, and powerful vocal performance by Robert Plant. The harmonic structure of the song is relatively simple, with a focus on the blues-based E-D-E progression during the second chorus. Although seemingly basic, this progression contributes to the song’s raw, energetic vibe.

The “Like Clockwork” track by Queens of the Stone Age showcases a wide range of harmonic complexity. The track is in the key of F# minor and it is characterized by non-traditional chord progressions. From the range of chords used within the song, it’s clear that the song deviates from strict diatonic harmony, and freely borrows chords from parallel keys (modal mixture).

Johnny Cash – Hurt – Chorus 2

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Chord Progression

[‘Am’, ‘F’, ‘C’, ‘G’]

Chord Progression Analysis

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vi, IV, I, V
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Similar Chord Progressions

1. “Let It Be” by The Beatles:
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C – G – Am – F
I – V – vi – IV
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2. “No Woman, No Cry” by Bob Marley:
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C – G – Am – F
I – V – vi – IV
“`

3. “Poker Face” by Lady Gaga:
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G#m – E – B – F#
vi – IV – I – V
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4. “Can’t Stop the Feeling!” by Justin Timberlake:
“`
Am – F – C
vi – IV – I
“`

As seen in each of the examples, the (I – V – vi – IV) progression is very common and effective for creating pop/rock songs. In each case, the mood of the song is impacted by the artists’ handling of tempo, rhythm, melody, and lyrics over the chord progression.

Musical Analysis

Rhythmically, the song has an almost march-like quality, with a steady tempo that reinforces the desolate, endless feel of the song. Melodically, “Hurt” is straightforward, making use of the tonal center C and focusing primarily on the tonic, third, and fifth tones of the scale with infrequent chromatic non-chord tone use.

Overall Analysis

“Hurt” is a song written and composed by Trent Reznor, best known for its version covered by Johnny Cash in C major. The song employs a commonly used pop/rock chord progression (vi- IV- I- V), that aids the conveyance of the theme of regret and redemption. The use of the minor vi chord (Am) as the starting point of the progression provides a very melancholy feel that aligns with the overall tone of regret in the lyrics. The progression then moves to a major IV (F), suggestive of a brief glimpse of hope or relief, before settling into the home key of C. The progression rounds off with a V chord (G), propelling the sequence back to the beginning again, giving a cyclic, repeating, and enduring feel to the music.

Style Analysis

Johnny Cash’s rendition of the song retains the somber feel of the original yet imbues it with his characteristic country sound, his deep baritone voice, and just an accompaniment on his acoustic guitar. The simplicity and stripped back nature of the performance, combined with the weightiness the chord progression lends itself to the sincerity of the emotion that is being conveyed – regret, salvation, and ultimately, acceptance.

Chords in the Chorus 2 section of Hurt by Johnny Cash are:

[‘Am’, ‘F’, ‘C’, ‘G’]